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1651 English Page · Branch 1040 of 1495
Symptoms of Despair: Fear, Sorrow, Suspicion, Anxiety, Horror of Conscience…
1651 English
701–702Symptomes of Despaire, Fear, Sorrow, Suspition, Anxiety, Horror of conscience, fearful dreams and visions.
As Shoomakers do when they bring home shooes, still cry, Leather is dearer and dearer; may I justly say of those melancholy Symptomes: these of despaire are most violent, tragical and grievous; far beyond the rest, not to be expressed but negatively, as it is privation of all happiness, not to be endured; for a wounded spirit who can bear it? Prov. 18. 19.
What therefore Timanthes, did in his picture of Iphigenia, now ready to be sacrificed, when he had painted Chalcas mourning, Ulysses sad, but most sorrowful Menelaus; and shewed all his art in expressing variety of affections, he covered the maids father, Agamemnons head with a vail, and left it to every spectator to conceive what he would himself; for that true passion and sorrow in summo gradu, such as his was, could not by any art be deciphered.
What he did in his picture, I will do in describing the Symptomes of Despaire; imagine what thou canst, fear, sorrow, furies, grief, pain, terror, anger, dismal, gastly, tedious, irksome, &c. it is not sufficient, it comes far short, no tongue can tell, no heart conceive it. ’Tis an Epitome of hell, an extract, a quintessence, a compound, a mixture of all feral maladies, tyrannical tortures, plagues and perplexities.
There is no sickness almost but Physick provideth a remedy for it; to every sore, Chirurgery will provide a salve: friendship helps poverty; hope of liberty easeth imprisonment; suit and favour revoke banishment; authority and time wear away reproach: but what Physick, what Chirurgery, what wealth, favour, authority can relieve, bear out, asswage, or expel a troubled conscience? A quiet minde cureth all them, but all they cannot comfort a distressed soul: who can put to silence the voice of desperation?
All that is single in other melancholy, Horribile, dirum, pestilens, atrox, ferum, concur in this, it is more than melancholy in the highest degree; a burning feaver of the soul; so mad, saith Jacchinus, by this misery; fear, sorrow and despair he puts for ordinary symptomes of Melancholy. They are in great pain and horror of mind, distraction of soul, restless, full of continual fears, cares, torments, anxieties, they can neither eat, drink, nor sleep for them, take no rest,
Perpetua impietas, nec mensæ tempore cessat, Exagitat vesana quies, somniq; furentes.Neither at bed, nor yet at bord, Will any rest Despair afford.Fear takes away their content, and dries the blood, wasteth the marrow, alters their countenance, even in their greatest delights, singing, dancing, dalliance they are still (saith Lemnius) tortured in their souls.
It consumes them to nought, I am like a Pelican in the wilderness (saith David of himself, temporally afflicted) an Owle because of thine indignation. Psal. 102. vers. 8, 10. and Psal. 55. 4. My heart trembleth within me, and the terrours of death have come upon me; fear and trembling are come upon mee, &c. at deaths dore, Psal. 107. 18. Their soul abhors all manner of meats.
The Anatomy of Melancholy: Symptoms of Despair: Fear, Sorrow, Suspicion, Anxiety, Horror of Conscience…
p. 1040Symptoms of despair: fear, sorrow, suspicion, anxiety, horror of conscience, terrifying dreams and visions.
As shoemakers, whenever they deliver shoes, keep crying that leather grows dearer and dearer, so I may justly speak of these symptoms of melancholy. Those of despair are the most violent, tragic and grievous, far beyond the rest. They can be expressed only negatively, as the loss of all happiness, and are unbearable: for who can bear a wounded spirit? Proverbs 18:19.
Consider what Timanthes did in his picture of Iphigenia about to be sacrificed. Having painted Calchas mourning, Ulysses sad and Menelaus most sorrowful of all, and displayed all his skill in expressing different emotions, he covered the head of the maiden’s father, Agamemnon, with a veil and left each spectator to imagine his feelings. Such true emotion and sorrow in their highest degree, as his were, could not be portrayed by any art.
What he did in his picture, I will do in describing the symptoms of despair. Imagine whatever you can: fear, sorrow, furies, grief, pain, terror, anger; all that is dismal, ghastly, wearisome and distressing. It is not enough; it falls far short. No tongue can tell it, no heart conceive it. It is hell in miniature, an extract, a pure essence, a compound, a mixture of every deadly affliction, cruel torture, plague and bewilderment.
There is scarcely an illness for which medicine offers no remedy; for every wound, surgery will provide a salve. Friendship helps poverty; hope of freedom eases imprisonment; petitions and influence reverse banishment; authority and time wear away disgrace. But what medicine, surgery, wealth, favour or authority can relieve, sustain, soothe or dispel a troubled conscience? A peaceful mind cures all those troubles, but all of them together cannot comfort a distressed soul. Who can silence the voice of despair?
Everything found separately in other forms of melancholy—the horrible, dreadful, pestilential, cruel and savage—comes together in this. It exceeds even melancholy in its highest degree: a burning fever of the soul. They are driven mad by this misery, says Jacchinus, who lists fear, sorrow and despair among melancholy’s ordinary symptoms. They suffer great mental pain and horror, disturbance of soul and restlessness, full of unceasing fears, cares, torments and anxieties. These prevent them from eating, drinking or sleeping; they find no rest,
Unceasing impiety does not stop even at mealtime; Frenzied rest and raging dreams torment them.
Neither in bed nor at the table Will despair allow any rest.
Fear takes away their contentment, dries their blood, wastes their marrow and changes their appearance. Even amid their greatest pleasures—singing, dancing and lovemaking—their souls remain tormented, says Lemnius.
It consumes them entirely. I am like a pelican in the wilderness, says David of himself in temporary distress, an owl because of your indignation. Psalm 102, verses 8 and 10; and Psalm 55:4: My heart trembles within me, and the terrors of death have come upon me; fear and trembling have come upon me, and so on. At death’s door, Psalm 107:18: Their soul loathes every kind of food.
Socrates
Reading The Anatomy of Melancholy · Symptoms of Despair: Fear, Sorrow, Suspicion, Anxiety, Horror of Conscience…
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Socrates will begin with this book and its sources.About This Reading Edition
Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.
Historical Text and Translation
The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.
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Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.
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