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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 2 the Quantity of Food as a Cause

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Modern English Page · Branch 221 of 1495

Subsection 2 the Quantity of Food as a Cause

1651 English

74–75
Nosque ubi primus equis oriens afflavit anhelis, Illis sera rubens accendit lumina vesper.

So did Petronius in Tacitus, Heliogabalus in Lampridius,

—Noctes vigilabat ad ipsum Mane, diem totum stertebat.—

Smyndiris the Sybarite, never saw the Sun rise or set, so much as once in twenty yeers. Verres, against whom Tully so much enveighs, in Winter he never was extra tectum, vix extra lectum, never almost out of bed, still wenching, and drinking; so did he spend his time, and so do Myriads in our days.

They have gymnasia bibonum, schools and rendezvous; these Centaures and Lapithæ, toss pots, and bowls, as so many balls, invent new tricks, as Salsages, Anchoves, Tobacco, Caveare, pickled Oysters, Herrings, Fumadoes, &c. innumerable salt-meats to increase their appetite, and study how to hurt themselves by taking Antidotes, to carry their drink the better:

and when naught else serves, they will go forth, or be conveyed out to empty their gorge, that they may return to drink afresh. They make laws, insanas leges, contra bibendi fallacias, and brag of it when they have done, crowning that man that is soonest gone, as their drunken predecessors have done, —quid ego video? Pl. Cum coronâ Pseudolum ebrium tuum—.

And when they are dead, will have a Can of Wine with Marons old woman to be engraven on their tombs. So they triumph in villany, and justifie their wickedness; with Rablais that French Lucian, drunkenness is better for the body then Physick, because there be more old drunkards, then old Physitians.

Many such frothy arguments they have, inviting and encouraging others to do as they do, and love them dearly for it (no glew like to that of good-fellowship.) So did Alcibiades in Greece, Nero, Bonosus, Heliogabalus in Rome, or Alegabalus rather, as he was stiled of old, (as Ignatius proves out of some old Coyns.) So do many great men still, as Heresbachius observes.

When a Prince drinks till his eyes stare, like Bitias in the Poet, —(ille impiger hausit Spumantem vino pateram)—and comes off cleerly, sound Trumpets, Fife and Drums, the spectators will applaud him, the Bishop himself (if he belie them not) with his Chaplain will stand by and do as much, O dignum principe haustum, ’twas done like a Prince.

Our Dutchmen invite all comers with a pail and a dish, Velut infundibula integras obbas exhauriunt, & in monstrosis poculis, ipsi monstrosi monstrosius epotant, making barrels of their bellies. Incredibile dictu, as one of their own Countrymen complains: Quantum liquoris immodestissima gens capiat, &c.

How they love a man that will be drunk, crown him and honor him for it, hate him that will not pledg him, stab him, kill him: A most intolerable offence, and not to be forgiven. He is a mortal enemy that will not drink with him, as Munster relates of the Saxons.

74–75

The Anatomy of Melancholy: Subsection 2 the Quantity of Food as a Cause

p. 221

When dawn first breathes on us with panting horses, For them red evening lights its late lamps.

So did Petronius, according to Tacitus, and Heliogabalus, according to Lampridius:

He stayed awake all night until the very dawn, And snored the whole day through.

Smyndiris the Sybarite never saw the sun rise or set even once in twenty years. Verres, whom Cicero attacks so fiercely, never went “out of doors, scarcely out of bed” in winter—hardly ever out of bed, always womanising and drinking. So he spent his time, and so do myriads in our day.

They have “training grounds for drinkers,” their schools and meeting places. These Centaurs and Lapiths toss pots and bowls about like balls, invent fresh devices—sausages, anchovies, tobacco, caviar, pickled oysters, herrings, smoked fish and so forth, countless salted foods to increase their appetite—and work out ways to harm themselves by taking antidotes so they can hold their drink better.

When nothing else works, they go out—or are carried out—to empty their stomachs so that they can come back and drink again. They make rules, “mad laws against cheating at drinking,” and boast of their exploits afterwards, crowning whoever gets drunk first, as their drunken predecessors did: “What do I see?”—“Your Pseudolus, drunk and wearing a crown.”

When they die, they will have a wine jug carved on their tombs, like Maron’s old woman. So they glory in vice and justify their wickedness, agreeing with Rabelais, that French Lucian, that drunkenness is better for the body than medicine because there are more old drunkards than old physicians.

They have many such frothy arguments, inviting and encouraging others to follow their example, and loving them dearly for it: no glue like good fellowship. So did Alcibiades in Greece, and Nero, Bonosus and Heliogabalus in Rome—or rather Alegabalus, as he was formerly called, as Ignatius proves from some old coins. Many great men still do the same, as Heresbach observes.

When a prince drinks until his eyes stare, like Bitias in the poet—“eagerly he drained the bowl foaming with wine”—and gets through it successfully, sound trumpets, fife and drums! The spectators will applaud him; the bishop himself, with his chaplain, will stand by and do as much, if Heresbach is not slandering them. “Oh, a draught worthy of a prince!” It was done like a prince.

Our Germans invite all comers with a pail and a bowl. “Like funnels, they drain whole jars; monstrous themselves, they drink still more monstrously from monstrous cups,” making barrels of their bellies. “Incredible to tell,” as one of their own countrymen complains, “how much liquor this utterly immoderate people can hold,” and so on.

How they love a man willing to get drunk, crown him and honour him for it! How they hate someone who will not drink a toast in return—stab him, kill him! An utterly intolerable offence, never to be forgiven. Anyone who will not drink with a man is his mortal enemy, as Münster relates of the Saxons.

221

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.