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Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 8. the Moving Faculty.

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Facing Pages · Branch 159 of 1495

Subsection 8. the Moving Faculty.

1651 English

25

That which moves, is either the Efficient cause, or End. The end is the object, which is desired or eschued; as in a dog to catch a hare, &c. The efficient cause in man is Reason, or his subordinate Phantasie, which apprehends good or bad objects: in brutes Imagination alone, which moves the Appetite, the Appetite this faculty, which by an admirable league of Nature, and by mediation of the spirit commands the Organ by which it moves:

and that consists of Nerves, Muscles, Cords, dispersed through the whole body, contracted and relaxed as the spirits will, which move the Muscles, or Nerves in the midst of them, and draw the cord, and so per consequens the joynt, to the place intended. That which is moved, is the body or some member apt to move.

The motion of the body is divers, as going, running, leaping, dancing, sitting, & such like, referred to the predicament of Situs. Wormes creep, Birds flie, Fishes swim; and so of parts, the chief of which is Respiration or breathing, and is thus performed.

The outward aire is drawn in by the vocall Artery, and sent by mediation of the Midrife to the Lungs which dilating themselves as a pair of bellowes, reciprocally fetch it in, and send it out to the heart to coole it: and from thence now being hot, convey it again, still taking in fresh. Such a like motion is that of the Pulse, of which, because many have written whole bookes, I will say nothing.

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The Anatomy of Melancholy: Subsection 8. the Moving Faculty.

p. 159

What causes movement is either its efficient cause or its end. The end is the object desired or avoided, as when a dog seeks to catch a hare. The efficient cause in humans is reason, or imagination acting under it, which perceives good or bad objects. In other animals it is imagination alone, which moves appetite; appetite moves this faculty, which, through a wonderful bond established by nature and through the mediation of the spirit, commands the organ by which it acts.

That organ consists of nerves, muscles and tendons distributed throughout the body, contracting and relaxing as the spirits direct. The spirits move the muscles, or the nerves within them, and draw the tendon—and consequently the joint—to the intended position. What is moved is the body or some part capable of movement.

The body’s movements are various: walking, running, leaping, dancing, sitting and the like, referred to the category of bodily position. Worms creep, birds fly and fish swim. There are also movements of the parts, the chief being respiration, or breathing, which takes place as follows.

The outside air is drawn in through the windpipe and sent, through the action of the diaphragm, to the lungs. Expanding like a pair of bellows, they alternately draw it in and send it out to the heart to cool it; then they carry it back from there, now warmed, continually taking in fresh air. The pulse has a similar movement, about which I will say nothing, since many have written whole books on it.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.