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Modern English Page · Branch 243 of 1495
Member 3 Subsection 1 Passions and Disturbances of the Mind and How They Cause…
1651 English
92–93–93By means of which, so disturbed, concoction is hindred, and the principal parts are much debilitated; as Dr Navarra well declared, being consulted by Montanus about a melancholy Jew. The spirits so confounded, the nourishment must needs be abated, bad humors increased, crudities and thick spirits ingendred with melancholy blood. The other parts cannot perform their functions, having the spirits drawn from them by vehement passion, but fail in sense and motion; so we look upon a thing, and see it not; hear, and observe not; which otherwise would much affect us, had we been free.
I may therefore conclude with Arnoldus, Maxima vis est phantasiæ, & huic uni ferè, non autem corporis intemperiei, omnis melancholiæ causa est ascribenda: Great is the force of Imagination, and much more ought the cause of melancholy to be ascribed to this alone, then to the distemperature of the body.
Of which Imagination, because it hath so great a stroke in producing this malady, and is so powerful of it self, it will not be improper to my discourse, to make a brief Digression, and speak of the force of it, and how it causeth this alteration. Which maner of Digression, howsoever some dislike, as frivolous and impertinent, yet I am of Beroaldus his opinion, Such Digressions do mightily delight and refresh a weary Reader, they are like sauce to a bad stomack, and I do therefore most willingly use them.
The Anatomy of Melancholy: Member 3 Subsection 1 Passions and Disturbances of the Mind and How They Cause…
p. 243With these so disturbed, digestion is hindered and the principal organs greatly weakened, as Dr Navarra explained well when Montanus consulted him about a Jewish man suffering from melancholy. With the spirits so disordered, nourishment must necessarily diminish, bad humours increase, and undigested matter and thick spirits be generated together with melancholy blood. The other parts, deprived of their spirits by violent passion, cannot perform their functions: sensation and movement fail. Thus we look at something without seeing it, or hear without noticing, although it would otherwise affect us deeply if we were free from that passion.
I may therefore conclude with Arnoldus: “The power of imagination is very great, and almost the whole cause of melancholy should be ascribed to this alone, rather than to an imbalance of the body.” Great is the force of imagination, and the cause of melancholy should be attributed far more to this alone than to bodily disorder.
Since imagination has so great a part in producing this illness and is so powerful in itself, it will suit my discourse to make a brief digression on its force and the way it causes this alteration. Although some dislike this kind of digression as frivolous and irrelevant, I share Beroaldus’s opinion: such digressions greatly delight and refresh a weary reader; they are like sauce to a poor appetite, and I therefore use them most willingly.
Socrates
Reading The Anatomy of Melancholy · Member 3 Subsection 1 Passions and Disturbances of the Mind and How They Cause…
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Socrates will begin with this book and its sources.About This Reading Edition
Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.
Historical Text and Translation
The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.
About Diotimos Editions
Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.
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Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.
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- Principal historical witnessMcGill University Library — 1651 edition
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