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Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyContextual Lexicon

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English Introduction · Branch 1183 of 1495

Contextual Lexicon

The Anatomy of Melancholy: Contextual Lexicon

p. 1183

In Burton. The account distinguishes fleeting acts of apprehension from lasting intellectual dispositions, or habits. After enumerating acquired forms of understanding, it adds the three innate terms and gives a total of fourteen. The three are related without being collapsed into a single label.

The places. Synteresis and the dictate of reason occur in the classification of understanding. (p. 28; DJR-026-30.)

In this edition. “Synteresis” → “synderesis” (DJR-026-30); “Dictamen rationis” → “the dictate of reason” (DJR-026-30). The modern spelling synderesis replaces synteresis; the Latin phrase is translated directly. Habit in the surrounding passage means an enduring disposition rather than a repeated routine.

See also. Reason; Conscience.

Tables

Source forms: tables

The word. Tables can name a backgammon-type board game or physical tablets bearing records. The plural does not always refer to furniture.

In Burton. The gambling passage describes anger after losing at tables. The treatment synopsis recommends the same game among moderate mental recreations. In the shrine description, tables instead names commemorative or votive tablets displayed with inscriptions and gifts.

The places. Tables is the game whose losses provoke the gambler’s anger. (p. 119; DJR-044-35.) Tables appears among recreations in the regimen synopsis. (scan p. 323; DJR-067-09.) Tables are tablets displayed in the healing shrine. (p. 225; DJR-068-38.)

In this edition. “games at Tables” → “games of backgammon” (DJR-044-35); “cards, tables” → “cards, backgammon” (DJR-067-09); “tables, inscriptions” → “tablets, inscriptions” (DJR-068-38). Backgammon gives the reader the game family, while tablets preserves the material sense in the shrine. The contrast between uncontrolled gambling and moderate recreation belongs to the different passages.

See also. Recreate; Confection; Religion and superstition.

Tax

Source forms: taxeth; taxe; tax

The word. To tax can mean reproach, censure or attack someone in speech or writing. These uses do not concern imposing a financial levy.

In Burton. Erasmus is said to tax scholars for mishandling patrons. Princes are reported to pay Aretino to avoid being attacked in satire. Burton finally claims that his own discussion of lust aims to censure and deter it rather than teach it.

The places. Taxeth means reproaches scholars for neglecting patrons. (p. 139–140; DJR-049-01.) Taxe names an attack in Aretino’s satire. (p. 148; DJR-051-27.) Tax declares Burton’s censuring purpose in discussing love. (p. 410; DJR-108-16.)

In this edition. “as Erasmus well taxeth” → “as Erasmus justly reproaches them” (DJR-049-01); “taxe them in his Satyres” → “attack them in his satires” (DJR-051-27); “to tax and deter others from it” → “to censure it and deter others from it” (DJR-108-16). The renderings follow the different objects and force of criticism. The payment in the Aretino story is part of the reported means of avoiding censure, not the meaning of tax itself.

See also. Fact; Explode.

Temporize

Source forms: temporize; temporising

The word. To temporize is to adapt one’s conduct to circumstances, particularly for advantage. Burton’s uses concern opportunistic accommodation, rather than merely postponing a decision.

In Burton. The conscientious person refuses the practices that society rewards as worldly wisdom. In the discussion of false friends, a temporising age enables flatterers to gain access to powerful patrons and rise to office. Both passages expose the social rewards of compromised judgement.

The places. Honest people are despised for refusing opportunistic conduct. (p. 19; DJR-007-14.) The age’s opportunism makes flattering companions difficult to expose. (p. 421–422; DJR-110-23.)

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.