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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 3 Honourable Objects of Love

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Modern English Page · Branch 691 of 1495

Subsection 3 Honourable Objects of Love

1651 English

425–426

Illum coloribus, illum cerâ, illum ære, &c. He did express his friends in colours, in wax, in brass, in ivory, marble, gold and silver, (as Pliny reports of a Citizen in Rome) and in a great Auditory not long since, recited a just volume of his life.

In another place, speaking of an Epigram which Martial had composed in praise of him, He gave me as much as he might, and would have done more if he could: though what can a man give more then honour, glory, and eternity? But that which he wrote peradventure, will not continue, yet he wrote it to continue.

’Tis all the recompence a poor scholler can make his well-deserving Patron, Mæcenas, friend, to mention him in his works, to dedicate a book to his name, to write his life, &c. as all our Poets, Orators, Historiographers have ever done, and the greatest revenge such men take of their adversaries, to persecute them with Satyrs, Invectives, &c. and ’tis both wayes of great moment, as Plato gives us to understand.

Paulus Jovius in the fourth book of the life and deeds of Pope Leo Decimus, his noble Patron, concludes in these words; Because I cannot honour him as other rich men do, with like endeavour, affection, and piety, I have undertaken to write his life; since my fortunes will not give me leave to make a more sumptuous monument, I will perform those rites to his sacred ashes, which a small perhaps, but a liberal wit can afford. But I rove.

Where this true love is wanting, there can be no firm peace, friendship from teeth outward, counterfeit, or for some by respects, so long dissembled, till they have satisfied their own ends, which upon every small occasion, breaks out into enmity, open war, defiance, heart-burnings, whispering, calumnies, contentions, and all manner of bitter melancholy discontents.

And those men which have no other object of their love, then greatness, wealth, authority, &c. are rather feared then beloved; nec amant quemquam, nec amantur ab ullo: and howsoever born with for a time, yet for their tyranny and oppression, griping, covetousness, currish hardness, folly, intemperance, imprudence, and such like vices, they are generally odious, abhorred of all, both God and men.

Non uxor salvum te vult, non filius, omnes Vicini oderunt, ——

wife and children, friends, neighbours, all the world forsakes them, would fain be rid of them, and are compelled many times to lay violent hands on them, or else Gods judgements overtake them: instead of Graces, come Furies.

So when fair Abigail, a woman of singular wisdome, was acceptable to David, Nabal was churlish and evil-conditioned; and therefore Mardochy was received, when Haman was executed, Haman the favorite, that had his seat above the other Princes, to whom all the Kings servants that stood in the gates, bowed their knees and reverenced.

425–426

The Anatomy of Melancholy: Subsection 3 Honourable Objects of Love

p. 691

“Him in colours, him in wax, him in bronze,” and so on. “He portrayed his friends in colours, wax, bronze, ivory, marble, gold and silver,” as Pliny reports of a citizen of Rome, “and not long ago, before a large audience, recited a full volume about his life.”

Elsewhere, speaking of an epigram Martial had written in his praise, he says: “He gave me as much as he could, and would have done more if he had been able. Yet what more can anyone give than honour, glory and eternity? Perhaps what he wrote will not endure; still, he wrote it to endure.”

This is all the recompense a poor scholar can make to his deserving patron, his Maecenas, his friend: to mention him in his works, dedicate a book to him, write his life and so on, as our poets, orators and historians have always done. And the greatest revenge such men take on their enemies is to attack them with satires, invectives and the like. In both ways their writing has great power, as Plato gives us to understand.

Paolo Giovio, in the fourth book of the life and deeds of Pope Leo X, his noble patron, concludes in these words: “Because I cannot honour him as other wealthy men do, I have undertaken to write his life with equal effort, affection and devotion. Since my means do not allow me to erect a more splendid monument, I will pay his sacred ashes the honours that an intellect, small perhaps but generous, can afford.” But I digress.

Where this true love is lacking, there can be no lasting peace: friendship is mere lip service, a pretence serving some ulterior motive, kept up only until people have satisfied their own ends. At the slightest provocation it breaks out into hostility, open war, defiance, resentment, malicious whispers, slander, disputes and every kind of bitter, melancholy discontent.

Those who love nothing but greatness, wealth, authority and so on are feared rather than loved: “they love no one and are loved by none.” However much they may be tolerated for a time, their tyranny and oppression, extortion, greed, brutish hardness, folly, lack of restraint, recklessness and similar vices make them universally hateful, abhorred by all, both God and humankind.

Neither wife nor son wishes you well; all Your neighbours hate you—

Wife and children, friends, neighbours, the whole world abandons them and gladly would be rid of them, often being driven to attack them violently; or God’s judgements overtake them: the Furies come in place of the Graces.

Thus beautiful Abigail, a woman of exceptional wisdom, pleased David, while Nabal was surly and ill-natured; and Mordecai was welcomed when Haman was executed—Haman the favourite, “whose seat was above the other princes and to whom all the king’s servants standing at the gates bowed their knees in reverence.”

691

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.