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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyMember 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

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Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

1651 English

535–535–536

’Tis the common humor of all Sutors to trick up themselves, to be prodigal in apparel, purè lotus, neat, comb’d and curl’d, with powdered hairs, comptus & calamistratus, with a long love-lock, a flower in his ear, perfumed gloves, rings, scarfs, feathers, points, &c. as if he were a Princes Ganymede, with every day new suits, as the fashion varies; going as if he trod upon egs,

and as Heinsius writ to Primierus, If once he be besotted on a wench, he must lye awake a nights, renounce his book, sigh and lament, now and then weep for his hard hap, and mark above all things what Hats, Bands, Doublets, Breeches, are in fashion, how to cut his Beard, and wear his lock, to turn up his Mustachio’s, and curle his head, prune his pickitiwant, or if he wear it abroad, that the East side be correspondent to the West:

he may be scoffed at otherwise, as Julian that Apostate Emperor was for wearing a long hirsute goatish beard, fit to make ropes with, as in his Mysopogone, or that Apologetical Oration he made at Antioch to excuse himself, he doth Ironically confess, it hindred his kissing, nam non licuit inde pura puris, eoque suavioribus labra labris adjungere, but he did not much esteem it, as it seems by the sequel, de accipiendis dandisve osculis non laboro, yet (to follow mine author) it may much concern a yong lover, he must be more respectful in this behalf, he must be in league with an excellent Taylor, Barber,

Tonsorem puerum sed arte talem, Qualis nec Thalamis fuit Neronis;

have neat shooe-ties, points, garters, speak in Print, walk in Print, eat and drink in Print, and that which is all in all, he must be mad in Print.

Amongst other good qualities an amorous fellow is endowed with, he must learn to sing and dance, play upon some instrument or other, as without all doubt he will, if he be truly touched with this Loadstone of Love. For as Erasmus hath it, Musicam docet amor & Poesin, Love will make them Musicians, and to compose ditties, Madrigals, Elegies, Love Sonnets, and sing them to several pretty tunes, to get all good qualities may be had.

Jupiter perceived Mercury to be in love with Philologia, because he learned languages, polite speech, (for Suadela her self was Venus daughter, as some write) Arts and Sciences, quo virgini placeret, all to ingratiate himself, and please his Mistress. ’Tis their chiefest study to sing, dance; and without question, so many Gentlemen and Gentlewomen would not be so well qualified in this kind, if love did not incite them.

535–535–536

The Anatomy of Melancholy: Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

p. 817

It is the common habit of all suitors to dress themselves up and spend extravagantly on clothes: “washed clean,” neat, combed and curled, their hair powdered, “groomed and curled with an iron,” with a long lovelock, a flower in the ear, scented gloves, rings, scarves, feathers, fastening cords and so forth—as if each were a prince’s Ganymede, wearing new suits every day as fashion changes, and walking as though he were treading on eggs.

And, as Heinsius wrote to Primierus, “Once he is infatuated with a girl, he must lie awake at night, give up his books, sigh and lament, sometimes weep over his hard luck, and above all observe what hats, collars, doublets and breeches are in fashion; how to trim his beard and wear his lovelock, turn up his moustaches and curl his hair, shape his pointed beard—or, if he wears it spread out, ensure that the east side matches the west.”

Otherwise he may be mocked, as Julian, the apostate emperor, was for wearing a long, shaggy, goat-like beard, fit for making ropes. In his Misopogon, the speech he made at Antioch in his own defence, he ironically admits that it hindered his kissing, “for it prevented me from pressing smooth lips to smooth lips, all the sweeter for their smoothness.” But he did not greatly care, as the following words show: “I do not trouble myself about receiving or giving kisses.” Yet, to follow my author, this may matter a great deal to a young lover. He must be more attentive in this respect, and on good terms with an excellent tailor and barber:

A young barber, but so skilled That Nero’s chambers never had his equal.

He must have neat shoe-ties, fastening cords and garters; speak with studied precision, walk with studied precision, eat and drink with studied precision—and, most essential of all, be mad with studied precision.

Among the other accomplishments with which an amorous fellow is endowed, he must learn to sing and dance and play some instrument—as he certainly will if he has truly felt the attraction of this magnet of love. For, as Erasmus puts it, “Love teaches music and poetry.” Love will make them musicians, make them compose ditties, madrigals, elegies and love sonnets, and sing them to various pretty tunes, acquiring every accomplishment they can.

Jupiter could tell that Mercury was in love with Philologia because he learned languages, polished speech—for Persuasion herself was Venus’s daughter, according to some writers—the arts and sciences, “to please the maiden”: all to win his mistress’s favour and delight her. Their chief concern is to sing and dance; and certainly so many gentlemen and gentlewomen would not be so accomplished in these things if love did not spur them on.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.