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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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1651 English Page · Branch 383 of 1495

Subsection 3 Particular Symptoms From the Influence of Stars, Parts of The…

1651 English

192–193

but most ascribe it to the humour, which opinion Montaltus cap. 21 stiffly maintains, confuting Avicenna and the rest, referring it wholly to the quality and disposition of the humour and subject. Cardan de rerum var. lib. 8. cap. 10. holds these men of all others to be assassinates, bold, hardy, fierce, and adventurous, to undertake any thing by reason of their choler adust.

This humor, saith he, prepares them to endure death it self, and all manner of torments with invincible courage, and ’tis a wonder to see with what alacrity they will undergoe such tortures, ut supra naturam res videatur: he ascribes this generosity, fury, or rather stupidity, to this adustion of choler and melancholy: but I take these rather to be mad or desperate, then properly melancholy: for commonly this humor so adust and hot, degenerates into madnesse.

If it come from melancholy it self adust, those men, saith Avicenna, are usually sad and solitary, and that continually, and in excess, more then ordinary suspicious, more fearfull, and have long, sore, and most corrupt imaginations; cold and black, bashfull, and so solitary, that as Arnoldus writes, they will endure no company, they dream of graves still, and dead men, and think themselves bewitched or dead:

if it be extream, they think they hear hideous noyses, see and talk with black men, and converse familiarly with devils, and such strange Chimera’s and visions, (Gordonius) or that they are possessed by them, that some body talks to them, or within them. Tales melancholici plerumque dæmoniaci, Montaltus consil. 26. ex Avicenna. Valescus de Taranta, had such a woman in cure, that thought she had to do with the devil: and Gentilis Fulgosius quæst. 55. writes that he had a melancholy friend, that had a black man in the likenesse of a Souldier, still following him wheresoever he was.

Laurentius cap. 7. hath many stories of such as have thought themselves bewitched by their enemies; and some that would eat no meat as being dead. Anno 1550. an Advocate of Paris fell into such a melancholy fit, that he believed verily he was dead, he could not be perswaded otherwise, or to eat or drink, till a kinsman of his, a Scholar of Bourges did eate before him, dressed like a corse. The storie saith Serres, was acted in a Comedy before Charles the ninth.

Some think they are beasts, wolves, hogs, and cry like dogs, foxes, bray like asses, and low like kine, as King Prætus daughters. Hildesheim spicel. 2. de maniâ, hath an example of a Dutch Baron so affected, and Trincavelius lib. 1. consil. 11. another of a noble man in his country, that thought he was certainly a beast, and would imitate most of their voices, with many such symptomes, which may properly be reduced to this kinde.

If it proceede from the severall combinations of the four humours, or spirits, Herc. de Saxon. addes hot, cold, dry, moist, dark, confused, setled, constringed, as it participates of matter, or is without matter, the symptomes are likewise mixt. One thinks himself a giant, another a dwarfe; one is heavie as lead, another is as light as a feather.

192–193

The Anatomy of Melancholy: Subsection 3 Particular Symptoms From the Influence of Stars, Parts of The…

p. 383

But most attribute it to the humour, an opinion Montaltus firmly maintains in chapter 21, refuting Avicenna and the rest and referring it entirely to the quality and disposition of the humour and the person affected. Cardan, in On the Variety of Things, book 8, chapter 10, holds that these people above all others are assassins: bold, hardy, fierce and adventurous, ready to undertake anything because of their scorched choler.

This humour, he says, prepares them to endure death itself and every kind of torment with unconquerable courage; it is astonishing to see how readily they undergo such tortures, “so that the thing seems beyond nature.” He attributes this nobility of spirit, frenzy—or rather insensibility—to this scorching of choler and melancholy. But I consider these people mad or desperate rather than properly melancholic, for this humour, so scorched and hot, commonly degenerates into madness.

If it comes from melancholy itself scorched, these people, says Avicenna, are usually sad and solitary, continually and excessively so, unusually suspicious, more fearful, and troubled by prolonged, distressing and deeply disordered imaginings; cold and dark in complexion, bashful, and so solitary that, as Arnoldus writes, they will tolerate no company. They constantly dream of graves and dead people and think themselves bewitched or dead.

If it is extreme, they think they hear hideous noises, see and speak with black men, and converse intimately with devils and such strange phantoms and visions (Gordonius); or that they are possessed by them, that someone speaks to them or within them. “Such melancholic people are generally demon-possessed,” says Montaltus, consultation 26, citing Avicenna. Valescus de Taranta treated such a woman, who thought she had sexual dealings with the devil; and Gentilis Fulgosius, question 55, writes that he had a melancholic friend who saw a black man in the likeness of a soldier continually following him wherever he went.

Laurentius, chapter 7, has many stories of people who thought themselves bewitched by their enemies, and some who would eat no food because they believed themselves dead. In 1550, a Paris lawyer fell into such a melancholic fit that he firmly believed he was dead. He could not be persuaded otherwise, or to eat or drink, until a relative of his, a student at Bourges, ate before him dressed as a corpse. The story, says Serres, was performed in a comedy before Charles IX.

Some think they are beasts, wolves or pigs, and cry like dogs or foxes, bray like asses and low like cattle, as King Proetus’s daughters did. Hildesheim, in the second collection, On Mania, gives an example of a German baron affected in this way; and Trincavelius, book 1, consultation 11, gives another of a nobleman in his own country who firmly believed himself a beast and would imitate most of their cries, along with many similar symptoms that may properly be assigned to this kind.

If it proceeds from the various combinations of the four humours or spirits—Hercules de Saxonia adds hot, cold, dry, moist, dark, confused, settled, constricted, according to whether it shares in matter or is without matter—the symptoms are likewise mixed. One thinks himself a giant, another a dwarf; one is as heavy as lead, another as light as a feather.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.