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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyMember 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

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Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

1651 English

514–515

O happy day that shall restore thee to my sight. In the mean time he raves on her; her sweet face, eys, actions, gestures, hands, feet, speech, length, bredth, height, depth, and the rest of her dimensions, are so survaied, measured, and taken, by that Astrolabe of phantasie, and that so violently sometimes, with such earnestness and eagerness, such continuance, so strong an imagination, that at length he thinks he sees her indeed; he talks with her, he imbraceth her, Ixion-like pro Junone nubem, a cloud for Juno, as he said. Nihil præter Leucippen cerno, Leucippe mihi perpetuò in oculis, & animo versatur, I see and meditate of naught but Leucippe. Be she present or absent, all is one;

Et quamvis aberat placidæ præsentia formæ, Quem dederat præsens forma, manebat amor.

That impression of her beauty is still fixed in his mind

—— hærent infixi pectore vultus.

as he that is bitten with a mad dog, thinks all he sees dogs, dogs in his meat, dogs in his dish, dogs in his drink: his mistress is in his eys, ears, heart, in all his senses. Valleriola had a merchant his patient in the same predicament: and Ulricus Molitor out of Austin, hath a story of one, that through vehemency of his love passion, still thought he saw his Mistress present with him, she talked with him, Et commisceri cum eâ vigilans videbatur, still embracing him.

Now if this passion of love can produce such effects, if it be pleasantly intended, what bitter torments shall it breed, when it is with fear and continual sorrow, suspicion, care, agony, as commonly it is, still accompanied, what an intolerable pain must it be?

—— Non tam grandes Gargara culmos, quot demerso Pectore curas longâ nexas Usque catenâ, vel quæ penitùs Crudelis amor vulnera miscet.Mount Gargarus hath not so many stems, As Lovers breast hath grievous wounds, And linked cares, which love compounds.

When the King of Babylon would have punished a Courtier of his, for loving of a yong Lady of the royal blood, and far above his fortunes, Apollonius in presence, by all means perswaded to let him alone; For to love and not enjoy was a most unspeakable torment, no tyrant could invent the like punishment; as a gnat at a candle, in a short space he would consume himself.

For Love is a perpetual flux, Angor animi, a warfare, militat omni amans; a grievous wound is love still, and a Lovers heart is Cupids quiver, a consuming fire, accede ad hanc ignem, &c. an inextinguible fire.

—— alitur & crescit malum, Et ardet intus, qualis Ætnæo vapor Exundat antro ——

As Ætna rageth, so doth Love, and more then Ætna or any material fire.

—— Nam amor sæpe Lyparæo Vulcano ardentiorem flammam incendere solet.
514–515

The Anatomy of Melancholy: Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

p. 795

Oh, happy day that will restore you to my sight! Meanwhile he raves about her. Her sweet face, eyes, actions, gestures, hands, feet and speech, her length, breadth, height, depth and every other dimension are so surveyed, measured and recorded by that astrolabe of imagination—sometimes with such intensity, earnestness, eagerness and persistence, with so powerful an imagination—that at last he thinks he truly sees her. He speaks with her and embraces her: like Ixion, he takes “a cloud for Juno,” as the saying goes. “I see nothing but Leucippe; Leucippe is always before my eyes and in my mind.” I see and contemplate nothing but Leucippe. Present or absent, it is all the same:

And although the presence of her gentle beauty was absent, The love that her beauty had inspired while present remained.

The impression of her beauty remains fixed in his mind:

Her features remain firmly imprinted in his heart.

Just as a person bitten by a mad dog thinks everything he sees is dogs—dogs in his food, dogs in his dish, dogs in his drink—so his mistress is in his eyes, ears and heart, in every sense. Valleriola had a merchant as a patient in the same condition. Ulrich Molitor, drawing on Augustine, tells of a man who, through the force of his passion, constantly thought he saw his mistress beside him, talking to him: “While awake, he seemed to have intercourse with her,” as she continually embraced him.

Now if love can produce such effects when its course is pleasant, what bitter torments must it breed when, as is usual, it is constantly accompanied by fear and unending sorrow, suspicion, anxiety and agony? What intolerable pain it must be!

Gargara bears no such multitude Of tall stalks as the cares in a sunken Heart, linked in a long, unbroken Chain, or the wounds that deep within Cruel love intermingles.

Mount Gargarus has fewer stalks Than a lover’s breast has grievous wounds And linked cares that love combines.

When the king of Babylon wished to punish one of his courtiers for loving a young woman of royal blood, far above his station, Apollonius, who was present, urged him by every means to leave the man alone. To love without fulfilment was an unspeakable torment; no tyrant could invent such a punishment. Like a gnat at a candle, he would soon consume himself.

For love is a perpetual flow, “anguish of mind,” a warfare: “every lover serves as a soldier.” Love is always a grievous wound, and a lover’s heart is Cupid’s quiver; it is a consuming fire—“approach this fire”—an unquenchable fire.

The evil is fed and grows, And burns within, like the heat That pours from Etna’s cavern.

As Etna rages, so does love—and more fiercely than Etna or any physical fire:

For love often kindles a flame Hotter than Vulcan’s fire at Lipara.

795

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.