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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyLove and Love Melancholy, Member 1, Section 1

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1651 English Page · Branch 664 of 1495

Love and Love Melancholy, Member 1, Section 1

1651 English

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Love and love Melancholy, Memb. 1. Sect. 1.

Preface or Introduction. Subsect. 1. Loves definition, Pedegree, Object, Fair, Amiable, Gracious and pleasant, from which comes Beauty, Grace, which all desire and love, parts affected.

Division or kinds. Subs. 2. Natural, in things without life, as love and hatred of elements; and with life, as vegetal, vine and elm, sympathy, antipathy, &c. Sensible, as of Beasts, for pleasure, preservation of kind, mutual agreement, custome, bringing up together, &c.

Or Rational. Simple which hath 3. objects as M. 1 Profitable. Su. 1. Health, wealth, honor, we love our benefactors: nothing so amiable as profit, or that which hath a shew of commodity.

Pleasant. Subs. 2. Things without life, made by art, pictures, sports, games, sensible objects, as hauks, hounds, horses. Or men themselves for similitude of manners, natural affections, as to friends, children, kinsmen, &c. for glory, such as commend us. Of women, as Before marriage, as Heroical, Mel. Sect. 2. vide ♈. Or after marriage, as Jealousie, Sect. 3. vide ♉.

Or Honest. Subs. 3. Fucate in shew, by some error or hypocrisie; some seem and are not; or truly for vertue, honesty, good parts, learning, eloquence, &c.

Mixt of al three which extends to M. 3 Common good, our neighbour, country, friends, which is charity; the defect of which is cause of much discontent and Melancholy. or God, Sect. 4. In excess, vide ♊ In defect, vide ♋

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The Anatomy of Melancholy: Love and Love Melancholy, Member 1, Section 1

p. 664

Love and love melancholy, Member 1, Section 1

Sections: 3.1.1.

Preface or introduction. Subsection 1. The definition and origin of love, Subsection 2; its object—the fair, lovable, gracious and pleasant—from which come Beauty and grace, which everyone desires and loves; the parts affected.

Sections: 3.1.1.1; 3.1.1.2.

Divisions or kinds. Subsection 2. Natural: in lifeless things, as the love and hatred of the elements; and in living things, such as plants—the vine and elm, attraction, repulsion, and so on. Sentient: as in animals, for pleasure, preservation of the species, mutual compatibility, habit, being brought up together, and so on.

Sections: 3.1.1.2.

Or rational. Simple, with three objects, as in Member 2: The useful. Subsection 1. Health, wealth, honour; we love our benefactors. Nothing is so lovable as advantage, or what seems advantageous.

Sections: 3.1.2.1.

The pleasant. Subsection 2. Lifeless things made by human skill; pictures, sports, games; objects of the senses, such as hawks, hounds and horses. Or people themselves, from similarity of character or natural affection, as towards friends, children and relatives; or for the sake of praise, those who commend us. Of women: Before marriage, as heroic melancholy, Section 2; see “Heroic or love melancholy” below. Or after marriage, as jealousy, Section 3; see “Jealousy” below.

Sections: 3.1.2.2; 3.2; 3.3.

Or the honourable. Subsection 3. Counterfeit in appearance, through some error or hypocrisy: some seem to be what they are not. Or genuine, for virtue, integrity, good qualities, learning, eloquence, and so on.

Sections: 3.1.2.3.

Mixed from all three, extending to Member 3: The common good, our neighbour, country and friends: this is charity, whose absence causes much discontent and melancholy. Or God, Section 4: In excess, see Section 4, Member 1. In deficiency, see Section 4, Member 2.

Sections: 3.1.3; 3.4.1; 3.4.2.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.