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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 2 the Quantity of Food as a Cause

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Modern English Page · Branch 220 of 1495

Subsection 2 the Quantity of Food as a Cause

1651 English

73–74

We loathe the very light (some of us, as Seneca notes) because it comes free, and we are offended with the Suns heat, and those cool blasts, because we buy them not. This air we breathe is so common, we care not for it: nothing pleaseth but what is dear.

And if we be witty in any thing, it is ad gulam: If we study at all, it is erudito luxu, to please the palat, and to satisfie the gut. A Cook of old was a base knave (as Livy complains) but now a great man in request: Cookery is become an art, a noble science: Cooks are Gentlemen: Venter Deus:

They wear their brains in their bellies, and their guts in their heads; as Agrippa taxed some parasites of his time, rushing on their own destruction, as if a man should run upon the point of a sword, usque dum rumpantur comedunt: All day, all night, let the Physitian say what he will, imminent danger, and feral diseases are now ready to seize upon them, that will eat till they vomit, Edunt ut vomant, vomunt ut edant, saith Seneca;

which Dion relates of Vitellius, Solo transitu ciborum nutriri judicatus: His meat did pass through, and away: or till they burst again. Strage animantium ventrem onerant, and rake over all the world as so many slaves, belly-gods, and land-serpents, Et totus orbis ventri nimis angustus, the whole world cannot satisfie their appetite. Sea, Land, Rivers, Lakes, &c. may not give content to their raging guts.

To make up the mess, what immoderate drinking in every place? Senem potum pota trahebat anus, how they flock to the Tavern: as if they were fruges consumere nati, born to no other end but to eat and drink, like Ofellius Bibulus, that famous Roman parasite, Qui dum vixit, aut bibit aut minxit; as so many Casks to hold wine, yea worse then a Cask, that marrs wines, and it self is not marred by it, yet these are brave men.

Silenus Ebrius was no braver. Et quæ fuerunt vitia, mores sunt: tis now the fashion of our times, an honour: Nunc verò res ista eò rediit (as Chrysost. serm. 30. in 5. Ephes. Comments) Ut effeminatæ ridendæque ignaviæ loco habeatur, nolle inebriari; tis now come to that pass, that hee is no Gentleman, a very milk-sop, a clown, of no bringing up, that will not drink, fit for no company;

he is your onely gallant that playes it off finest, no disparagement now to stagger in the streets, reel, rave, &c. but much to his fame and renown; as in like case Epidicus told Thesprio his fellow servant, in the Poet. Ædipol facinus improbum, one urged, the other replied, At jam alii fecere idem, erit illi illa res honori, ’tis now no fault, there be so many brave examples to bear one out;

’tis a credit to have a strong brain, and carry his liquor well: The sole contention who can drink most, and fox his fellow soonest. ’Tis the summum bonum of our Tradesmen, their felicity, life and soul, Tanta dulcedine affectant, saith Pliny, lib. 14. cap. 12. Ut magna pars non aliud vitæ præmium intelligat, their chief comfort, to be merry together in an Alehouse or Tavern, as our modern Muscovites do in their Mede-Inns, and Turks in their Coffa-houses, which much resemble our Taverns;

they will labor hard all day long to be drunk at night, and spend totius anni labores, as S. Ambrose addes, in a tipling feast; convert day into night, as Seneca taxeth some in his times, Pervertunt officia noctis & lucis; when we rise, they commonly go to bed, like our Antipodes,

73–74

The Anatomy of Melancholy: Subsection 2 the Quantity of Food as a Cause

p. 220

Some of us, as Seneca observes, loathe daylight itself because it is free, and resent the sun’s warmth and the cool breezes because we do not buy them. The air we breathe is so common that we think nothing of it: nothing pleases us unless it is expensive.

If we show ingenuity in anything, it is “for the gullet.” If we study at all, it is “with learned luxury,” to please the palate and satisfy the gut. A cook used to be a lowly servant, as Livy complains, but now he is an important man in demand. Cooking has become an art, a noble science; cooks are gentlemen. “The belly is God.”

They carry their brains in their bellies and their guts in their heads, as Agrippa said in reproaching certain parasites of his day. They rush towards their own destruction like someone running onto a sword’s point: “they eat until they burst.” All day, all night, whatever the physician may say—though immediate danger and deadly diseases stand ready to seize them—they eat until they vomit. “They eat to vomit, and vomit to eat,” says Seneca;

as Dio relates of Vitellius, “he was thought to be nourished by the mere passage of food”: his food passed straight through and out. Or they eat until they burst. “They load their bellies with a slaughter of living creatures,” and scour the whole world like so many slaves, worshippers of the belly, and land serpents. “The whole world is too narrow for their stomachs”: the whole world cannot satisfy their appetite. Sea, land, rivers, lakes and all the rest cannot content their ravenous guts.

To complete the feast, what excessive drinking everywhere! “A drunken old woman dragged along a drunken old man.” How they flock to the tavern, as though “born to consume the fruits of the earth,” born for no purpose but eating and drinking, like Ofellius Bibulus, that famous Roman parasite, “who, while he lived, either drank or pissed.” So many casks for holding wine—indeed, worse than a cask, which spoils wines without being spoiled itself by them. Yet these are fine fellows!

Drunken Silenus was no finer. “What were once vices are now customs.” It is the fashion of our day, an honour. As Chrysostom comments in sermon 30 on Ephesians 5: “Now it has reached the point where refusing to get drunk is treated as effeminate, laughable cowardice.” Things have come to such a pass that anyone unwilling to drink is no gentleman: a milksop, an ill-bred oaf, unfit for any company.

The only true gallant is the man who knocks it back best. Staggering through the streets, reeling and raving no longer disgrace him: they add to his fame and renown. Compare what Epidicus said to his fellow servant Thesprio in the poet: “By Pollux, a disgraceful deed!” one protested; the other replied, “But others have done the same before; it will bring him honour.” It is no fault now: so many fine examples will support a man.

It is a credit to have a strong head and hold one’s liquor. The only contest is who can drink most and get his companion drunk soonest. It is our tradesmen’s “highest good,” their happiness, their life and soul. “They pursue it with such delight,” says Pliny, book 14, chapter 12, “that many recognise no other reward in life.” Their chief comfort is making merry together in an alehouse or tavern, as present-day Muscovites do in their mead inns, and Turks in their coffeehouses, which much resemble our taverns.

They will work hard all day to get drunk at night, and spend “a whole year’s labour,” as Saint Ambrose adds, on a drinking feast. They turn day into night, as Seneca reproaches some people of his time: “They reverse the duties of night and day.” When we get up, they usually go to bed, like people on the opposite side of the earth:

220

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.