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Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyContextual Lexicon

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English Introduction · Branch 1108 of 1495

Contextual Lexicon

The Anatomy of Melancholy: Contextual Lexicon

p. 1108

In Burton. Burton relates Adam’s sin to the physical agents of illness by distinguishing an impelling cause from its instruments. His account of movement distinguishes efficient cause from end, the desired or avoided object. The medical headings then gather internal, antecedent and immediate causes. These are overlapping explanatory schemes, and Burton’s compressed grouping should not be mistaken for a single consistently separated classification.

The places. Adam’s sin is called the impelling cause of human misery. (p. 2; DJR-021-12.) Created things act as instruments of infirmity. (p. 3–4; DJR-021-27.) Efficient cause is distinguished from the end of movement. (p. 25; DJR-025-31.) External and internal causes are classified. (p. 65; DJR-033-28.) A heading groups causes acting on the mind through the body. (p. 172; DJR-056-39.)

In this edition. “impulsive cause” → “impelling cause” (DJR-021-12); “instrumental causes” → “instrumental causes” (DJR-021-27); “Efficient cause” → “efficient cause” (DJR-025-31); “Continent causes” → “containing causes” (DJR-033-28); “Continent, inward, antecedent, next causes” → “Immediate, internal, antecedent and proximate causes” (DJR-056-39). The renderings preserve the distinctions locally. Containing and immediate express the sustaining force of continent; proximate expresses the nearness meant by next.

See also. Consent and essence; Accident; Contingence; Adventitious; Artificial.

Cautery

Source forms: cautery; seared; cauterized consciences

The word. Cautery involves searing bodily tissue. In the selected medical passage, a cautery is the resulting wound maintained as a draining outlet. A cauterized conscience figuratively lacks sensitivity.

In Burton. A reported case attributes madness to the healing of a draining wound and recovery to its reopening. Elsewhere the willingness to endure cauterization illustrates how strongly most people desire life. In the satire on wealthy patrons, seared consciences resist rebuke. The physical action thus supplies both a treatment term and a moral image.

The places. Closure of a cautery wound is given as a cause of illness. (p. 176; DJR-057-26.) Cauterization appears among sufferings endured for health. (p. 215; DJR-066-01.) Seared consciences disregard denunciation. (p. 137; DJR-048-22.)

In this edition. “a cautery” → “a cautery wound” (DJR-057-26); “seared” → “cauterized” (DJR-066-01); “cauterized consciences” → “consciences are seared” (DJR-048-22). Adding wound clarifies the object that dries up; seared preserves the bodily metaphor in the moral passage.

See also. Chirurgery.

Censure

Source forms: censured; censure; censures

The word. Censure can mean judgment or assessment, as well as adverse criticism. Its force depends on who judges and on the surrounding action.

In Burton. The synopsis asks how someone who harms himself should be judged. Addressing patrons, Burton submits himself to their censure and service: their judgment is being acknowledged, not necessarily their condemnation. A scholar who scorns all censures, by contrast, dismisses criticism. The word moves from an act of assessment to the opinions that an author resents.

The places. The synopsis poses a question about judgment. (p. 100; DJR-020-63.) Burton submits to the judgment of worthy patrons. (p. 141; DJR-049-19.) A scholar dismisses criticism. (p. 195; DJR-061-07.)

In this edition. “censured” → “judge” (DJR-020-63); “censure” → “judgement” (DJR-049-19); “censures” → “criticism” (DJR-061-07). Judge and judgement preserve the broader sense; criticism fits the scholar’s defensive attitude.

See also. Fact; Explode; Apologize.

Cento

Source forms: Cento

The word. A cento is a patchwork composition assembled from other writings. Here the term names Burton’s own gathered work.

1108

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.