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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyMember 2, Subsection 1 Symptoms of Head Melancholy

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Modern English Page · Branch 391 of 1495

Member 2, Subsection 1 Symptoms of Head Melancholy

1651 English

198–199–199

The symptomes of the minde are superfluous and continuall cogitations; for when the head is heated, it scorcheth the blood, and from thence proceed melancholy fumes, which trouble the minde, Avicenna. They are very cholerick, and soon hot, solitary, sad, often silent, watchfull, discontent, Montaltus cap. 24. If any thing trouble them, they cannot sleep, but fret themselves still, till another object mitigate, or time wear it out.

They have grievous passions, and immoderate perturbations of the mind, fear, sorrow, &c. yet not so continuate, but that they are sometimes merry, apt to profuse laughter, which is more to be wondred at, and that by the authority of Galen himself, by a reason of mixture of blood, prærubri jocosis delectantur & irrisores plerumque sunt, if they be ruddy, they are delighted in jests, and oftentimes scoffers themselves, conceipted; and as Rhodericus à Vega comments on that place of Galen, merry, witty, of a pleasant disposition, and yet grievously melancholy anon after: omnia discunt sine doctore, saith Areteus, they learn without a teacher:

and as Laurentius supposeth, those ferall passions and Symptomes of such as think themselves glass, pitchers, feathers, &c. speak strange languages, proceed a calore cerebri (if it be in excess) from the brains distempered heat.

198–199–199

The Anatomy of Melancholy: Member 2, Subsection 1 Symptoms of Head Melancholy

p. 391

The symptoms of the mind are excessive and continual thoughts; for when the head is heated it scorches the blood, and melancholic fumes arise from it and trouble the mind: Avicenna. They are very irritable and quickly angered, solitary, sad, often silent, sleepless and discontented: Montaltus, chapter 24. If anything troubles them, they cannot sleep but keep fretting until something else eases the distress or time wears it away.

They have grievous passions and excessive disturbances of mind—fear, sorrow and the like—yet these are not so continuous that they are never cheerful. Sometimes they are prone to unrestrained laughter, which is all the more surprising; and this is explained, on Galen’s own authority, by an admixture of blood. “The very ruddy delight in jokes and are generally mockers”: if ruddy, they enjoy jests and are often witty scoffers themselves; and, as Rhodericus à Vega comments on that passage of Galen, they are merry, witty and pleasant in disposition, yet deeply melancholic soon afterwards. “They learn everything without a teacher,” says Aretaeus: they learn without a teacher.

And, as Laurentius supposes, those dreadful passions and symptoms in people who think themselves glass, pitchers, feathers, and so on, or speak unfamiliar languages, proceed “from the heat of the brain,” if excessive—from its disordered heat.

391

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.