DiotimosReading Desk

Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

Explore the Lexicon
The Anatomy of MelancholySection 1. Member 2. Subsection 1. a Digression on Anatomy.

Swipe or use the arrow keys.

1651 English Page · Branch 143 of 1495

Section 1. Member 2. Subsection 1. a Digression on Anatomy.

1651 English

13–14

SECT. 1. MEMB. 1. SUBSEC. 4. Digression of Anatomy.

Before I proceed to define the Disease of Melancholy, what it is, or to discourse farther of it, I hold it not impertinent to make a brief Digression of the anatomy of the body and faculties of the soul, for the better understanding of that which is to follow; because many hard words will often occur, as Myrache, Hypocondries, Hemrods, &c. Imagination, Reason, Humors, Spirits, Vital, Natural, Animal, Nerves, Veines, Arteries, Chylus, Pituita; which of the vulgar will not so easily be perceived, what they are, how sited, and to what end they serve.

And besides, it may peradventure give occasion to some men, to examine more accurately, search farther into this most excellent subject, and thereupon with that Royal Prophet to praise God, (for a man is fearfully and wonderfully made, and curiously wrought) that have time and leisure enough, & are sufficiently informed in all other worldly businesses, as to make a good bargain, buy and sell, to keep and make choice of a faire Hauke, Hound, Horse, &c. But for such matters as concerne the knowledge of themselves, they are wholly ignorant and careless, they know not what this Body and Soul are, how combined, of what parts and faculties they consist, or how a man differs from a Dog.

And what can be more ignominious and filthy (as Melancthon well inveighes) then for a man not to know the structure and composition of his own body, especially since the knowledge of it tends so much to the preservation of his health, and information of his manners?

To stir them up therefore to this study, to peruse those elaborate workes of Galen, Bauhinus, Plater, Vesalius, Falopius, Laurentius, Remelinus, &c. which have written copiously in Latine; or that which some of our industrious Countrimen have done in our mother tongue, not long since, as that translation of Columbus, and Microcosmographia, in 13. bookes, I have made this brief digression.

Also because Wecker, Melancthon, Fernelius, Fuschius, and those tedious Tracts de Animâ (or such have more compendiously handled & written of this matter) are not at all times ready to be had, to give them some small tast, or notice of the rest, let this Epitome suffice.

13–14

The Anatomy of Melancholy: Section 1. Member 2. Subsection 1. a Digression on Anatomy.

p. 143

Section 1. Member 2. Subsection 1. A digression on anatomy.

Before defining the disease of melancholy or discussing it further, I think it appropriate to make a brief digression on the anatomy of the body and the faculties of the soul, to make what follows easier to understand. Many difficult words will recur: myrache, hypochondria, haemorrhoids, imagination, reason, humours, vital, natural and animal spirits, nerves, veins, arteries, chyle and phlegm. Ordinary readers will not readily understand what these are, where they are situated or what purpose they serve.

Besides, this may encourage some people to examine this excellent subject more closely, investigate it further, and, with the royal prophet, praise God—for man is fearfully and wonderfully made, and intricately fashioned. These people have time and leisure enough, and know all about other worldly affairs: how to strike a good bargain, buy and sell, or choose and keep a fine hawk, hound or horse. Yet in matters concerning knowledge of themselves, they are completely ignorant and careless. They do not know what body and soul are, how they are joined, what parts and faculties they possess, or how a human being differs from a dog.

What could be more shameful and disgraceful, as Melanchthon rightly protests, than not knowing the structure and composition of one’s own body, especially when that knowledge contributes so much to preserving health and shaping conduct?

I have therefore made this brief digression to encourage them to study the subject: to read the extensive works of Galen, Bauhin, Plater, Vesalius, Falloppio, Laurentius, Remmelin and others who have written at length in Latin; or the recent work of some of our industrious countrymen in our own language, such as the translation of Columbus and the thirteen books of Microcosmographia.

Moreover, because Wecker, Melanchthon, Fernel, Fuchs and those lengthy treatises on the soul—or writers who have treated this subject more briefly—are not always readily available, let this summary suffice to give readers a small taste or an indication of the rest.

143

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.