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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyDemocritus Junior to the Reader

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1651 English Page · Branch 57 of 1495

Democritus Junior to the Reader

1651 English

31–32

or at our late Pharsalian fields, in the time of Henry the sixt, betwixt the houses of Lancaster and York, an hundred thousand men slain, one writes, another, ten thousand families were rooted out, that no man can but marvel, saith Comineus, at that barbarous immanitie, ferall madnesse, committed betwixt men of the same nation, language and religion. Quis furor O cives? Why do the Gentiles so furiously rage, saith the Prophet David, Psal. 2. 1. But we may ask, why do the Christians so furiously rage? Arma volunt, quare poscunt, rapiuntque juventus?

Unfit for Gentiles, much lesse for us so to tyranize, as the Spaniards in the West Indies, that killed up in 42 years (if we may believe Bartholomæus à Casa their own bishop) 12 millions of men, with stupend & exquisite torments; neither should I ly (said he) if I said 50 millions. I omit those French Massacres, Sicilian Evensongs, the Duke of Alvas tyrannies, our gunpowder machinations, and that fourth fury, as one cals it, the Spanish inquisition, which quite obscures those ten persecutions, ——sævit toto Mars impius orbe,

Is not this Mundus furiosus, a mad world, as he terms it, insanum bellum? are not these mad men, as Scaliger concludes, qui in prælio acerbâ morte, insaniæ suæ memoriam pro perpetuo teste relinquunt posteritati; which leave so frequent battels, as perpetual memorials of their madnesse to all succeeding ages? Would this, think you, have enforced our Democritus to laughter, or rather made him turn his tune, alter his tone, and weep with Heraclitus, or rather howl, roar, and tear his hair in commiseration, stand amazed; or as the Poets faign, that Niobe was for grief quite stupified, and turned to a stone?

I have not yet said the worst, that which is more absurd and mad, In their tumults, seditions, civil & unjust wars, quod stultè suscipitur, impiè geritur, miserè finitur, such wars I mean, for all are not to be condemned, as those phantastical Anabaptists vainly conceive. Our Christian Tacticks are all out as necessary as the Roman Acies, or Grecian Phalanx; to be a souldier is a most noble and honorable profession (as the world is) not to be spared, they are our best wals and bulwarks,

31–32

The Anatomy of Melancholy: Democritus Junior to the Reader

p. 57

Or suppose he had witnessed our own recent fields of Pharsalus, in Henry VI’s time, between the houses of Lancaster and York: one writer says a hundred thousand people were killed; another, that ten thousand families were wiped out. No one can help marvelling, says Commynes, at the barbarous brutality and savage madness practised between people of the same nation, language, and religion. “What madness is this, citizens?” “Why do the nations rage so furiously?” asks the prophet David, Psalm 2:1. But we may ask: why do Christians rage so furiously? Why do the young men want weapons, demand them, and seize them?

Such tyranny is unfit for non-Christians, still less for us: consider the Spaniards in the Americas, who in forty-two years killed twelve million people with appalling, elaborate tortures, if we may believe their own bishop, Bartolomé de las Casas. Nor would I be lying, he said, if I put the number at fifty million. I pass over the French massacres, the Sicilian Vespers, the Duke of Alba’s tyrannies, our Gunpowder Plot, and that fourth Fury, as one writer calls it, the Spanish Inquisition, which quite overshadows those ten persecutions: Impious Mars rages throughout the world.

Is this not “a world gone mad”, as he calls it—a mad world, “insane war”? Are these not madmen, as Scaliger concludes, “who, by a bitter death in battle, leave to posterity the memory of their madness as an everlasting witness”—who leave so many battles as lasting memorials of their madness to every succeeding age? Would this, do you think, have driven our Democritus to laughter? Or would it have made him change his tune, alter his tone, and weep with Heraclitus—or rather howl, roar, tear his hair in pity, and stand appalled; or, as the poets imagine of Niobe, become utterly numb with grief and turn to stone?

I have not yet said the worst, what is more absurd and mad: in their tumults, rebellions, civil and unjust wars—“what is foolishly undertaken, impiously conducted, and miserably ended.” Those are the wars I mean, for we should not condemn them all, as those deluded Anabaptists foolishly imagine. Our Christian military formations are every bit as necessary as the Roman battle line or the Greek phalanx. Soldiering is a most noble and honourable profession, given the state of the world, and we cannot do without it. Soldiers are our best walls and defences.

57

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.