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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 7. a Collection of Other Events That Cause Melancholy: The Death Of…

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1651 English Page · Branch 344 of 1495

Subsection 7. a Collection of Other Events That Cause Melancholy: The Death Of…

1651 English

164–165

The Venetians when their forces were overcome by the French King Lewis, the French & Spanish Kings, Pope, Emperor, all conspired against them, at Cambray, the French Herald denounced open war in the Senate: Lauredane Venetorum dux, &c. and they had lost Padua, Brixia, Verona, Forum Julij, their territories in the continent, and had now nothing left but the City of Venice it self, & urbi quoque ipsi (saith Bembus) timendum putarent, and the loss of that was likewise to be feared, tantus repente dolor omnes tenuit, ut nunquam alias, &c. they were pittifully plunged, never before in such lamentable distress.

Anno 1527, when Rome was sacked by Burbonius, the common souldiers made such spoile, that fair Churches were turned to stables, old monuments and books, made horse-litter, or burned like straw; reliques, costly pictures defaced, altars demolished, rich hangings, carpets, &c. trampled in the dirt.

Their wives & loveliest daughters constuprated by every base culion, as Sejanus daughter was by the hangman in publike, before their fathers and husbands faces. Noblemens children, and of the wealthiest citizens, reserved for Princes beds, were prostitute to every common souldier, and kept for Concubines;

Senators and Cardinals themselves dragd along the streets, and put to exquisite torments, to confess where there money was hid; the rest murdered on heaps, lay stinking in the streets; Infants brains dashed out before their mothers eyes. A lamentable sight it was to see so goodly a City so suddenly defaced, rich citizens sent a begging to Venice, Naples, Ancona, &c. that erst lived in all maner of delights.

Those proud palaces that even now vaunted their tops up to Heaven, were dejected as low as hell in an instant. Whom will not such misery make discontent?

Terence the Poet drowned himself (some say) for the loss of his Comedies, which suffered shipwrack. When a poor man hath made many hungry meales, got together a small summe, which he loseth in an instant; a Scholar spent many an houres study to no purpose, his labors lost, &c. how should it otherwise be?

I may conclude with Gregory, temporalium amor, quantum afficit, cùm hæret possessio, tantum quum subtrahitur, urit dolor: riches do not so much exhilarate us with their possession, as they torment us with their loss.

Next to Sorrow still I may annex such accidents as procure Fear; for besides those Terrors which I have before touched, and many other fears (which are infinite) there is a superstitious fear, one of the three great causes of fear in Aristotle, commonly caused by prodigies & dismal accidents, which much trouble many of us. (Nescio quid animus mihi præsagit mali.)

164–165

The Anatomy of Melancholy: Subsection 7. a Collection of Other Events That Cause Melancholy: The Death Of…

p. 344

So were the Venetians when their forces were defeated by Louis, king of France. The kings of France and Spain, the pope and the emperor had all conspired against them at Cambrai, and the French herald declared open war in the Senate: “Loredan, doge of the Venetians,” and so on. They had lost Padua, Brescia, Verona, Friuli and their mainland territories, and now had nothing left but the city of Venice itself; “and they thought they must fear for the city itself,” says Bembo. The loss of that too was to be feared: “so great a grief suddenly seized them all as never before,” and so on. They were plunged into pitiful misery, never before in such lamentable distress.

In 1527, when Rome was sacked by Bourbon, the common soldiers made such havoc that beautiful churches were turned into stables, ancient records and books used as bedding for horses or burned like straw; relics and costly pictures were defaced, altars demolished, rich hangings, carpets and so on trampled into the dirt.

Their wives and loveliest daughters were raped by every base scoundrel, as Sejanus’s daughter was by the executioner, publicly, before their fathers’ and husbands’ eyes. The daughters of noblemen and the wealthiest citizens, intended for princes’ beds, were handed over to any common soldier and kept as concubines.

Senators and cardinals themselves were dragged through the streets and subjected to agonising torture to make them reveal where their money was hidden. The rest, murdered in heaps, lay stinking in the streets; infants’ brains were dashed out before their mothers’ eyes. It was a lamentable sight to see so splendid a city so suddenly ruined, and rich citizens who had formerly lived amid every pleasure sent begging to Venice, Naples, Ancona and elsewhere.

Those proud palaces that just now boasted their summits up to heaven were cast down as low as hell in an instant. Whom would such misery not make discontented?

Terence the poet drowned himself, some say, because of the loss of his comedies in a shipwreck. When a poor man has gone hungry through many meals and scraped together a small sum, only to lose it in an instant; when a scholar has spent many hours studying to no purpose, his labours lost, and so on—how could it be otherwise?

I may conclude with Gregory: “As deeply as love of worldly things moves us while possession lasts, so fiercely does grief burn when it is taken away.” Riches do not give us as much joy in possessing them as they torment us when they are lost.

Next to sorrow I may also place those events that bring on fear. Besides the terrors I have already touched on, and many other fears, which are infinite, there is superstitious fear, one of the three great causes of fear in Aristotle, commonly aroused by portents and ominous events, which greatly trouble many of us. (“My mind forebodes some evil, I know not what.”)

344

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.