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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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1651 English Page · Branch 698 of 1495

Member 3 Charity Combining All Three Kinds of Love Pleasant Profitable And…

1651 English

430–431

Swear, protest, take God and all his Angels to witness, quære peregrinum, thou art a counterfeit crank, a cheater, he is not touched with it, pauper ubique jacet, ride on, he takes no notice of it.

Put up a supplication to him in the name of a thousand Orphans, an Hospital, a Spittle, a Prison as he goes by, they cry out to him for ayd, ride on, surdo narras, he cares not, let them eat stones, devour themselves with vermine, rot in their own dung, he cares not.

Shew him a decayed haven, a bridge, a school, a fortification, &c. or some publick work, ride on; good your worship, your honour, for Gods sake, your Countries sake, ride on.

But shew him a role wherein his name shall be registred in golden letters, and commended to all posterity, his arms set up, with his devises to be seen, then peradventure he will stay and contribute; or if thou canst thunder upon him, as Papists do, with satisfactory and meritorious works, or perswade him by this means he shall save his soul out of hell, and free it from Purgatory (if he be of any religion) then in all likelihood he will listen and stay;

or that he have no children, no neer kinsman, heir, he cares for at least, or cannot well tell otherwise how or where to bestow his possessions (for carry them with him he cannot) it may be then he will build some School or Hospitall in his life, or be induced to give liberally to pious uses after his death.

For I dare boldly say, vain glory, that opinion of merit, and this enforced necessity, when they know not otherwise how to leave, or what better to do with them, is the main cause of most of our good works.

I will not urge this to derogate from any mans charitable devotion, or bounty in this kinde, to censure any good work; no doubt there be many sanctified, heroical, and worthy minded men, that in true zeal, and for vertues sake (divine spirits) that out of commiseration and pitty, extend their liberality, and as much as in them lies, do good to all men, cloath the naked, feed the hungry, comfort the sick and needy, relieve all, forget and forgive injuries, as true charity requires; yet most part there is simulatum quid, a deal of hypocrisie in this kind, much default and defect.

Cosmus Medices that rich citizen of Florence ingenuously confessed to a neer friend of his, that would know of him why he built so many publike and magnificent palaces, and bestowed so liberally on Scholars, not that he loved learning more then others, but to eternize his own name, to be immortall by the benefit of Scholars; for when his friends were dead, walls decayed, and all Inscriptions gone, books would remain to the worlds end.

The lanthorn in Athens was built by Xenocles, the Theater by Pericles, the famous port Pyræum by Musicles, Pallas Palladium by Phidias, the Pantheon by Callicratidas; but these brave monuments are decayed all, and ruined long since, their builders names alone flourish by mediation of writers.

430–431

The Anatomy of Melancholy: Member 3 Charity Combining All Three Kinds of Love Pleasant Profitable And…

p. 698

Swear, protest, call God and all his angels to witness: “find someone who does not know you”; you are a feigned invalid, a cheat. He is unmoved. “The poor man lies downtrodden everywhere.” Ride on; he takes no notice.

Present a petition as he passes in the name of a thousand orphans, a hospital, a shelter for the sick, a prison; they cry to him for help. Ride on: “you are speaking to a deaf man.” He does not care. Let them eat stones, be eaten up by vermin, rot in their own filth: he does not care.

Show him a harbour, a bridge, a school, a fortification or some other public work in disrepair: ride on. “Please, your worship, your honour, for God’s sake, for your country’s sake”—ride on.

But show him a roll on which his name will be recorded in golden letters and praised to all posterity, with his coat of arms displayed and his emblems visible, and perhaps he will stop and contribute. Or, if you can thunder at him, as Papists do, about works of satisfaction and merit, or persuade him that by these means he will save his soul from hell and free it from purgatory—if he has any religion—then in all likelihood he will listen and stop.

Or if he has no children, no close relation or heir whom he cares for at least, or cannot otherwise decide how or where to dispose of his possessions—for he cannot take them with him—perhaps then he will build a school or hospital during his lifetime, or be persuaded to make a generous bequest for religious and charitable purposes.

For I dare say boldly that vainglory, this belief in merit, and the necessity forced on people when they do not know how else to leave their possessions or what better to do with them, are the chief causes of most of our good works.

I do not press this argument to detract from anyone’s charitable devotion or generosity, or to condemn any good work. There are undoubtedly many sanctified, noble and worthy-minded people—divine spirits—who, out of true zeal and for virtue’s sake, generously give from compassion and pity. As far as they can, they do good to everyone, clothe the naked, feed the hungry, comfort the sick and needy, relieve everyone, forget and forgive injuries, as true charity requires. Yet for the most part there is “something feigned,” a great deal of hypocrisy, much fault and failing.

Cosimo de’ Medici, that wealthy citizen of Florence, frankly confessed to a close friend who asked why he built so many splendid public palaces and gave so generously to scholars: it was not because he loved learning more than other people, “but to make his own name everlasting, to gain immortality through scholars; for when his friends were dead, walls decayed and all inscriptions gone, books would remain until the world’s end.”

The lantern in Athens was built by Xenocles, the theatre by Pericles, the famous port of Piraeus by Musicles, the statue of Pallas by Phidias, the Pantheon by Callicratidas. Yet all these splendid monuments have decayed and long since fallen into ruin; only their builders’ names flourish, preserved through writers.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.