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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 5 Procurers and Love Potions as Causes

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1651 English Page · Branch 778 of 1495

Subsection 5 Procurers and Love Potions as Causes

1651 English

498–499

SUBSECT. 5. Bawds, Philters, causes.

When all other engines fail, that they can proceed no farther of themselves, their last refuge is to flye to Bawds, Panders, Magical Philters, and receits, rather then fail, to the Divel himself.

Flectere si nequeunt superos, Acheronta movebunt.

And by those indirect means many a man is overcome, and precipitated into this malady, if he take not good heed. For these Bawds first, they are every where so common, and so many, that as he said of old Croton, homines hic aut captantur, aut captant, either inveagle or be inveagled, we may say of most of our Cities, there be so many professed, cunning bawds in them.

Besides, bawdry is become an art, or a liberal science, as Lucian calls it; and there be such tricks and subtleties, so many nurses, old women, Panders, letter-carriers, beggers, Physitians, Friers, Confessors employed about it, that nullus tradere stilus sufficiat, one saith,

—— trecentis versibus Suas impuritias traloqui nemo potest.

Such occult notes, Stenography, Polygraphy, Nuntius Animatus, or magnetical telling of their minds, which Cabeus the Jesuit, by the way, counts fabulous and false; cunning conveyances in this kind, that neither Juno’s jealousie, nor Danae’s custody, nor Argo’s vigilancy can keep them safe.

’Tis the last and common refuge to use an assistant, such as that Catanean Philippa was to Jone Queen of Naples, a Bawds help, an old woman in the business, as Myrrha did when she doted on Cyniras, and could not compass her desire, the old Jade her Nurse was ready at a pinch, dic inquit, opemque me sine ferre tibi —— & in hâc mea (pone timorem) Sedulitas erit apta tibi, fear it not, if it be possible to be done, I will effect it:

non est mulieri mulier insuperabilis, as Cælestina said, let him or her be never so honest, watched, and reserved; tis hard but one of these old women will get access: and scarce shall you find, as Austin observes, in a Nunnery a maid alone, if she cannot have egress, before her window you shall have an old woman, or some prating Gossip tell her some tales of this Clerk, and that Monk, describing or commending some yong Gentleman or other unto her.

498–499

The Anatomy of Melancholy: Subsection 5 Procurers and Love Potions as Causes

p. 778

Subsection 5 Procurers and love potions as causes

When all other devices fail and they can get no further by themselves, their last resort is to turn to bawds, panders, magical love potions and recipes; rather than fail, they turn to the Devil himself.

If they cannot sway the gods above, they will rouse the world below.

By such devious means many a man is overcome and plunged into this malady unless he takes great care. First, these bawds are so common everywhere, and so numerous, that we may say of most of our cities what was said of ancient Croton: “Here people are either hunted or hunting”—either deceiving or being deceived—so many skilful professional bawds do they contain.

Besides, procuring has become an art, or a liberal science, as Lucian calls it. There are such tricks and subtleties, so many nurses, old women, panders, letter carriers, beggars, physicians, friars and confessors engaged in it, that “no pen could suffice to recount them,” as one writer says:

In three hundred lines No one could recount their filthy practices.

There are such secret signs, stenography, polygraphy, the Animated Messenger, or magnetic communication of their thoughts—which Cabeus the Jesuit, incidentally, considers fictitious and false—and such cunning means of passing messages that neither Juno’s jealousy, nor Danae’s confinement, nor Argus’s vigilance can keep their charges safe.

The last and usual resort is to employ an assistant, as Philippa of Catania was to Joan, Queen of Naples: the help of a bawd, an old woman in the business. So Myrrha did when she doted on Cinyras and could not achieve her desire: that old jade, her nurse, was ready in a pinch. “Tell me,” she said, “and let me bring you help; in this my diligence will serve you—put aside your fear.” Do not be afraid: if it can be done, I will do it.

“No woman is unconquerable by another woman,” as Celestina said. However virtuous, closely watched and reserved a man or woman may be, one of these old women will almost certainly find a way in. As Augustine observes, you will scarcely find a young woman alone in a nunnery: “If she cannot go out, you will find an old woman or some chattering gossip at her window, telling her stories of this cleric or that monk, describing or praising some young gentleman or other to her.”

778

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.