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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 3. Classification of the Passions.

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Modern English Page · Branch 249 of 1495

Subsection 3. Classification of the Passions.

1651 English

97 [PDF197]

Subsect. 3. Division of Perturbations.

Perturbations and passions, which trouble the phantasie; though they dwell between the confines of Sense and Reason, yet they rather follow Sense than Reason, because they are drowned in corporeal organs of Sense. They are commonly reduced into two inclinations, Irascible, and Concupiscible. The Thomists subdivide them into eleven, six in the Coveting, and five in the Invading. Aristotle reduceth all to Pleasure and Pain; Plato to Love and Hatred; Vives to Good and Bad.

If good, it is present, and then we absolutely joy and love: or to come, and then we desire and hope for it: If evil, we absolutely hate it: if present, it is Sorrow; if to come Fear: These four passions Bernard compares to the wheeles of a Chariot, by which we are carryed in this world. All other passions are subordinate unto these four, or six, as some will: Love, Joy, Desire, Hatred, Sorrow, Fear: The rest, as Anger, Envy, Emulation, Pride, Jealousie, Anxiety, Mercy, Shame, Discontent, Despair, Ambition, Avarice, &c. are reducible unto the first: and if they be immoderate, they consume the spirits, and melancholy is especially caused by them.

Some few discreet men there are, that can govern themselves, and curb in these inordinate Affections, by Religion, Philosophy, and such divine Precepts, of meekness, patience, and the like; but most part for want of government, out of indiscretion, ignorance, they suffer themselves wholly to be led by sense; and are so far from repressing rebellious inclinations, that they give all incouragement unto them, leaving the raynes, and using all provocations to further them: bad by Nature, worse by Art, Discipline, Custome, Education, and a perverse will of their own, they follow on, wheresoever their unbridled Affections will transport them, and do more out of custome, self-will, than out of Reason.

Contumax voluntas, as Melancthon cals it, malum facit: this stubborn will of ours perverts judgment, which sees and knows what should and ought to be done, and yet will not do it. Mancipia gulæ, slaves to their several lusts, and appetite, they precipitate and plunge themselves into a Labyrinth of cares, blinded with lust, blinded with ambition; They seek that at Gods hands, which they may give unto themselves, if they could but refrain from those cares, and perturbations, wherewith they continually macerate their mindes. But giving way to these violent passions of fear, grief, shame, revenge, hatred, malice, &c. they are torn in pieces, as Actæon was with his dogs, and crucifie their own souls.

97 [PDF197]

The Anatomy of Melancholy: Subsection 3. Classification of the Passions.

p. 249

Subsection 3. Classification of the passions.

The disturbances and passions that trouble the imagination, though they inhabit the borderland between sense and reason, follow sense rather than reason, because they are immersed in the bodily organs of sense. They are commonly divided between two inclinations, the irascible and the concupiscible. The followers of Thomas Aquinas subdivide them into eleven: six belonging to the desiring faculty and five to the faculty of struggle. Aristotle reduces them all to pleasure and pain; Plato to love and hatred; Vives to good and evil.

If the object is good, it is either present, and then we simply rejoice in it and love it; or still to come, and then we desire and hope for it. If it is evil, we simply hate it: if present, it brings sorrow; if still to come, fear. Bernard compares these four passions to the wheels of a chariot that carries us through this world. All other passions fall under these four—or six, as some would have it: love, joy, desire, hatred, sorrow and fear. The rest, such as anger, envy, rivalry, pride, jealousy, anxiety, pity, shame, discontent, despair, ambition, greed and so on, can be reduced to these primary passions. When excessive, they consume the spirits and are especially productive of melancholy.

A few judicious people can govern themselves and curb these unruly emotions through religion, philosophy and divine precepts of meekness, patience and the like. But most, lacking self-control through poor judgement and ignorance, let themselves be led entirely by sense. Far from repressing their rebellious inclinations, they give them every encouragement, dropping the reins and using every stimulus to spur them on. Bad by nature and made worse by artifice, training, habit, education and their own perverse will, they follow wherever their unbridled emotions carry them, acting more from habit and wilfulness than from reason.

“A stubborn will,” as Melanchthon calls it, “does evil”: this obstinate will of ours perverts judgement, which sees and knows what should and ought to be done, yet refuses to do it. “Slaves to the belly,” slaves to their various lusts and appetites, they fling and plunge themselves into a labyrinth of cares, blinded by lust, blinded by ambition. They ask God for what they could give themselves, if only they could restrain the cares and disturbances with which they continually wear away their minds. But by yielding to these violent passions of fear, grief, shame, revenge, hatred, malice and so on, they are torn to pieces, as Actaeon was by his dogs, and crucify their own souls.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.