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Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyDemocritus Junior to the Reader

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Facing Pages · Branch 52 of 1495

Democritus Junior to the Reader

1651 English

27–28

If Democritus were alive now, he should see strange alterations, a new company of counterfeit vizards, whiflers, Cumane asses, maskers, mummers, painted Puppets, outsides, phantastick shadows, guls, monsters, giddy-heads, butter-flies. And so many of them are indeed (if all be true that I have read) For when Jupiter & Juno’s wedding was solemnized of old, the gods were all invited to the feast, and many noble men besides: Amongst the rest came Crysalus a Persian prince, bravely attended, rich in golden attires, in gay robes, with a majesticall presence, but otherwise an asse.

The gods seeing him come in such pomp and state, rose up to give him place, ex habitu hominem metientes; but Jupiter perceiving what he was, a light, phantastick, idle fellow, turned him and his proud followers into butter-flies: and so they continue still (for ought I know to the contrary) roving about in pied-coats, and are called Chrysalides by the wiser sort of men: that is, golden outsides, drones, flies, and things of no worth. Multitudes of such, &c. ——ubique invenies Stultos avaros, sycophantas prodigos.

Many additions, much increase of madnesse, folly, vanity, should Democritus observe, were he now to travel, or could get leave of Pluto to come see fashions, as Charon did in Lucian to visit our cities of Moronia Pia, and Moronia Fælix, sure I think he would break the rim of his belly with laughing. Si foret in terris rideret Democritus, seu, &c. A satyrical Roman in his time, thought all vice, folly, and madnesse were all at full sea, Omne in præcipiti vitium stetit. ——

Josephus the historian taxeth his countrey-men Jews for bragging of their vices, publishing their follies, and that they did contend amongst themselves, who should be most notorious in villanies; but we flow higher in madnesse, far beyond them, Mox daturi progeniem vitiosiorem, and the latter end (you know whose oracle it is) is like to be worst.

Tis not to be denied, the world alters every day, Ruunt urbes, regna transferuntur, &c. variantur habitus, leges innovantur, as Petrarch observes, we change language, habits, laws, customs, manners, but not vices, not diseases, not the symptoms of folly and madnesse, they are still the same. And as a River we see, keeps the like name and place, but not water, and yet ever runs, Labitur & labetur in omne volubilis ævum; Our times and persons alter, vices are the same, and ever will be; look how Nightingals sang of old, Cocks crowed, Kine lowed, Sheep bleated, Sparrows chirped, Dogs barked, so they do still; we keep our madnesse still, play the fools still, nec dum finitus Orestes, we are of the same humors and inclinations as our predecessors were, you shall finde us all alike, much at one, we and our sons, Et nati natorum, & qui nascuntur ab illis, And so shall our posterity continue to the last. But to speak of times present.

27–28

The Anatomy of Melancholy: Democritus Junior to the Reader

p. 52

If Democritus were alive now, he would see strange transformations: a new company of false faces, triflers, asses of Cumae, masked performers, mummers, painted puppets, mere exteriors, fantastic shadows, dupes, monsters, scatterbrains, butterflies. And many of them really are butterflies, if everything I have read is true. For when Jupiter and Juno celebrated their wedding long ago, all the gods were invited to the feast, and many noblemen besides. Among them came Crysalus, a Persian prince, splendidly attended, richly dressed in gold and fine robes, with a majestic bearing—but otherwise an ass.

Seeing him arrive in such pomp and state, the gods rose to make room for him, “judging the man by his dress.” But Jupiter recognized him for what he was—a frivolous, fanciful, worthless fellow—and turned him and his proud followers into butterflies. So they remain, as far as I know, flitting about in many-coloured coats. Wiser people call them Chrysalides: golden exteriors, drones, flies, worthless things. There are multitudes of them, and so on. Everywhere you will find fools, misers, swindlers, spendthrifts.

Democritus would find many additions and a great increase in madness, folly, and vanity if he travelled now—or could get Pluto’s permission to come and see the fashions, as Charon does in Lucian—and visited our cities of Pious Fool-land and Fortunate Fool-land. I am sure he would split his sides laughing. If Democritus were here on earth, he would laugh, whether, and so on. A Roman satirist thought in his own time that every vice, folly, and madness had reached high tide: Every vice stood at the brink.

The historian Josephus rebukes his Jewish countrymen for boasting of their vices, advertising their follies, and competing to be the most notorious villains. But our madness rises higher, far beyond theirs: Soon to produce a still more vicious generation. And the final state—you know whose pronouncement this is—is likely to be the worst.

There is no denying that the world changes every day: “Cities fall, kingdoms change hands, and so on; dress changes, laws are remade,” as Petrarch observes. We change our language, clothing, laws, customs, and manners, but not our vices or diseases, or the symptoms of folly and madness: those remain the same. A river, as we see, keeps its name and place, though not its water, and still flows: It flows and will flow, rolling on for all time. Our times and individual persons change; our vices remain the same and always will. Nightingales sang, cocks crowed, cattle lowed, sheep bleated, sparrows chirped, and dogs barked long ago; they still do. We keep our madness and still play the fool: “Orestes is not finished yet.” We have the same dispositions and inclinations as our predecessors. You will find us all alike, much the same, ourselves and our sons, and our sons’ sons, and those born of them. Our descendants will continue so to the end. But let us speak of the present.

52

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.