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Modern English Page · Branch 69 of 1495
Democritus Junior to the Reader
1651 English
40–41For an inconstant man to write of constancy, a prophane liver prescribe rules of sanctity and piety, a dizard himself make a treatise of wisdom, or with Salust to rail down right at spoilers of countreys, and yet in office to be a most grievous poler himself. This argues weakness, and is an evident sign of such parties indiscretion. Peccat uter nostrum cruce dignius? Who is the fool now?
Or else peradventure in some places we are all mad for company, and so tis not seen, Satietas erroris & dementiæ, pariter absurditatem & admirationem tollit. Tis with us, as it was of old (in Tullies censure at least) with C. Fimbria in Rome, a bold, hair-brain, mad fellow, and so esteemed of all, such only excepted, that were as mad as himself: now in such a case there is no notice taken of it. Nimirum insanus paucis videatur, eò quod Maxima pars hominum morbo jactatur eodem. When all are mad, where all are like opprest, Who can discern one mad man from the rest?
But put case they do perceive it, and some one be manifestly convict of madnes, he now takes notice of his folly, be it in action, gesture, speech, a vain humor he hath in building, bragging, jangling, spending, gaming, courting, scribling, prating, for which he is ridiculous to others, on which he dotes, he doth acknowledge as much: yet with all the Rhetorick thou hast, thou canst not so recall him, but to the contrary notwithstanding, he will persevere in his dotage.
Tis amabilis insania, & mentis gratissimus error, so pleasing, so delicious, that he cannot leave it. He knows his error, but will not seek to decline it, tell him what the event will be, beggery, sorrow, sicknesse, disgrace, shame, losse, madnesse; yet an angry man will prefer vengeance, a lascivious his whore, a thief his booty, a glutton his belly before his welfare. Tell an Epicure, a covetous man, an ambitious man of his irregular course, wein him from it a little, pol me occidistis amici, he cries anon, you have undone him, and as a dog to his vomit, he returns to it again:
no perswasion will take place, no counsell, say what thou canst, Clames licet & mare cœlo —— Confundas, surdo narras, demonstrate as Ulysses did to Elpenor and Gryllus, and the rest of his companions those swinish men, he is irrefragable in his humor, he will be a hog still; bray him in a morter, he will be the same.
The Anatomy of Melancholy: Democritus Junior to the Reader
p. 69For a fickle man to write about constancy, an irreligious man lay down rules of holiness and piety, a fool write a treatise on wisdom, or, like Sallust, fiercely denounce those who plunder countries while being a most oppressive extortioner in office himself—this betrays weakness and plainly shows such people’s lack of judgement. “Which of us sins in a way more worthy of crucifixion?” Who is the fool now?
Or perhaps in some places we are all mad together, so no one notices: “A surfeit of error and madness removes both the absurdity and the astonishment.” We are like Gaius Fimbria in ancient Rome, at least in Cicero’s judgement: a bold, reckless madman, regarded as such by everyone except those as mad as himself. In such a case, no one takes any notice. No doubt he will seem mad to few, for most people suffer from the same disease. When all are mad, all equally oppressed, who can tell one madman from the rest?
But suppose they do notice, and someone is plainly shown to be mad. He now recognizes his folly, whether in action, gesture, speech, or some foolish obsession with building, boasting, quarrelling, spending, gambling, courting, scribbling, or babbling, which makes him ridiculous to others and on which he dotes. He admits as much; yet all your eloquence cannot reclaim him. Despite everything said against it, he will persist in his folly.
It is “a lovable madness, a most welcome delusion of the mind,” so pleasing, so delicious that he cannot give it up. He knows his error but makes no effort to escape it. Tell him what it will lead to—beggary, sorrow, illness, disgrace, shame, loss, madness—yet the angry man will prefer revenge, the lustful man his prostitute, the thief his loot, the glutton his belly, to his own welfare. Warn a pleasure-seeker, a miser, or an ambitious man about his wayward course, wean him from it a little, and immediately he cries, “By heaven, my friends, you have killed me!” You have ruined him; and, like a dog returning to its vomit, he goes back to it again.
No persuasion, no advice will have any effect. Say what you will: You may shout and mingle sea with sky— you are speaking to the deaf. Demonstrate your case as Ulysses did to Elpenor, Gryllus, and the rest of his companions, those swinish men: he is immovable in his disposition. A hog he will remain; pound him in a mortar, and he will still be the same.
Socrates
Reading The Anatomy of Melancholy · Democritus Junior to the Reader
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Socrates will begin with this book and its sources.About This Reading Edition
Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.
Historical Text and Translation
The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.
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Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.
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Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.
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