DiotimosReading Desk

Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

Explore the Lexicon
The Anatomy of MelancholyThe Prognosis of Love Melancholy

Swipe or use the arrow keys.

Modern English Page · Branch 826 of 1495

The Prognosis of Love Melancholy

1651 English

541–542

Prognosticks of Love Melancholy.

What Fires, Torments, Cares, Jealousies, Suspicions, Fears, Griefs, Anxieties, accompany such as are in love, I have sufficiently said: the next question is what will be the event of such miseries, what they foretell. Some are of opinion that this love cannot be cured, Nullis amor est medicabilis herbis, it accompanies them to the last,

Idem amor exitio est pecori pecorisque magistro,

and is so continue, that by no perswasion almost it may be relieved. Bid me not love, said Eurialus, bid the Mountains come down into the plains, bid the Rivers run back to their fountains; I can as soon leave to love, as the Sun leave his course;

Et prius æquoribus pisces, & montibus umbræ, Et volucres deerunt sylvis, & murmura ventis, Quam mihi discedent formosæ Amaryllidis ignes.First Seas shall want their Fish, the mountains shade, Woods singing birds, the winds murmur shall fade, Then my fair Amaryllis love allaid.

Bid me not love, bid a deaf man hear, a blind man see, a dumb speak, a lame run, counsel can do no good, a sick man cannot relish, No Physick can ease me.

Non prosunt domino quæ prosunt omnibus artes.

As Apollo confessed, and Iupiter himself could not be cured.

Omnes humanos curat medicina dolores, Solus amor morbi non habet artificem.Physick can soon cure every disease, Excepting love that can it not appease.

But whether Love may be cured or no, and by what means, shall be explained in his place; in the mean time, if it take his course, and be not otherwise eased or amended, it breaks out into outragious often and prodigious events. Amor & Liber violenti dii sunt, as Tatius observes, & eousque animum incendunt, ut pudoris oblivisci cogant, Love and Bacchus are so violent Gods, so furiously rage in our minds, that they make us forget all honesty, shame and common civility.

For such men ordinarily as are throughly possessed with this humor, become insensati & insani, for it is amor insanus, as the Poet calls it, beside themselves, and as I have proved, no better then beasts, irrational, stupid, head-strong, void of fear of God or men, they frequently forswear themselves, spend, steal, commit incests, rapes, adulteries, murders, depopulate Towns, Cities, Countries, to satisfie their lust.

A Divel ’tis, and mischief such doth work, As never yet did Pagan, Jew, or Turk.

The wars of Troy may be a sufficient witness; and as Appian lib. 5. hist. saith of Anthony and Cleopatra, Their Love brought themselves, and all Egypt into extream and miserable calamities, the end of her is as bitter as worm-wood, and as sharp as a two-edged sword. Prov. 5. 4, 5. Her feet go down to death, her steps lead on to hell. She is more bitter then death (Eccles. 7.28.) and the sinner shall be taken by her.

541–542

The Anatomy of Melancholy: The Prognosis of Love Melancholy

p. 826

The prognosis of love melancholy

I have said enough about the fires, torments, cares, jealousies, suspicions, fears, griefs and anxieties that accompany people in love. The next question is what these miseries will lead to, what they foretell. Some believe that this love cannot be cured: “No herbs can remedy love.” It accompanies them to the end.

The same love destroys the flock and its master.

It is so persistent that almost no persuasion can relieve it. “Tell me not to love,” said Euryalus, “and you might as well tell the mountains to come down into the plains, or the rivers to run back to their springs. I can cease loving as soon as the sun can abandon its course.”

Sooner will the seas lack fish, the mountains shade, The woods their birds, and the winds their murmuring, Than my passion for beautiful Amaryllis leave me.

First seas shall lose their fish, the mountains shade, Woods their songbirds, the winds their murmuring, Before my love for fair Amaryllis is allayed.

Tell me not to love: tell a deaf man to hear, a blind man to see, a mute man to speak, a lame man to run. Advice does no good; a sick man has no taste for anything. No medicine can relieve me.

The arts that benefit everyone else do not benefit their master.

So Apollo confessed; and Jupiter himself could not be cured.

Medicine cures all human pains; Love alone has no practitioner to treat its sickness.

Medicine can soon cure every disease, Except for love, which it cannot appease.

But whether love can be cured, and by what means, will be explained in its proper place. Meanwhile, if it runs its course without relief or remedy, it often erupts in outrageous and monstrous consequences. “Love and Bacchus are violent gods,” as Tatius observes, “and so inflame the mind that they compel it to forget shame.” Love and Bacchus are such violent gods, and rage so furiously in our minds, that they make us forget all decency, shame and ordinary civility.

For people thoroughly possessed by this passion usually become “senseless and mad”—it is “mad love,” as the poet calls it—beside themselves and, as I have shown, no better than beasts: irrational, unthinking, headstrong, with no fear of God or men. They often swear falsely, squander money, steal, commit incest, rape, adultery and murder, and depopulate towns, cities and countries to satisfy their lust.

It is a devil, working such mischief As pagan, Jew or Turk has never done.

The Trojan War is witness enough. And, as Appian says of Antony and Cleopatra in book 5 of his History, “Their love brought them and all Egypt into extreme and wretched calamities.” Her end is as bitter as wormwood and as sharp as a two-edged sword: Proverbs 5:4–5. “Her feet go down to death; her steps lead on to hell.” “She is more bitter than death” (Ecclesiastes 7:28), “and the sinner shall be taken by her.”

826

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.