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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 13. Love of Gambling and the Like, and Excessive Pleasures, As…

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1651 English Page · Branch 280 of 1495

Subsection 13. Love of Gambling and the Like, and Excessive Pleasures, As…

1651 English

119

And if he had been by chance crossed in his sport, or his game not so good, he was so impatient, that he would revile and miscall many times, men of great worth with most bitter taunts, look so sowre, be so angry and waspish, so grieved & molested, that it is incredible to relate it. But if he had good sport, and been well pleased on the other side, incredibili munificentia, with unspeakable bounty and munificence he would reward all his fellow hunters, and deny nothing to any suiter when he was in that mood.

To say truth, ’tis the common humor of all gamesters, as Galateus observes, if they win, no man living are so jovial and merry, but if they lose, though it be but a trifle, two or three games at Tables, or a dealing at Cards for two pence a game, they are so cholerick and testy that no man may speak with them, and break many times into violent passions, oaths, imprecations, and unbeseeming speeches, little differing from mad men for the time.

Generally of all Gamesters and gaming, if it be excessive, thus much we may conclude, that whether they win or lose for the present, their winnings are not Munera fortunæ, sed insidiæ, as that wise Seneca determines, not fortunes gifts, but baits, the common Catastrophe is beggery, Ut pestis vitam, sic adimit alea pecuniam, as the plague takes away life, doth gaming goods, for omnes nudi, inopes & egeni;

Alea Scylla vorax, species certissima furti, Non contenta bonis animum quoque perfida mergit, Fœda, furax, infamis, iners, furiosa, ruina.

For a little pleasure they take, and some small gaines and gettings now and then, their wives and children are wringed in the mean time, & they themselves with losse of body and soul, rue it in the end. I will say nothing of those prodigious prodigals, perdendæ pecuniæ genitos, as he taxed Anthony, Qui patrimonium sine ulla fori calumnia amittunt, saith Cyprian, and mad Sybaritical spendthrifts, Quique una comedunt patrimonia cœna;

that eat up all at a breakfast, at a supper, or amongst Baudes, Parasites, and Players, consume themselves in an instant, as if they had flung it into Tybur, with great wages, vain and idle expences &c. not themselves only, but even all their friends, as a man desperately swimming drowns him that comes to help him, by suretiship and borrowing they will willingly undo all their associates & allies. Irati pecuniis, as he saith, angry with their mony:

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The Anatomy of Melancholy: Subsection 13. Love of Gambling and the Like, and Excessive Pleasures, As…

p. 280

If anything happened to thwart him in his sport, or the hunting was poor, he became so impatient that he often reviled and abused men of great worth with the bitterest taunts. He looked so sour, was so angry and irritable, so grieved and vexed, that the account seems incredible. On the other hand, if he had good sport and was pleased, he would reward all his fellow hunters “with incredible generosity,” with unspeakable bounty and munificence, refusing nothing to any petitioner while he was in that mood.

To tell the truth, this is the common disposition of all gamblers, as Galateo observes. If they win, nobody alive is so jovial and merry. But if they lose, even a trifle—two or three games of backgammon, or a deal at cards for twopence a game—they become so angry and touchy that nobody can speak to them. They often break out in violent fits of passion, oaths, curses and improper language, differing little from madmen for the time being.

Of all gamblers and gambling, when excessive, we may generally conclude this much: whether they win or lose for the moment, their winnings are “not gifts of fortune but snares,” as the wise Seneca judges—not fortune’s gifts but bait. The usual outcome is beggary. “As plague takes life, so gambling takes money”: as the plague takes away life, gambling takes away possessions, for “all are stripped, destitute and needy.”

Gambling, ravenous Scylla, the surest form of theft, Not content with wealth, treacherously drowns the soul as well: A foul, thieving, infamous, idle, frantic ruin.

For the little pleasure they take and the small gains and winnings they make now and then, their wives and children suffer in the meantime, and they themselves rue it in the end, losing body and soul. I will say nothing of those monstrous spendthrifts, “born to squander money,” as the writer reproached Antony; people “who lose their inherited estates without any legal accusation,” as Cyprian says; and mad, Sybaritic squanderers “who eat up estates at a single dinner.”

They eat everything up at a breakfast or a supper, or consume their means in an instant among bawds, parasites and players, as though they had thrown it into the Tiber, through high wages and vain, idle expenses. They ruin not only themselves but all their friends. As a desperate swimmer drowns the person who comes to help him, so, through guarantees and borrowing, they willingly ruin all their associates and relations. “Angry with money,” as he says: angry with their money.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.