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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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Member 5 Against Sorrow Over the Death of Friends or Other Causes, Groundless…

1651 English

346–347–347

Cardinal Brundusinus caused this Epitaph in Rome to be inscribed on his tomb, to shew his willingness to dye, and taxe those that were so loth to depart. Weep and howl no more then, ’tis to small purpose; and as Tully adviseth us in the like case, Non quos amisimus sed quantum lugere par sit cogitemus: Think what we do, not whom we have lost. So David did, 2 Sam. 22. While the child was yet alive, I fasted and wept, but being now dead, why should I fast? Can I bring him again? I shall go to him, but he cannot return to me.

He that doth otherwise is an intemperate, a weak, a silly, and undiscreet man. Though Aristotle deny any part of intemperance to be conversant about sorrow, I am of Seneca’s mind, he that is wise is temperate, and he that is temperate is constant, free from passion, and he that is such a one, is without sorrow: as all wise men should be.

The Thracians wept still when a child was born, feasted and made mirth when any man was buried: and so should we rather be glad for such as die well, that they are so happily freed from the miseries of this life. When Eteoneus that noble young Greek was so generally lamented by his friends, Pindarus the Poet faines some god saying, Silete homines, non enim miser est, &c. be quiet good folks, this young man is not so miserable as you think; he is neither gone to Styx nor Acheron, sed gloriosus & senii expers heros, he lives for ever in the Elisian fields. He now enjoyes that happiness, which your great Kings so earnestly seek, and wears that garland for which ye contend.

If our present weakness is such, we cannot moderate our passions in this behalf, we must divert them by all means, by doing something else, thinking of another subject. The Italians most part sleep away care and grief, if it unseasonably seise upon them, Danes, Dutchmen, Polanders and Bohemians drink it down, our country men go to playes: doe something or other, let it not transpose thee, or by premeditation make such accidents familiar, as Ulysses that wept for his dog, but not for his wife, quòd paratus esset animo obfirmato, (Plut. de anim. tranq.) accustome thy self, and harden before hand by seeing other mens calamities, and applying them to thy present estate: Prævisum est levius quod fuit ante malum.

I will conclude with Epictetus, If thou lovest a pot, remember ’tis but a pot thou lovest, and thou wilt not be troubled when ’tis broken: If thou lovest a son or wife, remember they were mortall, and thou wilt not be so impatient. And for false fears and all other fortuite inconveniences, mischances, calamities, to resist and prepare our selves, not to faint is best; Stultum est timere quod vitari non potest, ’tis a folly to fear that which cannot be avoided, or to be discouraged at all.

Nam quisquis trepidus pavet vel optat, Abjecit clypeum, locoque motus Nectit quâ valeat trahi catenam.

For he that so faints or fears, and yeelds to his passion, flings away his own weapons, makes a cord to bind himself, and puls a beam upon his own head.

346–347–347

The Anatomy of Melancholy: Member 5 Against Sorrow Over the Death of Friends or Other Causes, Groundless…

p. 586

Cardinal Brundusinus had this epitaph inscribed on his tomb in Rome, to show his willingness to die and to rebuke those so reluctant to depart. Weep and howl no more, then: it serves little purpose. As Cicero advises in a similar case, “Let us consider not whom we have lost, but how much mourning is fitting”: consider what we are doing, not whom we have lost. David did so, in 2 Samuel 22: “While the child was still alive, I fasted and wept; but now that he is dead, why should I fast? Can I bring him back? I shall go to him, but he cannot return to me.”

Anyone who acts otherwise is uncontrolled, weak, foolish and lacking in judgement. Although Aristotle denies that intemperance has anything to do with sorrow, I agree with Seneca: whoever is wise is temperate; whoever is temperate is steadfast and free from passion; and such a person is without sorrow, as all wise people should be.

The Thracians always wept when a child was born, and feasted and rejoiced when anyone was buried. So we too should be glad for those who die well, since they have been so happily freed from this life’s miseries. When that noble young Greek Eteoneus was universally lamented by his friends, the poet Pindar imagines a god saying, “Be silent, mortals, for he is not unhappy,” and so on: quiet, good people; this young man is not as miserable as you think. He has gone neither to Styx nor to Acheron; “but a glorious hero, untouched by old age,” he lives for ever in the Elysian fields. He now enjoys the happiness your great kings seek so earnestly, and wears the garland for which you compete.

If our present weakness prevents us from moderating our emotions in this matter, we must use every means to turn them aside: do something else, think about another subject. Italians mostly sleep away care and grief if it seizes them at an inconvenient time; Danes, Dutchmen, Poles and Bohemians drink it down; our countrymen go to plays. Do something, whatever it may be; do not let grief unhinge you. Or make such misfortunes familiar by thinking of them beforehand, like Ulysses, who wept for his dog but not for his wife, “because he was prepared, his mind made firm” (Plutarch, On Tranquillity of Mind). Accustom and harden yourself beforehand by seeing others’ calamities and applying them to your own situation: “An evil is lighter when it has been foreseen.”

I shall conclude with Epictetus: “If you love a pot, remember that it is only a pot you love, and you will not be troubled when it breaks. If you love a son or wife, remember that they are mortal, and you will not be so unable to bear the loss.” As for groundless fears and all other accidental troubles, misfortunes and calamities, our best course is to resist and prepare ourselves, without losing heart. “It is foolish to fear what cannot be avoided”: foolish to fear the inevitable, or to be discouraged at all.

For whoever trembles with fear or desire Has thrown away his shield and, driven from his ground, Forges the chain by which he can be dragged away.

For whoever thus loses heart or gives way to fear, surrendering to his passion, throws away his own weapons, makes a cord to bind himself, and pulls a beam down upon his own head.

586

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.