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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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1651 English Page · Branch 915 of 1495

Symptoms of Jealousy: Fear, Sorrow, Suspicion, Strange Actions, Gestures…

1651 English

608–609

Symptomes of Jealousie, fear, sorrow, suspition, strange actions, gestures, outrages, locking up, oathes, trials, lawes, &c.

Of all passions, as I have already proved, Love is most violent, and of those bitter potions which this Love-Melancholy affords, this bastard Jealousie is the greatest, as appears by those prodigious Symptomes which it hath, and that it produceth. For besides Fear and Sorrow, which is common to all Melancholy, anxiety of minde, suspition, aggravation, restless thoughts, paleness, meagerness, neglect of business, and the like, these men are farther yet misaffected, and in an higher strain.

’Tis a more vehement passion, a more furious perturbation, a bitter pain, a fire, a pernicious curiosity, a gall corrupting the honey of our life, madness, vertigo, plague, hell, they are more than ordinarily disquieted, they lose bonum pacis, as Chrysostome observes; and though they be rich, keep sumptuous tables, be nobly allied, yet miserrimi omnium sunt, they are most miserable, they are more than ordinarily discontent, more sad, nihil tristius, more than ordinarily suspitious.

Jealousie, saith Vives, begets unquietness in the minde, night and day: he hunts after every word he hears, every whisper, and amplifies it to himself (as all melancholy men do in other matters) with a most unjust calumny of others, he misinterprets every thing is said or done, most apt to mistake or misconstrue, he pryes into every corner, follows close, observes to an hair. ’Tis proper to Jealousie so to do,

Pale hag, infernall fury, pleasures smart, Envies observer, prying in every part.

Besides those strange gestures of staring, frowning, grinning, rolling of eyes, menacing, gastly looks, broken pace, interrupt, precipitate, half-turns. He will sometimes sigh, weep, sob for anger,

Nempe suos imbres etiam ista tonitrua fundunt,

swear and bely, slander any man, curse, threaten, braule, scold, fight; and sometimes again flatter, and speak fair, ask forgiveness, kisse and coll, condemn his rashness and folly, vow, protest and swear he will never do so again; and then eftsoons, impatient as he is, rave, roar, and lay about him like a mad man, thump her sides, drag her about perchance, drive her out of doors, send her home, he will be divorced forthwith, she is a whore, &c.

by and by with all submiss complement intreat her fair, and bring her in again, he loves her dearly, she is his sweet, most kinde and loving wife, he will not change, not leave her for a kingdom; so he continues off and on, as the toy takes him, the object moves him, but most part brauling, fretting, unquiet he is, accusing and suspecting not strangers only, but Brothers and Sisters, Father and Mother, nearest and dearest friends. He thinks with those Italians,

Chi non tocca parentado, Tocca mai e rado.
608–609

The Anatomy of Melancholy: Symptoms of Jealousy: Fear, Sorrow, Suspicion, Strange Actions, Gestures…

p. 915

Symptoms of jealousy: fear, sorrow, suspicion, strange actions, gestures, outrages, confinement, oaths, trials, laws, and so on.

Of all passions, as I have already shown, love is the most violent; and of the bitter potions that this love-melancholy supplies, its bastard offspring jealousy is the strongest, as appears from the extraordinary symptoms it has and produces. Besides fear and sorrow, which are common to all melancholy, anxiety of mind, suspicion, exaggeration, restless thoughts, paleness, wasting, neglect of business and the like, these people are afflicted still further, and to a greater degree.

It is a more vehement passion, a more furious disturbance, a bitter pain, a fire, a destructive inquisitiveness, gall spoiling the honey of our life, madness, dizziness, plague, hell. They are troubled beyond the ordinary measure; they lose “the blessing of peace,” as Chrysostom observes. Although they are rich, dine sumptuously and have noble family connections, “they are the most miserable of all”: they are utterly miserable, more than ordinarily discontented, sadder—“nothing is sadder”—and more than ordinarily suspicious.

Jealousy, says Vives, “breeds unrest in the mind, night and day: he hunts after every word he hears, every whisper, and magnifies it to himself”—as all melancholy people do in other matters—“with the most unjust accusations against others. He misinterprets everything said or done, all too ready to misunderstand or misconstrue.” He pries into every corner, follows closely, observes to a hair’s breadth. It is characteristic of jealousy to act so,

Pale hag, infernal fury, pleasure’s torment, Envy’s watcher, prying everywhere.

Besides those strange gestures: staring, frowning, grimacing, rolling the eyes, threatening, ghastly looks, an uneven gait, interrupted, hasty half-turns. Sometimes he will sigh, weep and sob with anger,

Indeed, even these thunderclaps pour down their showers,

swear and tell lies about people, slander anyone, curse, threaten, brawl, scold and fight. At other times he will flatter her and speak kindly, ask forgiveness, kiss and embrace her, condemn his rashness and folly, vow, protest and swear that he will never do so again. Then, soon afterwards, unable to restrain himself, he will rave, roar and strike out like a madman, punch her in the sides, perhaps drag her about, drive her out of doors and send her home. He will have a divorce at once; she is a whore, and so on.

Before long he treats her kindly with every submissive compliment and brings her in again. He loves her dearly; she is his sweet, kindest, most loving wife; he would not exchange her or leave her for a kingdom. So he goes on, back and forth, as the whim takes him or something stirs him; but for the most part he is quarrelsome, fretful and restless, accusing and suspecting not only strangers but brothers and sisters, father and mother, his nearest and dearest friends. He thinks with those Italians,

Who does not touch his kin Touches never, or rarely.

915

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.