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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySection 1. Member 1. Subsection 1 the Preface

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1651 English Page · Branch 673 of 1495

Section 1. Member 1. Subsection 1 the Preface

1651 English

409–410

I think I have said enough; If not, let him that is otherwise minded, remember that of Maudarensis, he was in his life a Philosopher (as Ausonius apologizeth for him;) in his Epigrams a Lover, in his precepts most severe; in his Epistle to Cærellia, a wanton. Amnianus, Sulpitius, Evenus, Menander, and many old Poets besides, did in scriptis prurire, write Fescennines, Attellanes, and lascivious songs; lætam materiam; yet they had in moribus censuram, & severitatem, they were chast, severe, and upright livers.

Castum esse decet pium poetam Ipsum, versiculos nihil necesse est, Qui tum deniq; habent salem & leporem.

I am of Catullus opinion, and make the same Apologie in mine own behalf; Hoc etiam quod scribo, pendet plerumq; ex aliorum sententia & authoritate; nec ipse forsan insanio, sed insanientes sequor. Atqui detur hoc insanire me; Semel insanivimus omnes, & tute ipse opinor insanis aliquando, & is, & ille, & ego, scilicet Homo sum, humani à me nihil alienum puto:

And which he urgeth for himself, accused of the like fault, I as justly plead,

Lasciva est nobis pagina, vita proba est, Howsoever my lines erre, my life is honest, Vita verecunda est, musa jocosa mihi.

But I presume I need no such Apologies, I need not as Socrates in Plato, cover his face when he spake of love, or blush and hide mine eyes, as Pallas did in her hood, when she was consulted by Jupiter about Mercuries marriage, quod super nuptiis virgo consulitur, it is no such lascivious, obscene or wanton discourse;

I have not offended your chaster ears with any thing that is here written, as many French and Italian Authors in their modern language of late have done, nay some of our Latine pontificall writers, Zanches, Asorius, Abulensis, Burchardus, &c. whom Rivet accuseth to be more lascivious then Virgil in Priapeiis, Petronius in Catalectis, Aristophanes in Lycistrata, Martialis, or any other Pagan prophane writer, qui tam atrociter (one notes) hoc genere peccarunt ut multa ingeniosissimè scripta obscænitatum gratia castæ mentes abhorreant.

’Tis not scurrile this, but chast, honest, most part serious, and even of religion it self. Incensed (as he said) with the love of finding love, we have sought it, and found it. More yet, I have augmented and added something to this light Treatise (if light) which was not in the former Editions, I am not ashamed to confess it, with a good Author, quod extendi & locupletari hoc subjectum pleriq; postulabant, & eorum importunitate victus, animum utcunq; renitentem eò adegi, ut jam sexta vice calamum in manum sumerem, scriptioniq; longè & à studiis & professione meâ alienæ me accingerem, horas aliquas à seriis meis occupationibus interim suffuratus, easq; veluti ludo cuidam ac recreationi destinans;

Cogor ——— retrorsum Vela dare, atq; iterare cursus Olim relictos ———
409–410

The Anatomy of Melancholy: Section 1. Member 1. Subsection 1 the Preface

p. 673

I think I have said enough. If not, let anyone who thinks otherwise remember the case of Apuleius of Madaura: “In his life he was a philosopher,” as Ausonius says in his defence; “in his epigrams a lover, in his precepts utterly strict, and in his letter to Caerellia, licentious.” Amnianus, Sulpitius, Evenus, Menander and many other ancient poets “itched with lust in their writings”: they wrote Fescennine verses, Atellan farces and lewd songs, “cheerful material.” Yet they possessed “restraint and strictness in their conduct”; they lived chaste, strict and upright lives.

The dutiful poet himself should be chaste; His little verses need not be— Only then do they have wit and charm.

I agree with Catullus and make the same defence on my own behalf: “What I write here also depends largely on the opinions and authority of others; perhaps I am not mad myself but follow those who are. Yet grant that I am mad in this: we have all been mad at one time; and you yourself, I think, are sometimes mad, as are this man, that man and I.” For, of course, “I am human; I consider nothing human foreign to me.”

What another urges in his defence when accused of the same fault, I can plead with equal justice:

My page is licentious; my life is upright. However my lines go astray, my life is honest. My life is modest; my muse is playful.

But I presume I need no such defences. I need not cover my face, as Socrates did in Plato when he spoke of love, or blush and hide my eyes under a hood as Pallas did when Jupiter consulted her about Mercury’s marriage, “because a virgin is consulted about a wedding.” This is no licentious, obscene or wanton discussion.

Nothing written here has offended your more modest ears, as many French and Italian authors have lately done in their vernaculars, and even some of our Latin writers on the papal side—Zanches, Asorius, Abulensis, Burchardus and others. Rivet accuses them of being more licentious than Virgil in the Priapeia, Petronius in the Catalecta, Aristophanes in Lysistrata, Martial, or any other pagan, secular writer, “who,” as someone observes, “have offended so grievously in this way that chaste minds recoil from many brilliantly written works because of their obscenities.”

This is no coarse abuse, but a chaste, honourable and mostly serious work, even treating religion itself. “Fired,” as he said, “by the love of finding love, we have sought it and found it.” Moreover, I have enlarged this light treatise—if it is light—and added things absent from earlier editions. I am not ashamed to admit, with a good author, “that many people asked for this subject to be expanded and enriched. Overcome by their insistence, I forced my somewhat reluctant mind to take up the pen now for the sixth time and undertake writing far removed from my studies and profession, meanwhile stealing a few hours from my serious occupations and setting them aside for a kind of play and recreation.”

I am compelled to turn back, Set sail again and retrace courses Long since abandoned.

673

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.