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Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyDemocritus Junior to the Reader

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Modern English Page · Branch 31 of 1495

Democritus Junior to the Reader

1651 English

10–11

As a dutch host, if you come to an Inn in Germany, and dislike your fare, diet, lodging, &c. replies in a surly tone, aliud tibi quæras diversorium, if you like not this, get you to another Inn: I resolve, if you like not my writing, go reade something else. I do not much esteem thy censure, take thy course, tis not as thou wilt, nor as I wil, but when we have both done, that of Plinius Secundus to Trajan will prove true, Every mans witty labour takes not, except the matter, subject, occasion, and some commending favorite happen to it.

If I be taxed, exploded by thee and some such, I shall haply be approved and commended by others, & so have been (Expertus loquor) and may truly say with Jovius in like case (absit verbo jactantia) heroum quorundam, pontificum, & virorum nobilium familiaritatem & amicitiam, gratasque gratias, & multorum bene laudatorum laudes sum inde promeritus, as I have been honoured by some worthy men, so have I been vilified by others, and shall be.

At the first publishing of this book; (which Probus of Persius satyrs) editum librum continuo mirari homines, atque avidè deripere cœperunt, I may in some sort apply to this my work. The first, second, and third edition were suddenly gone, eagerly read, & as I have said, not so much approved by some, as scornfully rejected by others. But it was Democritus his fortune, Idem admirationi & irrisioni habitus. Twas Seneca’s fate, that superintendent of wit, learning, judgement, ad stuporem doctus, the best of Greek and Latine writers, in Plutarch’s opinion;

That renowned corrector of vice, as Fabius terms him, and painful omniscious philosopher, that writ so excellently and admirably well, could not please all parties, or escape censure: How is he vilified by Caligula, Agellius, Fabius, and Lipsius himself, his chief propugner? In eo pleraque perniciosa, saith the same Fabius, many childish tracts and sentences he hath, sermo illaboratus, too negligent often, and remisse, as Agellius observes, oratio vulgaris & protrita, dicaces & ineptæ sententiæ, eruditio plebeia, an homely shallow writer as he is.

10–11

The Anatomy of Melancholy: Democritus Junior to the Reader

p. 31

If you arrive at an inn in Germany and dislike the food, meals, lodging, and so on, a German innkeeper replies gruffly, “Find yourself another inn.” If you do not like this one, go elsewhere. That is my decision: if you do not like my writing, read something else. I do not greatly value your judgement; do as you please. The outcome depends on neither your wishes nor mine. When we have both had our say, what Pliny the Younger says to Trajan will prove true: not everyone’s intellectual work succeeds; it needs suitable material, a subject, an occasion, and some influential person to recommend it.

If you and others like you criticize and shout me down, perhaps others will approve and praise me; some already have—“I speak from experience.” I may truly say with Giovio in a similar case—“let there be no boasting in the words”—“through it I have earned the intimacy and friendship of certain great men, pontiffs, and noblemen, their welcome thanks, and the praises of many who are themselves well praised.” Just as some worthy men have honoured me, others have disparaged me and will do so again.

Of this book’s first publication I may apply, in some measure, what Probus says of Persius’s satires: “As soon as the book was published, people began to admire it and snatch it up eagerly.” The first, second, and third editions quickly sold out and were eagerly read; yet, as I have said, some praised them less warmly than others scornfully rejected them. That was Democritus’s fortune too: “the same man was an object of admiration and ridicule.” It was also the fate of Seneca, that overseer of intelligence, learning, and judgement, “learned to an astonishing degree,” the best of Greek and Latin writers in Plutarch’s opinion;

that “renowned corrector of vice,” as Quintilian calls him, and painstaking philosopher of universal learning, who wrote so excellently and admirably, could not please everyone or escape criticism. How he is disparaged by Caligula, Aulus Gellius, Quintilian, and even Lipsius, his chief defender! “Much in him is harmful,” says that same Quintilian. He has many childish passages and sayings, “unpolished language,” often too careless and slack, as Gellius observes: “commonplace, worn-out expression; smart but foolish sayings; ordinary learning”—a plain, shallow writer, such as he is.

31

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.