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Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyContextual Lexicon

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English Introduction · Branch 1135 of 1495

Contextual Lexicon

The Anatomy of Melancholy: Contextual Lexicon

p. 1135

In Burton. The fearful hare supplies a reported emblem of melancholy. A woman falling from a form begins an anecdote about uncontrollable laughter. In praise of marriage, the Latin comparison of matter desiring form applies Aristotelian language to the relation between woman and man. The shared spelling must not collapse these different objects and concepts.

The places. A hare sits in its resting place. (p. 188–190; DJR-059-49.) A woman falls from a bench. (p. 192; DJR-060-21.) Matter and form provide a comparison for marriage. (p. 443; DJR-115-06.)

In this edition. “an Hare sitting in her form” → “a hare sitting in its form” (DJR-059-49); “fall off from a form” → “fall off a bench” (DJR-060-21); “ut materia appetit formam” → “As matter desires form” (DJR-115-06). Form is retained for the animal’s named resting place and for the philosophical concept, with explanation. Bench removes ambiguity in the anecdote.

See also. Matter.

Friction and embrocation

Source forms: frictions; embrocations

The word. Frictions are rubbings of the body. Embrocations are applications of liquid remedies. Both name physical procedures in the historical bathing regimen.

In Burton. The first recommendation follows bathing with rubbing all over the body. The next joins baths to head washes, anointing and applications of liquid preparations. These are successive kinds of bodily treatment; the vocabulary should not reduce them all to bathing or confuse the application of a remedy with swallowing it.

The places. Frictions follow the prescribed baths. (p. 238; DJR-071-35.) Embrocations accompany anointing and head washes. (p. 238; DJR-071-36.)

In this edition. “frictions all over the body” → “rubbing all over the body” (DJR-071-35); “embrocations” → “applications of liquid remedies” (DJR-071-36). The English phrases identify the actions directly while preserving the order in which the sources recommend them.

See also. Chirurgery.

Fulsome

Source forms: fulsome; fulsomeness

The word. Fulsome can mean foul, offensive or disgusting. Fulsomeness names the corresponding offensiveness or foulness. These senses do not imply abundance or lavish praise.

In Burton. The reported vomiting case describes fulsome stuffe, emphasizing the repulsiveness of the expelled matter. The discussion of public baths speaks of the fulsomeness of sweat and suggests washing it away. The second account marks its explanation as conjectural through belike.

The places. Fulsome describes the matter in a reported vomiting case. (p. 53–54; DJR-031-25.) Fulsomeness describes offensive sweat in the discussion of baths. (p. 238; DJR-071-39.)

In this edition. “fulsome stuffe” → “foul matter” (DJR-031-25); “that fulsomeness of sweat” → “the offensive sweat” (DJR-071-39). Foul and offensive make the unfavourable sensory meaning clear. Presumably elsewhere in the bath sentence retains the qualification of Burton’s proposed explanation.

See also. Air; Homely.

Fustian and bombast

Source forms: bumbast; fustian

The word. Bombast, printed bumbast, evokes stuffing or padding and can describe inflated pretension. Fustian here names grandiose, empty language. The terms connect verbal display with exaggerated social importance.

In Burton. Competitive households spend beyond their means to win bumbast titles. The attack on patrons who profit from church property turns padding into a verb: they bumbast themselves. The supposedly accomplished gentleman talks big fustian, one more showy qualification offered in place of governing ability.

The places. Bumbast titles reward ruinous competition. (p. 102–103; DJR-041-17.) Church spoils are said to pad out patrons’ greatness. (p. 137; DJR-048-23.) Fustian forms part of the gentleman’s empty display. (p. 315–316; DJR-088-33.)

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.