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Modern English Page · Branch 776 of 1495
Persistence and Opportunity of Time and Place; Meetings, Conversation…
1651 English
497Aretines Lucretia, when her sweet heart came to town wept in his bosome, that he might be perswaded those tears were shed for joy of his return. Quartilla in Petronius when nought would move, fell a weeping, and as Balthazar Castilio paints them out, To these Crocodiles tears, they will add sobs, fiery sighs, and sorrowfull countenance, pale colour, leanness, and if you do but stir abroad, these fiends are ready to meet you at every turn, with such a sluttish neglected habit, dejected look, as if they were now ready to dye for your sake; and how saith he, shall a yong novice thus beset, escape? But beleeve them not.
—— animam ne crede puellis, Namque est fæmineâ tutior unda fide.Thou thinkest peradventure because of her vows, tears, smiles, and protestations, she is solely thine, thou hast her heart, hand, and affection, when as indeed there is no such matter, as the Spanish Bawd said, gaudet illa habere unum in lecto, alterum in portâ, tertium qui domi suspiret, she will have one sweet heart in bed, another in the gate, a third sighing at home, a fourth &c. Every yong man she sees and likes hath as much interest, and shall as soon injoy her as thy self.
On the other side, which I have said, men are as false, let them swear, protest, and lye;
Quod vobis dicunt, dixerunt mille puellis.They love some of them those eleven thousand Virgins at once, and make them believe each particular, he is besotted on her, or love one till they see another, and then her alone: like Milo’s wife in Apuleius, lib. 2. Si quem conspexerit speciosæ formæ juvenem, venustate ejus sumitur, & in eum animum intorquet.
’Tis their common complement in that case, they care not what they swear, say, or do. One while they slight them, care not for them, rail down right and scoffe at them, and then again they will run mad, hang themselves, stab and kill, if they may not injoy them. Henceforth therefore,
—— nulla viro juranti fæmina credat,let not maids believe them. These tricks and counterfeit passions are more familiar with women, finem hic dolori faciet aut vitæ dies, miserere amantis, quoth Phædra to Hippolitus.
Joessa in Lucian, told Pythius a yong man, to move him the more, that if he would not have her, she was resolv’d to make away her self. There is a Nemesis, and it cannot chuse but grieve and trouble thee, to hear that I have either strangled or drowned my self for thy sake.
The Anatomy of Melancholy: Persistence and Opportunity of Time and Place; Meetings, Conversation…
p. 776When her sweetheart came to town, Aretino’s Lucretia “wept on his breast, so that he would believe her tears were shed for joy at his return.” Quartilla in Petronius, when nothing else would move him, began to weep. As Baldassare Castiglione describes them: “To these crocodile tears they add sobs, burning sighs, a sorrowful expression, pallor and wasting. If you so much as venture outside, these fiends are ready to meet you at every turn, so slovenly and neglected in their dress, so downcast in their looks, as though they were about to die for your sake. How,” he asks, “is a young novice, beset like this, to escape?” But do not believe them.
Do not entrust your life to girls, For the waves are safer than a woman’s faith.
Perhaps her vows, tears, smiles and protestations make you think she is yours alone, that you possess her heart, hand and affection, when in fact nothing of the sort is true. As the Spanish Bawd said, “She delights in having one man in bed, another at the door, a third sighing at home”: one sweetheart in bed, another at the gate, a third sighing at home, a fourth, and so on. Every young man she sees and likes has as much of a claim, and will enjoy her as readily as you.
On the other hand, as I have said, men are just as false, for all their swearing, protesting and lying:
What they tell you, they have told a thousand girls.
Some of them love all those eleven thousand virgins at once, making each one believe he is besotted with her; or they love one until they see another, and then her alone, like Milo’s wife in Apuleius, book 2: “If she catches sight of a handsome young man, his beauty captivates her, and she turns her passion upon him.”
This is their usual form of courtship in such cases; they do not care what they swear, say or do. At one moment they slight the women, take no interest in them, abuse them outright and mock them; at the next, they will go mad, hang themselves, stab and kill if they cannot have them. Henceforth, therefore,
Let no woman trust a man who swears.
Let young women not believe them. These tricks and feigned passions are more common among women: “This day will end either my sorrow or my life; have pity on one who loves you,” said Phaedra to Hippolytus.
Joessa in Lucian told a young man, Pythius, to move him more deeply, that if he would not have her she was determined to kill herself. “There is a Nemesis, and you cannot help feeling grief and distress when you hear that I have hanged or drowned myself for your sake.”
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Reading The Anatomy of Melancholy · Persistence and Opportunity of Time and Place; Meetings, Conversation…
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Socrates will begin with this book and its sources.About This Reading Edition
Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.
Historical Text and Translation
The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.
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Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.
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