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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyMember 3. Air Corrected. With a Digression on Air.

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1651 English Page · Branch 464 of 1495

Member 3. Air Corrected. With a Digression on Air.

1651 English

250–251

Are these and such creatures, corn, wood, stones, worms, wooll, blood, &c. lifted up into the middle Region by the Sun beams, as Baracellus the Physitian disputes, and thence let fall with showres, or there ingendred? Cornelius Gemma is of that opinion, they are there conceived by celestiall influences: others suppose they are immediately from God, or prodigies raised by art and illusions of spirits, which are Princes of the ayre; to whom Bodin lib. 2. Theat. Nat. subscribes.

In fine, of Meteors in generall, Aristotles reasons are exploded by Bernardinus Telesius, by Paracelsus his Principles confuted, and other causes assigned, Sal, Sulphur, Mercury, in which his Disciples are so expert, that they can alter Elements, and separate at their pleasure, make perpetuall motions, not as Cardan, Tasneir, Peregrinus, by some magneticall vertue, but by mixture of elements;

imitate thunder, like Salmoneus, snow, hail, the seas ebbing and flowing, give life to creatures (as they say) without generation, and what not? P. Nonius Saluciensis, and Kepler take upon them to demonstrate, that no Meteors, Clouds, Fogges, Vapors, arise higher than 50. or 80. miles, and all the rest to be pure aire or Element of fire:

which Cardan, Tycho, and John Pena manifestly confute by refractions, and many other arguments, there is no such element of fire at all. If, as Ticho proves, the Moon be distant from us 50. and 60. Semidiameters of the earth: and as Peter Nonius will have it, the aire be so angust,

what proportion is there betwixt the other three Elements and it? to what use serves it? is it full of spirits which inhabit it, as the Paracelsians and Platonists hold, the higher the more noble, full of birds, or a meer vacuum to no purpose?

It is much controverted betwixt Tycho Brahe and Christopher Rotman the Lantsgrave of Hassia’s Mathematician, in their Astronomicall Epistles, whether it be the same Diaphanum, cleerness, matter of aire and heavens, or two distinct Essences?

Christopher Rotman, John Pena, Iordanus Brunus, with many other late Mathematicians, contend it is the same, and one matter throughout, saying that the higher still the purer it is, and more subtile, as they finde by experience in the top of some hills in America; if a man ascend, he faints instantly for want of thicker ayre to refrigerate the heart.

Acosta l. 3. c. 9. calls this mountain Periacaca in Peru, it makes men cast and vomit, he saith, that climb it, as some other of those Andes do in the desarts of Chila for 500. miles together, and for extremity of cold to lose their fingers and toes.

250–251

The Anatomy of Melancholy: Member 3. Air Corrected. With a Digression on Air.

p. 464

Are these and similar creatures, grain, wood, stones, worms, wool, blood, and so on, lifted into the middle region by the sun’s rays, as the physician Baricellus discusses, and then dropped with showers; or are they generated there? Cornelius Gemma holds that view: they are conceived there through celestial influences. Others suppose that they come directly from God, or are prodigies produced by the craft and illusions of spirits, the princes of the air. Bodin subscribes to this view in book 2 of his Theatre of Nature.

In short, on atmospheric phenomena generally, Aristotle’s explanations are rejected by Bernardino Telesio; his principles are refuted by Paracelsus, and other causes assigned—salt, sulphur, and mercury. Paracelsus’s disciples are so expert in these that they can alter elements and separate them at will, produce perpetual motions, not through some magnetic power, as Cardan, Taisnier, and Peregrinus propose, but by mixing elements;

imitate thunder, like Salmoneus, snow, hail, and the ebb and flow of the sea; give life to creatures, so they say, without reproduction—and what else besides? Pedro Nunes of Alcácer do Sal and Kepler undertake to demonstrate that no atmospheric phenomena, clouds, fogs, or vapours rise higher than fifty or eighty miles, and that all the rest is pure air or the element of fire.

Cardan, Tycho, and Jean Pena plainly refute this by refraction and many other arguments: there is no such element of fire at all. If, as Tycho proves, the moon is fifty or sixty earth radii away from us, and if, as Pedro Nunes maintains, the air occupies so narrow a space,

what proportion is there between it and the other three elements? What purpose does it serve? Is it full of spirits dwelling there, as the Paracelsians and Platonists hold—the higher, the nobler? Is it full of birds, or a mere vacuum serving no purpose?

Tycho Brahe and Christoph Rothmann, mathematician to the Landgrave of Hesse, debate at length in their Astronomical Letters whether the air and the heavens have the same “transparent medium,” the same transparency and matter, or are two distinct substances.

Christoph Rothmann, Jean Pena, Giordano Bruno, and many other recent mathematicians maintain that it is the same: one substance throughout, becoming ever purer and finer the higher it rises. They say this is found by experience on the tops of certain mountains in America: if someone climbs up, he immediately faints for lack of denser air to cool the heart.

Acosta, in book 3, chapter 9, calls this mountain Pariacaca, in Peru. It makes those who climb it retch and vomit, he says, as do other mountains of the Andes in the deserts of Chile for five hundred miles together; and through the extreme cold they lose their fingers and toes.

464

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.