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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySection 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

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1651 English Page · Branch 706 of 1495

Section 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

1651 English

437–437–438

Yet this is naturall for one beast to dote upon another of the same kinde; but what strange fury is that, when a Beast shall dote upon a man? Saxo Grammaticus lib. 10. Dan. hist. hath a story of a Bear that loved a woman, kept her in his den a long time and begot a son of her, out of whose loynes proceeded many Northern Kings: this is the originall belike of that common tale of Valentine and Orson:

Ælian, Pliny, Peter Gellius are full of such relations. A Peacock in Lucadia loved a maid, and when she died, the Peacock pined. A Dolphin loved a boy called Hernias, and when he died, the fish came on land, and so perished.

The like adds Gellius lib. 10. cap. 22. out of Apion, Ægypt. lib. 15. a Dolphin at Puteoli loved a child, would come often to him, let him get on his back, and carry him about, and when by sickness the child was taken away, the Dolphin died.

Every book is full (saith Busbequius, the Emperors Orator with the grand Senior, not long since ep. 3. legat. Turc.) and yeelds such instances, to believe which I was alwaies afraid least I should be thought to give credit to fables, untill I saw a Lynx which I had from Assyria, so affected towards one of my men, that it cannot be denied but that he was in love with him.

When my man was present, the beast would use many notable enticements, and pleasant motions, and when he was going, hold him back, and look after him when he was gone, very sad in his absence, but most jocond when he returned: and when my man went from me, the beast expressed his love with continuall sickness, and after he had pined away some few daies, died.

Such another story he hath of a Crane of Majorca, that loved a Spaniard, that would walk any way with him, and in his absence seek about for him, make a noise that he might hear her, and knock at his door, and when he took his last farewell, famished her self. Such pretty pranks can love play with Birds, Fishes, Beasts:

(Cælestis ætheris, ponti, terræ claves habet Venus, Solaque istorum omnium imperium obtinet.)

and if all be certain that is credibly reported, with the spirits of the air, and divels of hell themselves, who are as much inamored and dote (if I may use that word) as any other creatures whatsoever. For if those stories be true that are written of Incubus and Succubus, of Nymphes, lascivious Faunes, Satyrs, and those Heathen gods which were divels, those lascivious Telchines, of whom the Platonists tell so many fables; or those familiar meetings in our daies, and company of witches and divels, there is some probability for it.

I know that Biarmannus, Wierus lib. 3. cap. 19. & 24. and some others stoutly deny it, that the divel hath any carnall copulation with women, that the Divel takes no pleasure in such facts, they be meer phantasies, all such relations of Incubi, Succubi, lyes and tales:

437–437–438

The Anatomy of Melancholy: Section 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

p. 706

Yet it is natural for one animal to dote on another of its own kind. What strange madness is it when an animal dotes on a human being? Saxo Grammaticus, in his Danish History, book 10, tells of a bear that loved a woman, kept her in his den for a long time and fathered a son by her, from whom many northern kings descended. This, perhaps, is the origin of the familiar tale of Valentine and Orson.

Aelian, Pliny and Pierre Gilles are full of such accounts. A peacock in Leucadia loved a girl, and when she died, the peacock wasted away. “A dolphin loved a boy called Hernias; when he died, the fish came ashore and perished.”

Aulus Gellius adds a similar story, book 10, chapter 22, from Apion’s Egyptian History, book 15. A dolphin at Puteoli loved a child, often came to him, let him climb onto its back and carried him about; “when illness took the child away, the dolphin died.”

“Every book is full of such examples,” says Busbecq, who was recently the emperor’s ambassador to the Grand Seignior, in the third of his Turkish Letters. “I was always afraid to believe them, lest I be thought to put faith in fables, until I saw a lynx I had from Assyria so attached to one of my men that there could be no denying it was in love with him.”

“When my man was present, the animal would make many striking attempts to entice him, with playful movements. When he was leaving, it would hold him back, and after he had gone, gaze after him. It was very sad in his absence, but delighted when he returned. When my man left my service, the animal expressed its love through continual sickness, and after wasting away for a few days, died.”

He has another such story of a crane from Majorca that loved a Spaniard. She would walk anywhere with him, look for him in his absence, call out so that he might hear her and knock at his door. “When he said his last farewell, she starved herself.” Such curious tricks can love play on birds, fish and beasts.

Venus holds the keys of heaven’s air, the sea and earth; She alone has dominion over them all.

And, if all that is credibly reported is true, love plays these tricks on the spirits of the air and the devils of hell themselves. They are as enamoured, and dote as much—if I may use that word—as any other creatures. For if the written accounts of incubi and succubi, nymphs, lustful fauns and satyrs, and those pagan gods who were devils, are true; or those of the lustful Telchines, about whom the Platonists tell so many tales; or those familiar meetings and intercourse between witches and devils in our own day: then there is some probability in it.

I know that Biarmannus, Weyer in book 3, chapters 19 and 24, and others firmly deny that the devil has any sexual intercourse with women. They maintain that the devil takes no pleasure in such acts, that they are mere fantasies, and that all such accounts of incubi and succubi are lies and fables.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.