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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 2. Symptoms or Signs in the Mind.

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1651 English Page · Branch 368 of 1495

Subsection 2. Symptoms or Signs in the Mind.

1651 English

180–181

SUBSECT. 2. Symptomes or Signes in the Minde.

Arculanus in 9. Rhasis ad Almansor. cap. 16. will have these Symptomes to be infinite, as indeed they are, varying according to the parties, for scarce is there one of a thousand that dotes alike, Laurentius c. 16.

Some few of greater note I will point at; and amongst the rest, Fear and Sorrow, which as they are frequent causes, so if they persever long, according to Hippocrates and Galen’s Aphorismes, they are most assured signes, inseparable companions, and characters of melancholy; Of present melancholy, and habituated, saith Montaltus cap. 11. and common to them all, as the said Hippocrates, Galen, Avicenna, and all Neotericks hold.

But as hounds many times run away with a false cry, never perceiving themselves to be at a fault, so do they. For Diocles of old, (whom Galen confutes) & amongst the Juniors, Hercules de Saxoniâ, with Lod. Mercatus cap. 17. l. 1. de melan. take just exceptions at this Aphorisme of Hippocrates, ’tis not alwayes true, or so generally to be understood, Fear and Sorrow are no common Symptomes to all melancholy;

upon more serious consideration, I finde some (saith he) that are not so at all. Some indeed are sad, and not fearfull; some fearfull and not sad; some neither fearfull, nor sad; some both. Four kindes he excepts, fanaticall persons, such as were Cassandra, Manto, Nicostrata, Mopsus, Proteus, the Sybills, whom Aristotle confesseth to have been deeply melancholy.

Baptista Porta seconds him, Physiog. lib. 1. cap. 8. they were atrâ bile perciti: dæmoniacall persons, & such as speak strange languages, are of this ranke: some Poets, such as laugh alwayes, and think themselves Kings, Cardinalls, &c. sanguine they are, pleasantly disposed most part, and so continue.

Baptista Porta confines Fear and Sorrow to them that are cold; but Lovers, Sybills, Enthusiasts, he wholly excludes. So that I think I may truly conclude, they are not alwayes sad and fearfull, but usually so: and that without a cause, timent de non timendis, (Gordonius:) quæque, momenti non sunt, although not all alike (saith Altomarus) yet all likely fear, some with an extraordinary and a mighty fear, Areteus.

Many fear death, and yet in a contrary humour, make away themselves, Galen. lib. 3. de loc. affect. cap. 7. Some are afraid the heaven will fall on their heads: some they are damned, or shall be. They are troubled with scruples of conscience, distrusting Gods mercies, think they shall goe certainly to Hell, the Devill will have them, & make great lamentation, Jason Pratensis.

Fear of Devils, death, that they shalbe so sick, of some such or such disease, ready to tremble at every object, they shall die themselves forthwith, or that some of their dear friends or near allies are certainly dead: imminent danger, losse, disgrace still torment others, &c.

180–181

The Anatomy of Melancholy: Subsection 2. Symptoms or Signs in the Mind.

p. 368

Subsection 2. Symptoms or signs in the mind.

Arculanus, in his commentary on book 9 of Rhazes’ work for Almansor, chapter 16, holds these symptoms to be infinite, as indeed they are, varying with the individual: scarcely one in a thousand is deranged in the same way, says Laurentius, chapter 16.

I will point out a few of the more notable ones, and among them fear and sorrow. Just as these are frequent causes, so, if they persist for a long time, according to Hippocrates and Galen’s aphorisms, they are the surest signs, inseparable companions and distinguishing marks of melancholy: of melancholy as a present condition and as an established habit, says Montaltus, chapter 11, and common to all sufferers, as Hippocrates, Galen, Avicenna and all the more recent writers maintain.

But just as hounds often run off baying on a false scent, never realizing they have lost the trail, so do these writers. For Diocles in antiquity, whom Galen refutes, and among the later writers Hercules de Saxonia, with Ludovicus Mercatus, book 1, chapter 17 on melancholy, raise reasonable objections to this aphorism of Hippocrates. It is not always true, or to be understood so universally: fear and sorrow are not symptoms common to every melancholic person.

“On more serious consideration,” he says, “I find some who are not like this at all. Some are indeed sad but not fearful; some fearful but not sad; some neither fearful nor sad; some both.” He excepts four kinds: people seized by prophetic frenzy, such as Cassandra, Manto, Nicostrata, Mopsus, Proteus and the Sibyls, whom Aristotle acknowledges to have been deeply melancholic.

Baptista Porta supports him, Physiognomy, book 1, chapter 8: they were “stirred by black bile.” People possessed by demons, and those who speak unfamiliar languages, belong to this class; some poets; and those who laugh all the time and imagine themselves kings, cardinals, and so on. They are sanguine, usually cheerful in disposition, and remain so.

Baptista Porta restricts fear and sorrow to those whose temperament is cold; he excludes lovers, Sibyls and people seized by inspiration altogether. So I think I may rightly conclude that they are not always sad and fearful, but usually are, and that without a cause: “they fear things that need not be feared” (Gordonius), “and things of no importance.” Although not all in the same way, says Altomarus, yet all tend to fear, some with an extraordinary and overwhelming fear: Aretaeus.

Many fear death and yet, in a contrary mood, take their own lives: Galen, On the Affected Parts, book 3, chapter 7. Some fear the heavens will fall on their heads; some that they are damned or will be. They are troubled by scruples of conscience, distrust God’s mercies, think they will certainly go to hell and the Devil will have them, and lament greatly: Jason Pratensis.

Fear of devils, death, becoming terribly ill with this or that disease; ready to tremble at everything they encounter; certain that they themselves will die immediately, or that some dear friend or close relative is already dead. Imminent danger, loss and disgrace continually torment others, and so on.

368

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.