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1651 English Page · Branch 203 of 1495
Subsection 4. the Stars as a Cause. Signs From Physiognomy, Metoposcopy And…
1651 English
59–59–60Thaddæus Haggesius in his Metoposcopia, hath certain Aphorisms derived from Saturnes lines in the fore-head, by which he collects a melancholy disposition; and Baptista Porta makes observations from those other parts of the body, as if a spot be over the spleen; or in the nailes, if it appear black, it signifieth much care, grief, contention, and Melancholy;
The reason he refers to the humors, and gives instance in himself, that for seven years space he had such black spots in his nailes, and all that while was in perpetual Law-sutes, controversies for his inheritance, fear, loss of honor, banishment, grief, care, &c. and when his miseries ended, the black spots vanished. Cardan in his book de libris propriis, tels such a story of his own person, that a little before his sons death, he had a black spot, which appeared in one of his nailes; and dilated it self as he came nearer to his end.
But I am overtedious in these toyes, which howsoever, in some mens too severe censures, they may be held absurd and ridiculous, I am the bolder to insert, as not borrowed from circumforanean Rogues and Gipsies, but out of the writings of worthy Philosophers, and Physitians, yet living some of them, and religious Professors in famous Universities, who are able to patronize that which they have said, and vindicate themselves from all cavillers and ignorant persons.
The Anatomy of Melancholy: Subsection 4. the Stars as a Cause. Signs From Physiognomy, Metoposcopy And…
p. 203Thaddeus Hagecius, in his Metoposcopy, gives certain rules drawn from the lines of Saturn in the forehead, from which he infers a melancholic disposition. Giambattista Porta makes observations from other parts of the body: for example, a spot over the spleen, or a black spot appearing in the nails, signifies much anxiety, grief, conflict and melancholy.
He attributes the cause to the humours and cites himself as an example: for seven years he had such black spots in his nails, and throughout that time was caught in continual lawsuits, disputes over his inheritance, fear, loss of honour, banishment, grief, anxiety, and so forth. When his miseries ended, the black spots vanished. Cardan, in his book On His Own Books, tells a similar story about himself: shortly before his son’s death, a black spot appeared in one of his nails and grew larger as his son approached his end.
But I have dwelt too long on these trifles. Though some people, judging too severely, may call them absurd and ridiculous, I include them more boldly because I have borrowed them from the writings of worthy philosophers and physicians—some still alive—and devout professors at famous universities, rather than from roving rogues and Gypsies. These men can defend what they have said and vindicate themselves against all quibblers and ignorant critics.
Socrates
Reading The Anatomy of Melancholy · Subsection 4. the Stars as a Cause. Signs From Physiognomy, Metoposcopy And…
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Socrates will begin with this book and its sources.About This Reading Edition
Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.
Historical Text and Translation
The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.
About Diotimos Editions
Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.
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Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.
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