DiotimosReading Desk

Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

Explore the Lexicon
The Anatomy of MelancholySubsection 5 How Loss of Liberty, Servitude and Imprisonment Cause Melancholy

Swipe or use the arrow keys.

1651 English Page · Branch 329 of 1495

Subsection 5 How Loss of Liberty, Servitude and Imprisonment Cause Melancholy

1651 English

153

Robert Duke of Normandy, being imprisoned by his youngest brother Henry the first, ab illa die inconsolabili dolore in carcere contabuit, saith Matthew Paris: from that day forward, pined away with grief. Jugurth that generous Captain, brought to Rome in triumph, and after imprisoned, through anguish of his soul, and melancholy, dyed.

Roger, Bishop of Salisbury, the second man from King Stephen, (he that built that famous Castle of Devices in Wiltshire) was so tortured in prison with hunger, and all those calamities accompanying such men, ut vivere noluerit, mori nescierit, he would not live, and could not die, betwixt fear of death, and torments of life. Francis King of France was taken prisoner by Charls the fifth, ad mortem fere melancholicus, saith Guicciardine, melancholy almost to death, and that in an instant. But this is as clear as the Sun, and needs no further illustration.

153

The Anatomy of Melancholy: Subsection 5 How Loss of Liberty, Servitude and Imprisonment Cause Melancholy

p. 329

Robert, duke of Normandy, imprisoned by his youngest brother, Henry I, “from that day wasted away in prison with inconsolable grief,” says Matthew Paris: from that day onwards he pined away with grief. Jugurtha, that noble commander, was brought to Rome in triumph and then imprisoned; through anguish of soul and melancholy, he died.

Roger, bishop of Salisbury, second only to King Stephen—the man who built the famous castle at Devizes in Wiltshire—was so tormented in prison by hunger and all the sufferings of such people “that he did not wish to live and did not know how to die”: he would not live and could not die, caught between fear of death and the torments of life. Francis, king of France, was taken prisoner by Charles V and became “melancholy almost to death,” says Guicciardini: melancholy almost to death, and in an instant. But this is as clear as the sun and needs no further illustration.

329

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.