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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 5. Fear as a Cause.

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1651 English Page · Branch 253 of 1495

Subsection 5. Fear as a Cause.

1651 English

98 [supplied]

It causeth oftentimes sudden madness, and almost all maner of diseases, as I have sufficiently illustrated in my Digression of the force of Imagination, and shall do more at large in my section of Terrors. Fear makes our Imagination conceive what it list, invites the devil to come to us, as Agrippa and Cardan avouch, and tyrannizeth over our Phantasie more than all other affections, especially in the dark. We see this verified in most men, as Lavater saith, Quæ metuunt, fingunt; what they fear they conceive, and faign unto themselves; they think they see Goblins, Hagges, Devils, and many times become melancholy thereby.

Cardan subtil. lib. 18. hath an example of such an one, so caused to be melancholy (by sight of a bugbear) all his life after. Augustus Cæsar durst not sit in the dark, nisi aliquo assidente, saith Suetonius, Nunquam tenebris evigilavit. And ’tis strange what women and children will conceive unto themselves, if they go over a Church-yard in the night, lye, or be alone in a dark room, how they sweat and tremble on a sudden.

Many men are troubled with future events, fore-knowledge of their fortunes, destinies, as Severus the Emperor, Adrian and Domitian, Quod sciret ultimum vitæ diem, saith Suetonius, valde solicitus, much tortured in minde because he foreknow his end; with many such, of which I shall speak more opportunely in another place. Anxiety, mercy, pity, indignation, &c. and such fearful branches derived from these two stemmes of fear and sorrow, I voluntarily omit; read more of them in Carolus Paschalius, Dandinus, &c.

98 [supplied]

The Anatomy of Melancholy: Subsection 5. Fear as a Cause.

p. 253

It often causes sudden madness and almost every kind of disease, as I have sufficiently illustrated in my Digression on the Power of Imagination, and shall discuss more fully in my section on Terrors. Fear makes our imagination conceive whatever it pleases, invites the devil to come to us, as Agrippa and Cardan maintain, and tyrannizes over our imagination more than any other emotion, especially in the dark. We see this borne out in most people, as Lavater says: “They imagine what they fear.” What they fear, they conceive and invent for themselves. They think they see goblins, hags and devils, and often become melancholy as a result.

Cardan, in On Subtlety, book 18, gives an example of someone made melancholy in this way for the rest of his life by the sight of a frightening apparition. Augustus Caesar did not dare sit in the dark “unless someone sat beside him,” says Suetonius; “he never lay awake in darkness.” And it is strange what women and children will imagine if they cross a churchyard at night, lie down or remain alone in a dark room: how suddenly they sweat and tremble!

Many people are troubled by future events, by foreknowledge of their fortunes and destinies, as were the emperor Severus, Hadrian and Domitian: “Because he knew the last day of his life,” says Suetonius, he was “deeply anxious”—greatly tormented in mind because he foresaw his end. There are many such cases, which I shall discuss more appropriately elsewhere. Anxiety, compassion, pity, indignation and similar fearful branches growing from these two stems of fear and sorrow I deliberately pass over. Read more about them in Charles Paschal, Dandini and others.

253

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.