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Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyContextual Lexicon

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English Introduction · Branch 1131 of 1495

Contextual Lexicon

The Anatomy of Melancholy: Contextual Lexicon

p. 1131

In Burton. Burton warns against trying a recipe on oneself simply because it appears in a book. He praises practical trials in cultivating imported medicinal plants, and describes his mother’s skill in remedies learned through experience. These passages give experience different settings and values; they do not amount to one uniform account of experimental method.

The places. Trying conclusions from a recipe can cause harm. (p. 229–230; DJR-069-38.) Practical trials concern the cultivation of medicinal plants. (p. 367; DJR-099-42.) Burton describes his mother’s experience of treatment. (p. 394–395; DJR-105-30.)

In this edition. “try conclusions” → “making experiments” (DJR-069-38); “tryed excellent conclusions” → “conducted excellent experiments” (DJR-099-42); “experimentall medicines” → “remedies learned from experience” (DJR-105-30). Experiments makes the practical trials clear. Remedies learned from experience avoids suggesting that the historical claim rests on a modern clinical testing procedure.

See also. Art.

Explode

Source forms: exploded; explode

The word. To explode can mean to hiss down, drive away by noisy disapproval, or reject contemptuously. These uses concern public rejection and ridicule rather than an explosion.

In Burton. The allegorical crowd expels Virtue and Wisdom while admiring Fortune and Folly, reversing the expected relation between merit and success. In the catalogue of national prejudices, people explode foreign fashions while their neighbours return the contempt. The verb helps make disapproval audible or socially forceful.

The places. The crowd drives Virtue and Wisdom away. (p. 19; DJR-007-12.) People ridicule the customs of other nations. (p. 39; DJR-011-21.)

In this edition. “were hissed out, and exploded by the common people” → “the crowd hissed and jeered them off” (DJR-007-12); “explode many of their fashions” → “ridicule many of their customs” (DJR-011-21). Hissed and jeered them off preserves the public action; ridicule conveys the more general contempt for customs.

See also. Baffle; Censure; Tax.

Exquisite

Source forms: exquisite torments; exquisite knowledge

The word. Exquisite can mean exact or highly developed, but in a description of torment it means extreme or acutely painful. The favourable modern association with beauty or delicacy cannot govern every use.

In Burton. The historical account of a city’s devastation uses exquisite to intensify torture. The warning against medical practice from books demands exquisite knowledge: exact knowledge sufficient to judge how a remedy should be used. Each noun determines a different force for the adjective.

The places. Exquisite intensifies the description of torture. (p. 165; DJR-054-48.) Exquisite knowledge is required before practising from books. (p. 230; DJR-069-41.)

In this edition. “exquisite torments” → “agonising torture” (DJR-054-48); “exquisite knowledge” → “exact knowledge” (DJR-069-41). Agonising conveys severity without favourable overtones. Exact conveys the precision demanded by the warning about remedies.

See also. Painful; Art.

Fact

Source forms: fact; foule fact

The word. Fact means a deed or act in these passages. Its moral character comes from the description and context; the word does not simply mean a true statement or an established piece of information.

In Burton. David’s fact is a condemned deed. A foul fact may produce disgrace when committed or exposed, yet Burton also argues that an offender should not be mocked. In the catalogue of deaths discussed by religious authorities, the same fact again means the same deed, with the question of approval belonging to the surrounding argument.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.