Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition
Swipe or use the arrow keys.
Modern English Page · Branch 827 of 1495
The Prognosis of Love Melancholy
1651 English
542–543Qui in amore præcipitavit, pejus perit, quàm qui saxo salit. He that runs headlong from the top of a rock, is not in so bad a case, as he that falls into this gulf of love. For hence, saith Platina, comes Repentance, Dotage, they loose themselves, their wits, and make shipwrack of their fortunes altogether: Madness, to make away themselves and others, violent death.
Prognosticatio est talis, saith Gordonius, si non succurratur iis, aut in maniam cadunt, aut moriuntur, the prognostication is, they will either run mad, or dye. For if this passion continue, saith Ælian Montaltus, it makes the blood hot, thick, and black; and if the inflammation get into the brain, with continual meditation and waking, it so dries it up, that madness followes, or else they make away themselves,
Coridon, Coridon, quæ te dementia cepit?Now as Arnoldus adds, it will speedily work these effects, if it be not presently helped; They will pine away, run mad, and dye upon a sudden; Facilè incidunt in maniam, saith Valescus, quickly mad; nisi succurratur, if good order be not taken,
Eheu triste jugum quisquis amoris habet, Is prius ac norit se periisse perit.Oh heavy yoke of love, which who so bears, Is quite undone, and that at unawares.So she confessed of her self in the Poet.
—— Insaniam priusquam quis sentiat, Vix pili intervallo à furore absum.I shall be mad before it be perceived, An hair breadth off scarce am I, now distracted.As mad as Orlando for his Angelica, or Hercules for his Hylas,
At ille ruebat quò pedes ducebant, furibundus, Nam illi sævus Deus intus jecur laniabat,He went he car’d not whether, mad he was, The cruel God so tortur’d him, alas.At the sight of Hero I cannot tell how many ran mad,
Alius vulnus celans insanit pulchritudine puellæ.And whilst he doth conceal his grief, Madness comes on him like a thief.Go to Bedlam for examples. It is so well known in every village, how many have either dyed for love, or voluntarily made away themselves, that I need not much labour to prove it; Nec modus aut requies nisi mors reperitur amoris: Death is the common Catastrophe of such persons.
Mori mihi contingat, non enim alia Liberatio ab ærumnis fuerit ullo pacto istis.Would I were dead, for nought God knows, But death can rid me of these woes.The Anatomy of Melancholy: The Prognosis of Love Melancholy
p. 827“Someone who plunges headlong into love perishes more miserably than someone who leaps from a rock.” A person who rushes headlong from the top of a cliff is not in so bad a plight as one who falls into this gulf of love. For from it, says Platina, “come regret and folly: they lose themselves and their wits, and altogether wreck their fortunes”; madness, killing themselves and others, violent death.
“The prognosis is this,” says Gordonius: “Unless they receive help, they either fall into madness or die.” The prediction is that they will either go mad or die. For if this passion continues, says Aelianus Montaltus, “it makes the blood hot, thick and black; and if the inflammation reaches the brain, constant brooding and sleeplessness dry it out so much that madness follows, or else they kill themselves.”
Corydon, Corydon, what madness has seized you?
Now, as Arnoldus adds, it will soon produce these effects unless it is promptly treated: “They will waste away, go mad and suddenly die.” “They readily fall into madness,” says Valescus—quickly go mad—“unless help is given,” unless proper measures are taken.
Alas, whoever bears love’s sorrowful yoke Perishes before he knows that he is lost.
Oh, heavy yoke of love: whoever bears it Is utterly undone, and unawares.
So the woman in the poet confessed of herself:
I shall go mad before anyone notices; I am scarcely a hair’s breadth from madness.
I shall be mad before anyone sees it; Scarcely a hair’s breadth away, already distraught.
As mad as Orlando over his Angelica, or Hercules over his Hylas:
But he rushed in frenzy wherever his feet led him, For within him a cruel god was tearing his liver.
He went he cared not where, so mad he was; The cruel god tormented him so, alas.
At the sight of Hero, I cannot tell how many went mad,
Another, hiding his wound, goes mad over the girl’s beauty.
And while he conceals his grief, Madness steals upon him like a thief.
Go to Bedlam for examples. Every village knows so well how many have either died of love or deliberately killed themselves that I need not labour to prove it: “Love finds neither limit nor rest except in death.” Death is the usual catastrophe for such people.
May death be granted me: there can be No other release at all from these sorrows.
Would that I were dead, for God knows nothing But death can free me from these woes.
Socrates
Reading The Anatomy of Melancholy · The Prognosis of Love Melancholy
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.
Historical Text and Translation
The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.
About Diotimos Editions
Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.
Rights
Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.
- PDF editionComplete annotated edition — PDF
- EPUB editionComplete annotated edition — EPUB
- Word editionComplete annotated edition — Word
- Markdown editionComplete annotated edition — Markdown
- Principal historical witnessMcGill University Library — 1651 edition
- Supplied 1651 openingBavarian State Library — supplied opening
- Independent local comparison witnessIndependent 1651 microfilm — comparison opening