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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 7. Envy, Malice and Hatred as Causes.

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Subsection 7. Envy, Malice and Hatred as Causes.

1651 English

100–101

Subsect. 7. Envy, Malice, Hatred, Causes.

Envy and Malice, are two linkes of this chain, and both, as Guianerius Tract. 15. cap. 2. proves out of Galen 3. Aphorisme, com. 22. cause this malady by themselves, especially if their bodies be otherwise disposed to Melancholy. ’Tis Valescus de Taranta, and Foelix Platerus observation, Envy so gnawes many mens hearts, that they become altogether melancholy. And therefore belike Solomon, Prov. 14.13. cals it, the rotting of the bones, Cyprian, vulnus occultum;

— Siculi non invenere tyranni Majus tormentum—

The Sicilian tyrants never invented the like torment. It crucifies their souls, withers their bodies, makes them hollow-ey’d, pale, lean, and gastly to behold, Cyprian ser. 2. de Zelo & livore. As a Moth gnawes a garment, so, saith Chrysostome, doth envy consume a man: to be a living Anatomy: a Skeleton, to be a lean and pale carcass, quickned with a fiend, Hall in Charact. for so often as an envious wretch sees another man prosper, to be enriched, to thrive, and be fortunate in the world, to get honors, offices, or the like, he repines and grieves.

— intabescitque videndo Successus hominum — suppliciumque suum est.

He tortures himself if his equal, friend, neighbor be preferred, commended, do well, if he understand of it, it gaules him afresh, and no greater pain can come to him, then to hear of another mans wel-doing, ’tis a dagger at his heart every such object. He lookes at him, as they that fell down in Lucians rock of honor, with an envious eye, and will damage himself, to do another a mischief: Atque cadet subito, dum super hoste cadat. As he did in Æsop, lose one eye willingly, that his fellow might lose both, or that rich man in Quintilian that poysoned the flowers in his garden, because his neighbors Bees should get no more honey from them.

His whole life is sorrow, and every word he speaks a Satyre, nothing fats him but other mens ruines. For to speak in a word, Envy is nought else but Tristitia de bonis alienis, sorrow for other mens good, be it present, past, or to come: & gaudium de adversis, and joy at their harms, opposite to mercy, which grieves at other mens mischances, and misaffects the body in another kinde; so Damascen defines it, lib. 2. de orthodox. fid. Thomas 2.2. quæst. 36. art. 1. Aristotle l. 2. Rhet. c. 4. & 10. Plato Philebo. Tully 3. Tusc. Greg. Nic. l. de virt. animæ. c. 12. Basil. de Invidia. Pindarus od. 1. ser. 5. and we finde it true.

100–101

The Anatomy of Melancholy: Subsection 7. Envy, Malice and Hatred as Causes.

p. 256

Subsection 7. Envy, malice and hatred as causes.

Envy and malice are two links in this chain, and both, as Guianerius proves in treatise 15, chapter 2, from Galen’s commentary 22 on the third book of Aphorisms, cause this illness by themselves, especially in people whose bodies are otherwise predisposed to melancholy. Valescus of Taranta and Felix Platter observe that envy so gnaws at many people’s hearts that they become thoroughly melancholy. That is presumably why Solomon, Proverbs 14:13, calls it “the rotting of the bones,” and Cyprian “a hidden wound.”

The Sicilian tyrants never devised A greater torment—

The Sicilian tyrants never invented a torment like it. It crucifies people’s souls, withers their bodies, makes them hollow-eyed, pale, thin and ghastly to behold: Cyprian, sermon 2, On Jealousy and Envy. As a moth eats a garment, says Chrysostom, so envy consumes a person, making him a living anatomical specimen, a skeleton, “a lean and pale carcass, brought to life by a fiend”—Hall, Characters. Whenever an envious wretch sees another person prosper, grow rich, thrive and succeed in the world, gain honours, offices or the like, he resents it and grieves.

He wastes away at the sight Of others’ success—and is his own punishment.

He tortures himself if his equal, friend or neighbour is promoted, praised or successful. Once he hears of it, it wounds him afresh; no greater pain can come to him than news of another person’s good fortune. Every such sight is a dagger at his heart. He looks on with an envious eye, like those who fell from Lucian’s rock of honour, and will harm himself to injure someone else: “He will fall headlong, provided he falls upon his enemy.” Like the man in Aesop, he would willingly lose one eye so that his companion might lose both; or like the rich man in Quintilian who poisoned the flowers in his garden so that his neighbour’s bees could gather no more honey from them.

His whole life is sorrow, and every word he speaks a satire; nothing fattens him but other people’s ruin. In a word, envy is simply “sorrow at another’s good fortune”—sorrow for other people’s blessings, past, present or future—and “joy at adversity,” joy in their suffering. It is the opposite of compassion, which grieves at other people’s misfortunes and affects the body adversely in a different way. So John of Damascus defines it in On the Orthodox Faith, book 2; Thomas Aquinas, II–II, question 36, article 1; Aristotle, Rhetoric, book 2, chapters 4 and 10; Plato, Philebus; Cicero, Tusculan Disputations, book 3; Gregory of Nyssa, On the Virtue of the Soul, chapter 12; Basil, On Envy; Pindar, ode 1, series 5. And we find it true.

256

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.