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Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyDemocritus Junior to the Reader

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Facing Pages · Branch 21 of 1495

Democritus Junior to the Reader

1651 English

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For I have been brought up a student in the most florishing Colledge of Europe, Augustissimo collegio, and can brag with Iovius, almost, in eâ luce domicilii Vaticani, totius orbis celeberrimi, per 37. annos multa opportunaque didici; for 30 years I have continued (having the use of as good a Libraries as ever he had) a scholar, and would be therefore loth, either by living as a drone, to be an unprofitable or unworthy a Member of so learned and noble a societie, or to write that which should be any way dishonourable to such a royal and ample foundation.

Something I have done, though by my profession a Divine, yet turbine raptus ingenii, as he said, out of a running wit, an unconstant, unsetled mind, I had a great desire, (not able to attain to a superficial skil in any) to have some smattering in all, to be aliquis in omnibus, nullus in singulis, which Plato commends, out of him Lipsius approves and furthers, as fit to be imprinted in all curious wits, not be a slave of one science, or dwell altogether in one subject, as most do, but to rove abroad, centum puer artium, to have an oar in every mans boat, to taste of every dish, and sip of every cup, which saith Montaigne, was well performed by Aristotle and his learned countrey-man Adrian Turnebus.

This roving humor (though not with like successe) I have ever had, & like a ranging spaniel, that barks at every bird he sees, leaving his game, I have followed all, saving that which I should, & may justly complain, and truly, qui ubique est, nusquam est, which Gesner did in modesty, that I have read many books, but to little purpose, for want of good method, I have confusedly tumbled over divers authors in our Libraries, with small profit for want of art, order, memory, judgment.

I never travelled but in Map or Card, in which my unconfined thoughts have freely expatiated, as having ever been especialy delighted with the study of Cosmography. Saturn was Lord of my geniture, culminating, &c. and Mars principal significator of manners, in partile conjunction with mine Ascendent; both fortunate in their houses, &c.

I am not poor, I am not rich; nihil est, nihil deest, I have little, I want nothing: all my treasure is in Minerva's tower. Greater preferment as I could never get, so am I not in debt for it, I have a competency (Laus Deo) from my noble and munificent Patrons, though I live still a Collegiat student, as Democritus in his garden, and lead a monastique life, ipse mihi theatrum, sequestred from those tumults and troubles of the world,

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The Anatomy of Melancholy: Democritus Junior to the Reader

p. 21

For I was educated as a scholar in the most flourishing college in Europe, “a most distinguished college,” and can almost boast with Paolo Giovio: “In that brilliant home of the Vatican, renowned throughout the world, I learned much that was useful over thirty-seven years.” I have remained a scholar for thirty years, with access to libraries as good as any he enjoyed. I would therefore be unwilling either to live as a drone, an unproductive or unworthy member of so learned and noble a society, or to write anything that might dishonour so royal and generous a foundation.

I have accomplished something, though I am a theologian by profession. Yet, “carried away by the whirlwind of my mind,” as that writer said, my roaming intelligence and inconstant, unsettled mind made me eager—unable even to acquire a superficial skill in any subject—to gain a smattering of them all: to be “somebody in everything, nobody in any one thing.” Plato commends this, and Lipsius, following him, endorses and recommends it as a principle to impress upon every inquiring mind: not to be a slave to one branch of learning, or devote oneself entirely to one subject, as most people do, but to range widely, “a youth of a hundred talents,” to have an oar in everyone's boat, to taste every dish and sip from every cup. This, Montaigne says, was admirably done by Aristotle and by his own learned countryman, Adrien Turnèbe.

I have always had this wandering inclination, though without the same success. Like a spaniel ranging about, barking at every bird it sees and abandoning its proper game, I have pursued everything except what I should. I may justly and truthfully complain, “Whoever is everywhere is nowhere,” and say, as Gesner modestly did, that I have read many books to little purpose. Lacking a good method, I have rummaged confusedly through various authors in our libraries, gaining little for want of skill, order, memory, and judgment.

I have travelled only through maps and charts, where my unconfined thoughts have wandered freely, for I have always taken particular delight in the study of cosmography. Saturn ruled my birth chart and was culminating, and so forth; Mars was the chief indicator of my character, in exact conjunction with my ascendant. Both were favourably placed in their houses, and so forth.

I am not poor, I am not rich: “I have nothing; I lack nothing.” I have little, but want for nothing; all my treasure is in Minerva's tower. I have never obtained greater advancement, and so owe no debt for it. Thanks to my noble and generous patrons, I have enough to live on—“praise be to God”—although I remain a member of the college, like Democritus in his garden, leading a monastic life, “a theatre to myself,” secluded from the world's turmoil and troubles.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.