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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 14 Self-Love, Vainglory, Praise, Honour, Excessive Applause, Pride…

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1651 English Page · Branch 286 of 1495

Subsection 14 Self-Love, Vainglory, Praise, Honour, Excessive Applause, Pride…

1651 English

123 [printed 113]–124

This is it which makes them take such pains, and break out into those ridiculous strains, this high conceit of themselves, to scorn all others; ridiculoso fastu & intolerando contemptu, as Palæmon the Grammarian contemned Varro, secum & natas & morituras literas jactans, and brings them to that height of insolency, that they cannot indure to be contradicted, or hear of any thing but their own commendation, which Hierom notes of such kinde of men. And as Austin well seconds him, ’tis their sole study day and night to be commended and applauded.

When as indeed, in all wise mens judgments, quibus cor sapit, they are mad, empty vessels, funges, beside themselves, derided, & ut Camelus in proverbio quærens cornua, etiam quas habebat aures amisit, their works are toyes, as an Almanack out of date, authoris pereunt garrulitate sui, they seek fame and immortality, but reap dishonor and infamy, they are a common obloquie, insensati, and come far short of that which they suppose or expect. O puer ut sis vitalis metuo.

Of so many myriades of Poets, Rhetoricians, Philosophers, sophisters, as Eusebius well observes, which have written in former ages, scarce one of a thousands works remaines, nomina & libri simul cum corporibus interierunt, their books and bodies are perished together. It is not as they vainly think, they shall surely be admired and immortal, as one told Philip of Macedon insulting after a victory, that his shadow was no longer than before, we may say to them,

Nos demiramur, sed non cum deside vulgo, Sed velut Harpyas, Gorgonas, & Furias.We marvail too, not as the vulgar we, But as we Gorgons, Harpy, or Furies see.

Or if we do applaud, honor and admire; quota pars, how small a part in respect of the whole world, never so much as hears our names, how few take notice of us, how slender a Tract, as scant as Alcibiades his land in a Map! And yet every man must and will be immortal, as he hopes, and extend his fame to our Antipodes, when as half, no not a quarter of his own Province or City, neither knows nor hears of him:

but say they did, whats a City to a Kingdom, a Kingdom to Europe, Europe to the world, the world it self that must have an end, if compared to the least visible Star in the Firmament, eighteen times bigger then it? and then if those Stars be infinite, and every Star there be a Sun, as some will, and as this Sun of ours hath his Planets about him, all inhabited; what proportion bear we to them, and wher’s our glory?

Orbem terrarum victor Romanus habebat, as he crackt in Petronius, all the world was under Augustus: and so in Constantines time, Eusebius brags he governed all the world, universum mundum præclarè admodum administravit,——& omnes orbis gentes Imperatori subjecti: so of Alexander it is given out, the 4. Monarchies. &c. when as neither Greeks nor Romans, ever had the fifteenth part of the now known world, nor half of that which was then described.

123 [printed 113]–124

The Anatomy of Melancholy: Subsection 14 Self-Love, Vainglory, Praise, Honour, Excessive Applause, Pride…

p. 286

This is what makes them take such pains and burst into those ridiculous strains: this high opinion of themselves, making them scorn everyone else “with ridiculous arrogance and intolerable contempt,” as Palaemon the grammarian despised Varro, “boasting that learning had been born with him and would die with him.” It brings them to such a pitch of insolence that they cannot bear contradiction or listen to anything but their own praises, as Jerome observes of such men. Augustine aptly supports him: their only study, day and night, is to be praised and applauded.

Yet in the judgment of all wise men, “whose hearts have understanding,” they are mad, empty vessels, mushrooms, out of their senses, objects of derision. “Like the camel in the proverb, which sought horns and lost even the ears it already had,” their works are trifles, like an out-of-date almanac: “they perish through their author’s chatter.” They seek fame and immortality, but reap dishonour and infamy. They are common objects of abuse, “senseless,” and fall far short of what they suppose or expect. “O boy, I fear you will not live long.”

Of the many thousands of poets, rhetoricians, philosophers and sophists who wrote in former ages, scarcely one in a thousand has works that survive, as Eusebius aptly observes: “their names and books have perished together with their bodies”; their books and bodies have perished together. It is not as they vainly think, that they will certainly be admired and immortal. As someone told Philip of Macedon, exulting after a victory, that his shadow was no longer than before, so we may say to them,

We marvel, but not with the idle crowd: Rather as at Harpies, Gorgons and Furies.

We marvel too, though not as common people do, But as at Gorgons, Harpies or Furies.

Or if we do applaud, honour and admire: “what a small part”—how small a part, compared with the whole world, ever so much as hears our names! How few take notice of us; how narrow a region, as tiny as Alcibiades’ land on a map! Yet every man must and will be immortal, so he hopes, and spread his fame to the other side of the earth, when half—no, not even a quarter—of his own province or city knows him or hears of him.

But suppose they did. What is a city beside a kingdom, a kingdom beside Europe, Europe beside the world, or the world itself, which must come to an end, compared with the smallest visible star in the firmament, eighteen times larger than it? Then, if those stars are infinite, and every star is a sun, as some maintain, and each, like our own sun, has its planets around it, all inhabited, what proportion do we bear to them, and where is our glory?

“The victorious Roman held the whole world,” as he boasted in Petronius: the whole world was under Augustus. So, too, in Constantine’s time, Eusebius boasts that he governed the whole world: “he ruled the entire world most splendidly—and all the nations of the earth were subject to the emperor.” The same is said of Alexander, the four monarchies, and so on, though neither Greeks nor Romans ever possessed a fifteenth of the world now known, or half of what was then described.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.