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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 10. Discontents, Cares, Miseries and the Like as Causes.

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Modern English Page · Branch 270 of 1495

Subsection 10. Discontents, Cares, Miseries and the Like as Causes.

1651 English

111

Talking Fabius will be tyred before he can tell half of them; they are the subject of whole Volumes, and shall (some of them) be more opportunely dilated elsewhere. In the meane time thus much I may say of them, that generally they crucifie the soul of man, attenuate our bodies, dry them, wither them, rivel them up like old apples, make them as so many Anatomies, (ossa atque pellis est totus, ita curis macet) they cause tempus fædum & squalidum, cumbersome dayes, ingrataque tempora, slow, dull, and heavy times;

make us howle, roar, and tear our haire, as Sorrow did in Cebes table, and groan for the very anguish of our souls. Our hearts faile us, as Davids did, Psal. 40.12. for innumerable troubles that compassed him; and we are ready to confess with Hezekiah, Isay 58.17. behold for felicity I had bitter grief: to weep with Heraclitus, to curse the day of our birth with Jeremy, 20.14. and our stars with Job:

to hold that axiome of Silenus, better never to have been born, and the best next of all, to dye quickly: or if we must live, to abandon the world, as Timon did, creep into caves and holes, as our Anchorites; cast all into the Sea, as Crates Thebanus: or as Theombrotus Ambrociato’s 400 auditors, precipitate our selves to be rid of these miseries.

111

The Anatomy of Melancholy: Subsection 10. Discontents, Cares, Miseries and the Like as Causes.

p. 270

Talkative Fabius will be tired before he can tell half of them. They fill whole volumes, and some will be discussed more fully elsewhere, at a more suitable point. Meanwhile, I may say this much: they generally crucify the human soul, waste our bodies, dry and wither them, shrivel them like old apples, turn them into so many skeletons—“he is all skin and bones, so wasted is he with cares.” They produce “a foul and dismal time,” burdensome days, “and ungrateful seasons”: slow, dull and weary times.

They make us howl, roar and tear our hair, like Sorrow in Cebes’ Picture, and groan in the sheer anguish of our souls. Our hearts fail us, as David’s did, Psalm 40:12, because of the innumerable troubles surrounding him. We are ready to confess with Hezekiah, Isaiah 58:17, “See, instead of happiness I had bitter grief”; to weep with Heraclitus, to curse the day of our birth with Jeremiah, 20:14, and our stars with Job.

We are ready to accept Silenus’s maxim: best never to have been born, and next best to die quickly. Or, if we must live, to abandon the world like Timon, creep into caves and holes like our anchorites, throw everything into the sea like Crates of Thebes, or, like the four hundred listeners of Theombrotus of Ambracia, throw ourselves down from a height to escape these miseries.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.