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Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyTo the Reader Who Misuses His Leisure.

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Modern English Page · Branch 117 of 1495

To the Reader Who Misuses His Leisure.

1651 English

95–96

Lectori male feriato.

Tu vero cavesis edico quisquis es, ne temere sugilles Authorem hujusce operis, aut cavillator irrideas. Imo ne vel ex aliorum censura tacite obloquaris (vis dicam verbo) nequid nasutulus inepte improbes, aut falso fingas.

Nam si talis revera sit, qualem præ se fert Junior Democritus, seniori Democrito saltem affinis, aut ejus Genium vel tantillum sapiat; actum de te, censorem æque ac delatorem aget econtra (petulanti splene cum sit) sufflabit te in jocos, comminuet in sales, addo etiam, & deo risui te sacrificabit.

Iterum moneo, ne quid cavillere, ne dum Democritum Juniorem conviciis infames, aut ignominiose vituperes, de te non male sentientem, tu idem audias ab amico cordato, quod olim vulgus Abderitanum ab Hyppocrate, concivem bene meritum & popularem suum Democritum, pro insano habens. Ne tu Democrite sapis, stulti autem & insani Abderitæ.

Abderitanæ pectora plebis habes. Hæc te paucis admonitum volo (male feriate Lector) abi.

Heraclite fleas, misero sic convenit ævo, Nil nisi turpe vides, nil nisi triste vides. Ride etiam, quantumque lubet, Democrite ride Non nisi vana vides, non nisi stulta vides.Is fletu, hic risu modo gaudeat, unus utrique Sit licet usque labor, sit licet usque dolor.Nunc opus est (nam totus eheu jam desipit orbis) Mille Heraclitis, milleque Democritis. Nunc opus est (tanta est insania) transeat omnis Mundus in Anticyras, gramen in Helleborum.
95–96

The Anatomy of Melancholy: To the Reader Who Misuses His Leisure.

p. 117

To the reader who misuses his leisure.

But you, whoever you are, take care, I warn you, not to attack the author of this work rashly or mock him like a fault-finder. Indeed, do not even join silently in other people’s condemnation; to put it plainly, do not turn up your nose and foolishly find fault, or invent false charges.

For if Democritus Junior really is what he claims to be—at least a kinsman of the elder Democritus, or possessed of even a little of his spirit—you are done for. He will turn critic and accuser against you in return. With his mischievous spleen, he will blow you into a jest, grind you into grains of wit, and, I may add, sacrifice you to the god of laughter.

Again I warn you: do not carp. If you abuse and disgrace Democritus Junior, who thinks no ill of you, a sensible friend may say to you what Hippocrates once said to the people of Abdera when they took their worthy fellow citizen Democritus for a madman: “You, Democritus, are indeed wise; the Abderites are the fools and madmen.”

“You have the wits of the Abderite mob.” I wanted to give you this brief warning, reader who misuses his leisure. Be off.

Weep, Heraclitus: it befits this wretched age; You see nothing but shame, nothing but sorrow. Laugh too, Democritus, laugh as much as you please: You see nothing but vanity, nothing but folly.

Let one find pleasure in tears, the other in laughter, Though both share the same endless labour and pain.

Now we need—for, alas, the whole world has gone mad— A thousand Heraclituses, a thousand Democrituses. Now, so great is the madness, we need the whole World turned into Anticyras, and all grass into hellebore.

117

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.