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Facing Pages · Branch 512 of 1495
Member 5. Sleeplessness and Frightening Dreams Remedied.
1651 English
288–289For as he said in Lucian after such conference, Hecates somniare mihi videor, I can think of nothing but Hobgoblins: and as Tully notes, for the most part our speeches in the day time, cause our phantasy to work upon the like in our sleep; which Ennius writes of Homer:
Et canis in somnis leporis vestigia latrat:As a dog dreams of an Hare, so do men, on such subjects they thought on last.
Somnia quæ mentes ludunt volitantibus umbris, Nec delubra deûm, nec ab æthere numina mittunt, Sed sibi quisque facit, &c.For that cause when Ptolomy King of Egypt had posed the 70 interpreters in order, and asked the nineteenth man, what would make one sleep quietly in the night, he told him, the best way was to have divine and celestiall meditations, and to use honest actions in the day time.
Lod. Vives wonders how Schoolmen could sleep quietly, and were not terrified in the night, or walke in the darke, they had such monstrous questions, and thought of such terrible matters all day long. They had neede amongst the rest to sacrifice to God Morpheus, whom Philostratus paints in a white and black coat, with a horn and Ivory box full of dreams, of the same colours, to signifie good and bad.
If you will know how to interpret them, read Artemidorus, Sambucus and Cardan; but how to help them, I must refer you to a more convenient place.
The Anatomy of Melancholy: Member 5. Sleeplessness and Frightening Dreams Remedied.
p. 512For, as the speaker in Lucian said after such conversation, “I seem to dream of Hecates”: I can think of nothing but hobgoblins. And, as Cicero observes, our daytime conversations generally cause our imagination to work on similar things in sleep; so Ennius writes of Homer.
And in its dreams a dog barks at a hare’s tracks.
As a dog dreams of a hare, so do men dream of the subjects they last thought about.
Dreams that mock our minds with flitting shadows Are sent neither by the gods’ shrines nor by powers from heaven; Each person makes them for himself, and so forth.
For this reason, when Ptolemy, king of Egypt, had questioned the seventy translators in order, and asked the nineteenth what would make a man sleep quietly at night, he answered that the best way was to contemplate divine and heavenly things and perform upright actions during the day.
Luis Vives wonders how the scholastics could sleep quietly, without being terrified at night, or walk in the dark, since they entertained such monstrous questions and thought about such dreadful matters all day. Among other precautions, they needed to sacrifice to the god Morpheus, whom Philostratus depicts in a black-and-white coat, with a box of horn and ivory full of dreams of the same colours, signifying good and bad.
If you want to know how to interpret them, read Artemidorus, Sambucus, and Cardano. But for their relief, I must refer you to a more suitable place.
Socrates
Reading The Anatomy of Melancholy · Member 5. Sleeplessness and Frightening Dreams Remedied.
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Socrates will begin with this book and its sources.About This Reading Edition
Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.
Historical Text and Translation
The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.
About Diotimos Editions
Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.
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Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.
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