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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 7. Envy, Malice and Hatred as Causes.

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Modern English Page · Branch 257 of 1495

Subsection 7. Envy, Malice and Hatred as Causes.

1651 English

101–102

’Tis a common disease, and almost natural to us, as Tacitus holds, to envy another mans prosperity. And ’tis in most men an incurable disease. I have read, saith Marcus Aurelius, Greek, Hebrew, Chaldee Authors, I have consulted with many wise men, for a remedy for envy, I could finde none, but to renounce all happiness, and to be a wretch, and miserable for ever. ’Tis the beginning of hell in this life, and a passion not to be excused. Every other sin hath some pleasure annexed to it, or will admit of an excuse; envy alone wants both. Other sinnes last but for a while, the gut may be satisfied, anger remits, hatred hath an end, envy never ceaseth. Cardan lib. 2. de sap.

Divine and humane examples are very familiar, you may runne and read them, as that of Saul and David, Cain and Abel, angebat illum non proprium peccatum, sed fratris prosperitas, saith Theodoret, it was his brothers good fortune gauled him. Rachel envied her sister, being barren, Gen. 30. Iosephs bretheren him, Gen. 37. David had a touch of this vice, as he confesseth Ps. 37. Jeremy and Habbakuk, they repined at others good, but in the end they corrected themselves. Ps. 75. fret not thy self, &c. Domitian spited Agricola for his worth, that a private man should be so much glorified. Cecinna was envyed of his fellow Citizens, because he was more richly adorned.

But of all others, women are most weak, ob pulchritudinem invidæ sunt fœminæ (Musæus) aut amat, aut odit, nihil est tertium (Granatensis.) They love, or hate, no medium amongst them. Implacabiles plerumque læsæ mulieres, Agrippina like, A woman if she see her neighbor more neat or elegant, richer in tires, Jewels, or apparel, is enraged, and like a Lioness sets upon her husband, railes at her, scoffes at her, and cannot abide her: so the Roman Ladies in Tacitus did at Solonina Cecinna’s wife, because she had a better horse, and better furniture, as if she had hurt them with it; they were much offended: In like sort our gentlewomen do at their usual meetings, one repines or scoffes at anothers bravery and happiness.

Myrsine an Atticke wench, was murthered of her fellows because she did excel the rest in beauty, Constantine Agricult. l. 11. c. 7. every Village will yeeld such examples.

101–102

The Anatomy of Melancholy: Subsection 7. Envy, Malice and Hatred as Causes.

p. 257

It is a common disease, almost natural to us, as Tacitus maintains, to envy another person’s prosperity. And in most people it is incurable. “I have read Greek, Hebrew and Chaldean authors,” says Marcus Aurelius, “and consulted many wise men for a remedy for envy. I could find none except to renounce all happiness and remain wretched and miserable for ever.” It is the beginning of hell in this life, and a passion without excuse. Every other sin has some pleasure attached to it, or admits of an excuse; envy alone lacks both. Other sins last only a while: the belly can be satisfied, anger subsides, hatred comes to an end; envy never ceases. Cardan, On Wisdom, book 2.

Examples from sacred and secular history are familiar enough to read at a glance: Saul and David, Cain and Abel. “It was not his own sin that distressed him, but his brother’s prosperity,” says Theodoret; his brother’s good fortune was what galled him. Rachel, being barren, envied her sister, Genesis 30; Joseph’s brothers envied him, Genesis 37. David had a touch of this vice, as he confesses in Psalm 37. Jeremiah and Habakkuk resented the prosperity of others, but eventually corrected themselves. Psalm 75: “Do not fret,” and so on. Domitian resented Agricola’s merit—that a private man should receive such glory. Caecina was envied by his fellow citizens because he was more richly dressed.

But women, above all others, are weakest: “Women are envious over beauty”—Musaeus; “She either loves or hates; there is no third possibility”—Granatensis. They love or hate, with no middle ground. “Women, when injured, are generally implacable,” like Agrippina. If a woman sees her neighbour neater or more elegant, with finer headdresses, jewels or clothes, she becomes enraged and attacks her husband like a lioness; she abuses and mocks the other woman and cannot bear her. So the Roman ladies in Tacitus reacted to Salonina, Caecina’s wife: because she had a better horse and finer trappings, they were deeply offended, as if she had injured them by possessing them. Our gentlewomen behave in the same way at their usual gatherings: one resents or mocks another’s finery and good fortune.

Myrsine, a girl of Attica, was murdered by her companions because she surpassed all the others in beauty: Constantine, Agriculture, book 11, chapter 7. Every village will supply such examples.

257

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.