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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyMember 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

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Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

1651 English

503–504

MEMB. 4. SUBSECT. 1. Symptomes or signs of Love Melancholy, in Body, Mind, good, bad, &c.

Symptomes are either of Body or Mind; of body, paleness, leanness, driness, &c. Pallidus omnis amans, color hic est aptus amanti, as the Poet describes lovers: fecit amor maciem, love causeth leanness. Avicenna de Ilishi c. 33. makes hollow eys, driness, Symptomes of this disease, to go smiling to themselves, or acting as if they saw or heard some delectable object.

Valleriola lib. 3. observat. cap. 7. Laurentius cap. 10. Ælianus Montaltus de Her. amore. Langius epist. 24. lib. 1. epist. med. deliver as much, corpus exangue pallet, corpus gracile, oculi cavi, lean, pale,

—— ut nudis qui pressit calcibus anguem,

hollow-eyd, their eys are hidden in their heads,

Tenerque nitidi corporis cecidit decor ——

They pine away, and look ill with waking, cares, sighs,

Et qui tenebant signa Phœbeæ facis oculi, nil gentile nec patrium micant.

With groans, griefs, sadness, dulness,

—— Nulla jam Cereris subit Cura aut salutis ——

want of appetite, &c. A reason of all this, Jason Pratensis gives, because of the distraction of the spirits, the Liver doth not perform his part, nor turns the aliment into blood as it ought, and for that cause the members are weak for want of sustenance, they are lean and pine, as the hearbs of my garden do this month of May, for want of rain. The green sickness therefore often happeneth to yong women, a Cacexia or an evil habit to men, besides their ordinary sighs, complaints, and lamentations, which are too frequent. As drops from a still,

—— ut occluso stillat ab igne liquor,

doth Cupids fire provoke tears from a true Lovers eys.

The mighty Mars did oft for Venus shreek, Privily moistning his horrid cheek With womanish tears, ———— ignis distillat in undas, Testis erit largus qui rigat ora liquor,

with many such like passions. When Chariclia was enamored on Theagines, as Heliodorus sets her out, she was half distracted, and spake she knew not what, sighed to her self, lay much awake and was lean upon a sudden: and when she was besotted on her son in law, pallor deformis, marcentes oculi, &c. she had ugly paleness, hollow eys, restless thoughts, short wind, &c.

Eurialus in an Epistle sent to Lucretia his Mistress, complains amongst other grievances, tu mihi & somni & cibi usum abstulisti, thou hast taken my stomack and my sleep from me. So he describes it aright;

503–504

The Anatomy of Melancholy: Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

p. 784

MEMBER 4 SUBSECTION 1 Symptoms or signs of love melancholy in body and mind Good and bad signs and so forth

The symptoms are either bodily or mental. Bodily symptoms include paleness, thinness, dryness and so on. “Every lover is pale; this colour suits a lover,” as the poet describes them; “love has caused wasting”: love makes people thin. Avicenna, in chapter 33, On Love, lists hollow eyes and dryness as symptoms of this disease, together with going about smiling to oneself or behaving as though one saw or heard something delightful.

Valleriola, in book 3, chapter 7 of his Observations; Laurentius, chapter 10; Eliano Montalto, On Love Melancholy; and Lange, in book 1, letter 24 of his Medical Letters, say much the same: “The bloodless body is pale; the body thin, the eyes hollow.” Thin and pale:

Like someone who has trodden on a snake with bare heels.

Hollow-eyed, their eyes sunken in their heads:

And the tender beauty of the radiant body has faded.

They waste away and look ill from sleeplessness, cares and sighs:

And the eyes that bore the marks of Phoebus’s torch No longer shine with their ancestral radiance.

With groans, grief, sadness and listlessness:

No thought now arises Of food or health.

Loss of appetite, and so on. Jason Pratensis explains all this: “Because the spirits are distracted, the liver fails to do its work and does not turn food into blood as it should. The limbs are consequently weak for lack of nourishment; they grow thin and wither, as the herbs in my garden do this May for lack of rain.” Thus young women often develop the green sickness, and men cachexia, or a poor bodily condition, besides their usual sighs, complaints and lamentations, which are all too frequent. Like drops from a still:

As liquid drips from a fire enclosed.

So Cupid’s fire draws tears from a true lover’s eyes.

Mighty Mars often cried out for Venus, Secretly wetting his fearsome cheek With womanish tears.

Fire is distilled into water; The abundant stream that bathes the face will bear witness.

Along with many other such sufferings. When Chariclea fell in love with Theagenes, as Heliodorus describes her, “she was half distracted, spoke without knowing what she said, sighed to herself, lay awake much of the time and suddenly grew thin.” And when the other woman became infatuated with her stepson, “an ugly pallor, languishing eyes,” and so forth: she had an ugly pallor, hollow eyes, restless thoughts and shortness of breath.

In a letter to his mistress Lucretia, Euryalus complains, among other grievances, “You have deprived me of both sleep and food”: you have taken away my appetite and my sleep. So the poet describes it accurately:

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.