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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 13. Love of Gambling and the Like, and Excessive Pleasures, As…

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1651 English Page · Branch 281 of 1495

Subsection 13. Love of Gambling and the Like, and Excessive Pleasures, As…

1651 English

119–120–120

What with a wanton eye, a liquorish tongue, and a gamesome hand, when they have undiscreetly impoverished themselves, morgaged their wits together with their lands, and entombed their ancestors faire possessions in their bowels, they may lead the rest of their dayes in a prison, as many times they do, they repent at leasure; and when all is gone begin to be thrifty: but Sera est in fundo parsimonia, ’tis then too late to look about; their end is misery, sorrow, shame, and discontent.

And well they deserve to be infamous and discontent, Catamidiari in Amphitheatro, as by Adrian the Emperors edict they were of old, decoctores bonorum suorum, so he cals them, prodigal fools, to be publikely shamed, and hissed out of all Societies, rather then to be pitied or relieved. The Tuscans and Boëtians brought their bankrups into the market place in a bear with an empty purse carryed before them, all the boyes following, where they sat all day circumstante plebe, to be infamous and ridiculous.

At Padua in Italy they have a stone called the stone of Turpitude, near the Senate house, where spendthrifts, and such as disclaime non-payment of debts, do sit with their hinder parts bare, that by that note of disgrace others may be terrified from all such vain expence, or borrowing more then they can tell how to pay. The Civilians of old set guardians over such brain-sick prodigals, as they did over madmen, to moderate their expences, that they should not so loosely consume their fortunes, to the utter undoing of their Families.

I may not here omit those two main plagues, and common dotages of humane kinde, Wine and Women, which have infatuated and besotted Myriades of people: They go commonly together.

Qui Vino indulget, quemque alea decoquit, ille In venerem putris——

To whom is sorrow, saith Salomon, Pro.23.39. to whom is wo, but to such a one as loves drink? it causeth torture, (vino tortus & irâ) and bitterness of minde, Sirac.31.21. Vinum furoris, Jeremy cals it 15. cap. wine of madness, as well he may, for insanire facit sanos, it makes sound men sick and sad, and wise men mad. To say and do they know not what.

Accidit hodie terribilis casus (saith S. Austin) hear a miserable accident; Cyrillus son this day in his drink, Matrem prægnantem nequiter oppressit, sororem violare voluit, patrem occidit ferè, & duas alias sorores ad mortem vulneravit, would have violated his sister, killed his father, &c.

119–120–120

The Anatomy of Melancholy: Subsection 13. Love of Gambling and the Like, and Excessive Pleasures, As…

p. 281

What with a lustful eye, a greedy tongue and a gambling hand, once they have foolishly impoverished themselves, mortgaged their wits along with their lands, and buried their ancestors’ fine possessions in their bowels, they may spend the rest of their days in prison, as they often do. They repent at leisure, and when everything is gone begin to be thrifty. But “economy comes too late at the bottom”: it is then too late to take stock. Their end is misery, sorrow, shame and discontent.

And well they deserve disgrace and discontent: “to be flogged in the amphitheatre,” as they were in ancient times by an edict of Emperor Hadrian, “squanderers of their own property,” as he calls them, prodigal fools, to be publicly shamed and hissed out of every gathering rather than pitied or relieved. The Tuscans and Boeotians brought their bankrupts into the marketplace on a bier, with an empty purse carried before them and all the boys following. There they sat all day, “with the people standing around,” exposed to disgrace and ridicule.

At Padua in Italy they have a stone called the Stone of Shame, near the Senate House, where spendthrifts and those who declare themselves unable to pay their debts sit with their backsides bare. This mark of disgrace is meant to frighten others away from such wasteful spending, or from borrowing more than they know how to repay. The civil lawyers of antiquity appointed guardians over such deranged spendthrifts, as they did over madmen, to control their expenses and prevent them from wasting their fortunes so recklessly as to ruin their families utterly.

I must not omit here those two great plagues and common obsessions of humankind, wine and women, which have made fools of countless people and robbed them of their senses. They commonly go together.

The man who indulges in wine, whom gambling ruins, Is rotten with lust—

Who has sorrow, says Solomon, Proverbs 23:39? Who has woe, but the man who loves drink? It causes torment—“racked by wine and anger”—and bitterness of mind, Sirach 31:21. Jeremiah calls it “wine of fury,” chapter 15: wine of madness, as well he may, for “it makes the sane go mad.” It makes healthy men sick and sad, and wise men mad, saying and doing they know not what.

“A terrible event happened today,” says Saint Augustine. Hear this dreadful occurrence: Cyrillus’s son, drunk today, “wickedly assaulted his pregnant mother, tried to rape his sister, almost killed his father, and mortally wounded two other sisters”; he would have raped his sister, killed his father, and so on.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.