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Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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Modern English Page · Branch 697 of 1495

Member 3 Charity Combining All Three Kinds of Love Pleasant Profitable And…

1651 English

429–430–430

Monsters of men as we are, Dogs, Wolves, Tygers, Fiends, incarnate Divels, we do not only contend, oppress, and tyrannize our selves, but as so many fire-brands, we set on, and animate others: our whole life is a perpetual combate, a conflict, a set battle, a snarling fit: Eris dea is setled in our tents, omnia de lite, opposing wit to wit, wealth to wealth, strength to strength, fortunes to fortunes, friends to friends, as at a sea-fight, we turn our broad sides, or two milstones with continual attrition, we fire our selves, or break anothers backs, and both are ruined and consumed in the end.

Miserable wretches, to fat and inrich our selves, we care not how we get it, Quocunque modo rem, how many thousands we undo, whom we oppress, by whose ruin and downfall we arise, whom we injure, fatherless children, widdows, common societies, to satisfie our own private lust.

Though we have myriads, abundance of wealth and treasure, (pittiless, merciless, remorsless, and uncharitable in the highest degree) and our poor brother in need, sickness, in great extremity, and now ready to be starved for want of food, we had rather, as the Fox told the Ape, his tail should sweep the ground still, then cover his buttocks;

rather spend it idly, consume it with dogs, hawks, hounds, unnecessary buildings, in riotous apparel, ingurgitate, or let it be lost, then he should have part of it; rather take from him that little which he hath, then relieve him.

Like the dog in the manger, we neither use it our selves, let others make use of, or enjoy it; part with nothing while we live: for want of disposing our houshold, and setting things in order, set all the world together by the ears, after our death.

Poor Lazarus lies howling at his gates for a few crums, he only seeks chippings, offals; let him roar and howl, famish, and eat his own flesh, he respects him not.

A poor decayed kinsman of his sets upon him by the way in all his jollity, and runs begging bareheaded by him, conjuring by those former bonds of friendship, alliance, consanguinity, &c. unkle, cosen, brother, father,

—— Per ego has lachrymas, dextramque tuam te, Si quidquam de te merui, fuit aut tibi quidquam Dulce meum, miserere mei.

Shew some pitty for Christs sake, pitty a sick man, an old man, &c. he cares not, ride on: pretend sickness, inevitable loss of limbs, goods, plead suretiship, or shipwrack, fires, common calamities, shew thy wants and imperfections,

Et si per sanctum juratus dicat Osyrim, Credite, non ludo, crudeles tollite claudum.
429–430–430

The Anatomy of Melancholy: Member 3 Charity Combining All Three Kinds of Love Pleasant Profitable And…

p. 697

Monstrous people that we are—dogs, wolves, tigers, fiends, devils in human form—we not only quarrel, oppress and tyrannize ourselves, but, like so many firebrands, incite and encourage others. Our whole life is perpetual combat, conflict, pitched battle, snarling strife. “The goddess Discord” has settled in our tents; “everything comes from strife.” We pit wit against wit, wealth against wealth, strength against strength, fortune against fortune, friends against friends. As in a sea battle, we turn our broadsides; or, like two millstones rubbing continually, we set ourselves on fire or break one another’s backs, until both are ruined and consumed.

Wretched creatures! To fatten and enrich ourselves, we care nothing how we get wealth—“money by whatever means”—how many thousands we ruin, whom we oppress, through whose downfall we rise, or whom we injure: orphaned children, widows, whole communities, all to satisfy our private desires.

Though we have countless riches, an abundance of wealth and treasure, we remain utterly pitiless, merciless, remorseless and uncharitable. While our poor brother is needy, sick, in desperate distress and about to starve for lack of food, we would rather, as the fox told the ape, let our tail drag along the ground than cover his bare backside.

We would rather squander our wealth, use it up on dogs, hawks, hounds, unnecessary buildings and extravagant clothes, gorge ourselves or let it go to waste than give him a share. We would rather take what little he has than relieve his need.

Like the dog in the manger, we neither use it ourselves nor allow others to use or enjoy it. We part with nothing while we live; by failing to arrange our household affairs and set things in order, we set everyone quarrelling after our death.

Poor Lazarus lies howling at his gates for a few crumbs, asking only for scraps and leftovers. Let him cry and howl, starve and eat his own flesh: the rich man takes no notice of him.

A poor relation fallen on hard times approaches him on the road amid all his splendour and runs bareheaded beside him, begging, appealing to those old bonds of friendship, marriage and blood: uncle, cousin, brother, father—

By these tears, by your right hand, I beg you: If I have deserved anything from you, or anything of mine Has ever been dear to you, have pity on me.

“Show some pity for Christ’s sake; pity a sick man, an old man,” and so on. He does not care: ride on. Plead sickness, unavoidable loss of limbs or goods, debts incurred as a guarantor, shipwreck, fires or public disasters; show your needs and infirmities—

Even if he swears by holy Osiris and says, “Believe me, I am not pretending; cruel people, lift up a lame man.”

697

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.