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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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Modern English Page · Branch 747 of 1495

Artificial Attractions of Love and Incitements to Lust Gestures Clothes Dowry…

1651 English

472–473
Nam quid lacteolus sinus, & ipsas Præ te fers sine linteo papillas? Hoc est dicere, posce, posce, trado; Hoc est ad Venerem vocare amantes:

There needs no more as Fredericus Matenesius well observes, but a cryer to go before them so dressed, to bid us look out, a trumpet to sound, or for defect a Sowgelder to blow,

Look out look out and see What object this may be That doth perstringe mine eye: A gallant Lady goes, In rich and gaudy clothes, But whether away God knows, ——look out. &c. & quæ sequuntur,

or to what end and purpose? But to leave all these phantastical raptures, Ile prosecute mine intended Theam. Nakedness, as I have said, is an odious thing of it self, remedium amoris; yet it may be so used, in part, and at set times, that there can be no such enticement as it is;

Nec mihi cincta Diana placet, nec nuda Cythere, Illa voluptatis nil habet, hæc nimium.

David so espied Bersheba, the Elders Susanna: Apelles was inamored with Campaspe, when he was to paint her naked. Tiberius in Suet. cap. 42. supped with Sestius Gallus an old leacher, libidinoso sene, eâ lege ut nudæ puellæ administrarent; some say as much of Nero, and Pontus Huter of Carolus Pugnax.

Amongst the Babylonians, it was the custome of some lascivious queans to dance friskin in that fashion, saith Curtius lib. 5. and Sardus de mor. gent. lib. 1. writes of others to that effect. The Tuscans at some set banquets, had naked women to attend upon them, which Leonicus de Varia hist. lib. 3. cap. 96. confirms of such other bawdy nations.

Nero would have filthy pictures still hanging in his chamber, which is too commonly used in our times; and Heliogabalus, etiam coram agentes, ut ad venerem incitarent: So things may be abused. A servant maid in Aristænetus, spyed her Master and Mistress through the keyhole merily disposed; upon the sight she fell in love with her Master.

Antoninus Caracalla observed his mother in law with her breasts amorously laid open, he was so much moved, that he said, Ah si liceret, O that I might; which she by chance over-hearing, replyed as impudently, Quicquid libet licet, thou maist do what thou wilt: And upon that temptation he married her: this object was not in cause, not the thing it self, but that unseemly, undecent carriage of it.

When you have all done, veniunt à veste sagittæ, the greatest provocations of lust are from our apparel; God makes, they say, man shapes, and there is no motive like unto it;

Which doth even Beauty beautifie, And most bewitch a wretched eye.
472–473

The Anatomy of Melancholy: Artificial Attractions of Love and Incitements to Lust Gestures Clothes Dowry…

p. 747

Why display your milk-white bosom, Your very breasts, without a cloth to cover them? This is to say, “Ask, ask: I yield”; This is to summon lovers to love.

As Fredericus Matenesius aptly observes, all that is lacking is a crier to go before them dressed like that and tell us to look, a trumpet to sound—or, failing that, a sow-gelder to blow his horn:

Look out, look out and see What sight this may be That dazzles my eye: A splendid lady goes In rich and showy clothes, But where, God only knows. ——Look out, and so on, and what follows.

Or to what end and purpose? But leaving these fanciful flights aside, I shall pursue my intended subject. Nakedness, as I have said, is repulsive in itself, “a remedy for love”; yet when used partially and at chosen times it can be the most powerful enticement of all:

Neither clothed Diana nor naked Venus pleases me: The one has no sensual delight, the other too much.

That was how David saw Bathsheba, and the elders Susanna. Apelles fell in love with Campaspe when he was to paint her naked. Tiberius, in Suetonius, chapter 42, dined with Sestius Gallus, an old lecher—“a lustful old man”—“on condition that naked girls should serve.” Some say the same of Nero, and Pontus Heuter of Charles the Bold.

Among the Babylonians, some lustful women used to dance and frisk in that fashion, says Curtius in book 5; and Sardus, in Customs of Peoples, book 1, writes similarly of others. At certain formal banquets the Etruscans had naked women to wait on them, a practice Leonicus, in his Miscellaneous History, book 3, chapter 96, also records of other lewd nations.

Nero always wanted obscene pictures hanging in his room, a practice all too common in our time; and Heliogabalus “even had people performing before him, to arouse his lust.” So things can be misused. A servant in Aristaenetus watched her master and mistress through the keyhole as they were enjoying themselves; the sight made her fall in love with her master.

Antoninus Caracalla saw his stepmother with her breasts enticingly exposed. He was so stirred that he said, “Ah, if only it were allowed!”—“Oh, if only I might!” She happened to overhear and replied just as shamelessly, “Whatever you please is permitted”: you may do what you wish. Tempted by this, he married her. The object itself was not the cause, but its unseemly, indecent presentation.

When all is said and done, “the arrows come from clothing”: the greatest provocations to lust come from our apparel. God makes, they say, and man shapes; and there is no inducement like it.

It makes even beauty more beautiful, And utterly bewitches a wretched eye.

747

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.