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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 11. the Concupiscible Appetite: Desires and Ambition as Causes.

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Subsection 11. the Concupiscible Appetite: Desires and Ambition as Causes.

1651 English

112 [122]

Subsect. 11. Concupiscible Appetite, as Desires, Ambition, Causes.

These Concupiscible and Irascible Appetites are as the two twists of a rope, mutually mixt one with the other, and both twining about the Heart: both good, as Austin holds l.14. c.9. de civ. Dei: if they be moderate: both pernitious if they be exorbitant. This Concupiscible appetite, howsoever it may seem to carry with it a shew of pleasure and delight, and our concupiscences most part affect us with content and a pleasing object, yet if they be in extreames, they rack and wring us on the other side.

A true saying it is, Desire hath no rest: is infinite in it self, endless: and as one cals it, a perpetual rack, or horse-mill, according to Austin, still going round as in a ring. They are not so continual, as divers, facilius atomos denumerare possem, saith Bernard, quam motus cordis; nunc hæc, nunc illa cogito, you may as well reckon up the motes in the Sun, as them.

It extends it self to every thing, as Guianerius will have it, that is superfluously sought after: or to any fervent desire, as Fernelius interprets it; be it in what kinde soever, it tortures if immoderate, and is (according to Plater and others) an especial cause of Melancholy. Multuosis concupiscentiis dilaniantur cogitationes meæ, Austin confessed, that he was torne a pieces with his manifold desires:

and so doth Bernard complain, that he could not rest for them a minute of an houre: this I would have, and that, and then I desire to be such and such. ’Tis a hard matter therefore to confine them, being they are so various and many, unpossible to apprehend all. I will only insist upon some few of the chief, and most noxious in their kind, as that exorbitant Appetite and Desire of Honor, which we commonly call Ambition:

Love of money, which is Covetousness, and that greedy desire of gain: self-love, pride, and inordinate desire of Vain-glory or applause, Love of study in excess: Love of women, (which will require a just volume of it self) of the other I will briefly speak, and in their order.

Ambition, a proud covetousness, or a dry thirst of Honor, a great torture of the minde, composed of envy, pride, and covetousness, a gallant madness, one defines it, a pleasant poison, Ambrose, a canker of the soul, an hidden plague: Bernard, a secret poyson, the father of livor, and mother of hypocrisie, the moth of holiness, and cause of madness, crucifying and disquieting all that it takes hold of.

Seneca cals it, rem solicitam, timidam, vanam, ventosam, a windy thing, a vain, solicitous, and fearful thing. For commonly they that like Sysiphus, role this restless stone of Ambition, are in a perpetuall agony, still perplexed, semper taciti, tristesque recedunt, (Lucretius) doubtful, timorous, suspicious, loath to offend in word or deed,

112 [122]

The Anatomy of Melancholy: Subsection 11. the Concupiscible Appetite: Desires and Ambition as Causes.

p. 271

Subsection 11. The concupiscible appetite: desires and ambition as causes.

These concupiscible and irascible appetites are like the two strands of a rope, intertwined with one another and both winding around the heart. Both are good, as Augustine holds in The City of God, book 14, chapter 9, if moderate; both are harmful if excessive. However much the concupiscible appetite may seem to offer pleasure and delight, and however often our desires please us by presenting an attractive object, when carried to extremes they torture and torment us in their turn.

It is truly said that desire has no rest: it is infinite in itself, endless; as one writer calls it, a perpetual rack, or, according to Augustine, a horse-mill, always going round in a circle. These desires are as varied as they are continual. “I could more easily count the atoms,” says Bernard, “than the movements of the heart: now I think of this, now of that.” You might as well count the motes in a sunbeam as count them.

It extends to anything sought excessively, according to Guaineri, or to any ardent desire, as Fernel interprets it. Whatever its kind, it tortures us if immoderate and, according to Platter and others, is a particular cause of melancholy. “My thoughts are torn apart by my many desires”: Augustine confessed that his manifold desires tore him to pieces.

Bernard likewise complains that they would not let him rest for a minute: I would have this, and that; then I wish to be this sort of person, then that. It is therefore hard to set limits to desires: they are so various and numerous that it is impossible to grasp them all. I shall dwell only on a few of the chief and most harmful kinds, such as that excessive appetite and desire for honour which we commonly call ambition;

love of money, which is covetousness, and that greedy desire for gain; self-love, pride and the excessive desire for vain glory or applause; excessive love of study; and love of women, which will require a whole volume to itself. I shall speak briefly of the others in their order.

Ambition: a proud covetousness, or a parching thirst for honour; a great torture of the mind, composed of envy, pride and greed. One defines it as a splendid madness, a pleasant poison; Ambrose, as a canker of the soul, a hidden plague; Bernard, as a secret poison, the father of spite and mother of hypocrisy, the moth that eats holiness, and a cause of madness, crucifying and disturbing everyone it seizes.

Seneca calls it “an anxious, fearful, empty, windy thing”: a windy thing, a vain, anxious and fearful thing. For those who, like Sisyphus, roll this restless stone of ambition are commonly in perpetual anguish, always perplexed—“always they withdraw silent and sad,” as Lucretius says—uncertain, timid, suspicious, afraid to give offence in word or deed.

271

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.