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Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyMember 3. Air Corrected. With a Digression on Air.

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Facing Pages · Branch 473 of 1495

Member 3. Air Corrected. With a Digression on Air.

1651 English

257–257–258

and so whilest these men contend about the Sun and Moon, like the Philosophers in Lucian, it is to be feared, the Sun and Moon will hide themselves, and be as much offended as shee was with those, and send another message to Jupiter, by some new fangled Icaromenippus, to make an end of all those curious Controversies, and scatter them abroad.

But why should the Sun and Moon be angry, or take exceptions at Mathematicians and Philosophers? when as the like measure is offered unto God himself, by a company of Theologasters: they are not contented to see the Sun and Moon, measure their site and biggest distance in a glass, calculate their motions, or visit the Moon in a Poeticall fiction, or a dream, as he saith, Audax facinus & memorabile nunc incipiam, neque hoc sæculo usurpatum prius, quid in Lunæ regno hâc nocte gestum sit exponam, & quo nemo unquam nisi somniando pervenit, but he and Menippus:

or as Peter Cuneus, Bonâ fide agam, nihil eorum quæ scripturus sum, verum esse scitote, &c. quæ nec facta, nec futura sunt, dicam, stili tantum & ingenii causâ, not in jest, but in good earnest these gyganiticall Cyclopes will transcend spheres, heaven, stars, into that Empyrean heaven, soare higher yet, and see what God himself doth.

The Jewish Thalmudists take upon them to determine how God spends his whole time, sometimes playing with Leviathan, sometime over-seeing the world, &c. like Lucians Jupiter, that spent much of the year in painting butter-flies wings, and seeing who offered sacrifice; telling the houres when it should rain, how much snow should fall in such a place, which way the winde should stand in Greece, which way in Africk.

In the Turks Alcoran, Mahomet is taken up to heaven, upon a Pegasus sent a purpose from him, as he lay in bed with his wife, and after some conference with God is set on ground again. The Pagans paint him and mangle him after a thousand fashions; our Hereticks, Schismaticks, and some Schoolmen, come not far behind:

some paint him in the habit of an old man, and make Maps of heaven, number the Angels, tell their severall names, offices: some deny God and his providence, some take his office out of his hand, will binde and loose in heaven, release, pardon, forgive, and be quarter-master with him;

257–257–258

The Anatomy of Melancholy: Member 3. Air Corrected. With a Digression on Air.

p. 473

And so, while these men dispute about the sun and moon like the philosophers in Lucian, we may fear that the sun and moon will hide themselves, as offended as the moon was with those philosophers, and send another message to Jupiter through some newly contrived Icaromenippus, to put an end to all these prying controversies and scatter the disputants abroad.

But why should the sun and moon be angry or take offence at mathematicians and philosophers, when God himself receives the same treatment from a company of petty theologians? They are not content to observe the sun and moon, measure their positions and greatest distance through a telescope, calculate their movements, or visit the moon in a poetic fiction or a dream, as one writer says: “I shall now undertake a bold and memorable feat, not attempted before in this age: I shall tell what happened last night in the moon’s kingdom, where no one has ever arrived except in a dream”—apart from himself and Menippus.

Or, as Peter Cunaeus says, “I shall deal honestly: know that nothing I am about to write is true, and so forth. I shall tell of things that have neither happened nor will happen,” “merely to exercise my style and wit.” But these gigantic Cyclopes, quite seriously and without jesting, will pass beyond spheres, heaven, and stars into the Empyrean heaven, soar higher still, and see what God himself does.

The Jewish Talmudists take it upon themselves to determine how God spends all his time: sometimes playing with Leviathan, sometimes overseeing the world, and so forth. Like Lucian’s Jupiter, who spent much of the year painting butterflies’ wings and seeing who offered sacrifice; fixing the hours when it should rain, how much snow should fall in a particular place, which way the wind should blow in Greece, and which way in Africa.

In the Turks’ Koran, Muhammad is carried up to heaven on a Pegasus sent specially by God, as he lay in bed with his wife, and after some conversation with God is set down on earth again. The pagans depict God and distort him in a thousand ways; our heretics, schismatics, and some scholastics are not far behind.

Some portray him in the guise of an old man, draw maps of heaven, count the angels, and give their various names and offices. Some deny God and his providence; some take his office out of his hands, presuming to bind and loose in heaven, release, pardon, forgive, and share his command.

473

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.